November 17, 2012
Chapel Performance Space, Good Shepherd Center, Seattle
Any Ensemble (Greg Campbell, Jacob Zimmerman, John Teske, Natalie Mai Hall, Neil Welch, Paul Kikuchi)
scan texture up
down texture back
forth texture in
November 20, 2012
Birdbrain - Ginsberg - The Gluons
Casting aspersions widely, hoping something will stick. A list of random social atrocities all attributed to a stand-in bad guy, a them. Not among his strongest work.
So what is wrong with putting on a good show? Easy to follow, completely entertaining, brightly colored. Here: no new ground is broken, nothing explored that wasn't known. The given task was fulfilled, music was made, business was duly transacted, we depart unmoved.
Banned Rehearsal 242 - (December 1990, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt)
Smallish sounds closely regarded. Room roar present. Becoming slow and sleepy to the breathing harmony of harmonica breathing sleepy slow. (PP - drumroll!). A study in singularities. Snare buzz roll interrupted by funmaker percussion. Big Crescendo up to A Big Moment: Grand Pause: Loud! Radio sound smeared with slathered sonic paint.
Banned Rehearsal 587 (recording by Pete Comley) - (October 2000, Peter Comley, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Isabel Kosály-Meyer, Neal Meyer)
Slow bell noodles glued with sax. Tub bass in particular.
November 21, 2012
Gradus 84 - Neal Meyer
An airplane dopplers over between events.
BF Vocals and Percussion Chorus - Eisenbrey
The density of the percussion chorus begins to produce a hint of an image of a choral sound, so that the ear is beguiled into thinking there is a touch of the vocal in the mix even when there isn't.
In Session at The Tintinabulary
November 19, 2012
Banned Rehearsal 825 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt
Saturday May 4, 2013 at 8:00 PM
Keith Eisenbrey and Neal Meyer at The Chapel Performance Space, Good Shepherd Center, Seattle
Music for solo piano
Eisenbrey: Welcome to my planet. I come in peace.
Meyer: Cage - Solo for Piano