Saturday, June 25, 2022

Playlist

Preface

"'Ah! Poetry makes life what lights and music do the stage. Strip the one of its false embellishments, and the other of its illusions, and what is there real in either to live or care for?'
'Very true, sir,' replied Mr. Snodgrass.
'To be before the footlights,' continued the dismal man, 'is like sitting at a grand court show, and admiring the silken dresses of the gaudy throng - to be behind them, is to be the people who make that finery, uncared for and unknown, and left to sink or swim, to starve or live, as fortune wills it.'
'Certainly,' said Mr. Snodgrass: for the sunken eye of the dismal man rested on him, and he felt it necessary to say something."

Charles Dickens - "The Posthumous Papers of The Pickwick Club" 

Texts

Streaming

June 24, 2022

the shape of the wind, the shadow of time
Seattle Modern Orchestra, Michael Lewanski, guest conductor

(famous pre-mission
better than many
as pre-missions go
lights!!)

The shape of the wind, the shadow of time, for percussion soloist and ensemble
 - Huck Hodge - Bonnie Whiting, percussion

percussion as high priestess
orchestra as extension of soloist
percussionist's layout
is the Chekov's gun of instrumental theater
everything will be used
 similar to but on a different structural level than
a keyboardist's fingering
 percussion and its repercussions
percussion travels
further and further
from the harp
reprise
re-journey
suddenly a spring
from the right

(infamous intermissions)

Now is Forever, for  soprano and chamber orchestra - Kate Soper - Maria Männistö, soprano

wearing a dress of orphic flowers

Indígena - Tania León

sentient toy orchestra
wanders
in
and out
and through
and beyond
a Latin feel

From Recent Arrivals

June 24, 2022

Understand - Christina Aguilera [from Back to Basics]

song as a synthesis
of language content
and para-language context

In The Good Old Days (When Times Were Bad) - Dolly Parton [from In The Good Old Days (When Times Were Bad)]

ah the country life

Seven Day Fool - Etta James [from The Second Time Around]

that's the pitch
but my guess is 
he won't appreciate her

Recorded

June 18, 2022
Your Feets Too Big - The Beatles [from First Live Recordings]

body shaming
garbage rock

Mary Anne With the Shaky Hand - The Who [from The Who Sell Out]

notes from someone's little black book

Janine - David Bowie [from Space Oddity]

Bowie goes country

White Riot
- The Clash [from The Clash]

the purpose of a band
socially 
can include
raw tribal identity
the band
the scene
the sound 
the attitude
the look
all of it must plausibly mesh
in order to attract a crowd
to whom beer can be sold

Sexual Healing - Marvin Gaye [collected from Dave Marsh's The Heart of Rock & Soul]

on call
therapy provider
all about him

June 19, 2022

Banned Rehearsal 107 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [assembled April 6, 1987]


assembled from Telepaths 8
which had been made on the previous New Year's Eve  

you're in charge of making sound
the Greenwood contingent
is washing dishes
eventually
the glass salad bowl will break
a suit made of blue paper
far beyond the ken of man
the time being buds like yeast
virtual floor here

If I Should Fall Behind - Bruce Springsteen [from Lucky Town]

the should
makes it sound old fashioned
and country
the hokey accent is a bit much

Wonder Wine - Shonen Knife [from Brand New Knife]

is there any other music tradition
besides American song
and derivations
 wherein the instrument in hand
is used as a virtual companion
to the vocal line
commenting
answering
echoing
guitar to blues singer
as though
the song
is sung
by two separate individuals

When Will They Shoot?
- Ice Cube [from The Predator]

between the rapper and beat
the clothes of the rap

Consider the Birds 28 - Keith Eisenbrey [February 3, 2007]

a probe sent into the sound
reports data back in pulse packets
it must have gone behind something
briefly
if a single pulse packet
packs two distinct sounds
it imitates a second pulse packet
until synthesis is complete
the probed sound reveals its structure
as a pulse packet piece
a new structure
existent
only as pulse packets
might be experienced

Sound Check
- Tyrannosaurus Grace [recorded live at The Rat and Raven, August 9, 2012]

Your Mother Should Know had played
so I recorded everybody
I didn't trust my ability
to sense
socially
when
after a sound check
the set might be about to begin
so I recorded everybody's sound check
this one was quite extensive
they had a lot of equipment

Huge Guy in the Mosh Pit - Your Mother Should Know [recorded live at The Sunset Tavern, April 18, 2017]

too bad the vocals are so low in the mix
the guitar and the snare sound good

Laras Chopin - Gamelan Pacifica, Stephen Fandrich [from Vessel]

bowed bells I think
making with them
a virtual bell
by means of
its invented sound
a very large virtual bell
cast in the sound of smaller bells 
bowed 
the bell is the song it sings

June 20, 2022

A Grounde, Fvb 130 - Thomas Tomkins - Claudio Columbo [from The Fitzwilliam Virginal Book]

if the ground is plain
it can disguise itself anywhere
and be on full display
 if it ends where it began
it doesn't force motion
but a motion notion
can be imparted to it

Sonata in F minor, Kk. 186 - Domenico Scarlatti - Pieter-Jan Belder

a sequence of time spans
measured by their meter
i.e. by count
by numbers of pulse tokens

Don Carlos Act V - Giuseppe Verdi - Coro e Orchestra del Teatro alla Scala, Claudio Abbado, Placido Domingo, Katia Ricciarelli, Lucia Valentini Terani, Leo Nucci, Ruggero Raimondo, Nicolai Giaurov

begins in solitude
as Elisabeth works things out
fears enter in from the strings
interesting sound
with her high voice
matched closely by pianissimo winds
is Elisabeth relieved
or chagrined
that Don Carlos has overcome his desire for her?
but there's trouble brewing in the orchestra

the window of focus is much narrower in Verdi
than in Wagner
Wagner is all about the repercussion of the whole
on each moment
and of each moment
on the whole
the characters are distant from us
here
they are right there
in our heads
moment by moment 

suddenly the King
mad as hell

June 21, 2022

James Alley Blues - Richard "Rabbit" Brown [from Anthology of American Folk Music]

the guitar is the stand-in
for the world in which
the blues persist
or
the experience of the world
as seen through the eyes of the complaint

Yours and Mine - Billie Holiday, Teddy Wilson and His Orchestra - from Lady Day, The Complete Billie Holiday on Columbia]

likewise here
the world in which the sung words
are made to scan
lighting
and camera angles
as well as the blocking
and choreography

Donna Lee - Charlie Parker [from The Complete Savoy and Dial Master Takes]

a ferocious melody
threaded throughout

Partitions - Milton Babbitt - Robert Taub

pushing through a thorn bush
it fights back

Rock-A-Bye Your Baby With a Dixie Melody - Aretha Franklin [from The Electrifying Aretha Franklin]

did she choose this song?
unapologetic Hollywood glitz

Lucy in the Sky With Diamonds
- The Beatles [from Sgt. Peppers Lonely Heart's Club Band]

childlike
an ode to creative flights

Running Gun Blues - David Bowie [from The Man Who Sold The World]

the blues here
such as they are
occupy only a narrow corner of the song proper

A Consort of Choral Christmas Carols - PDQ Bach [from Portrait of PDQ Bach]

how much does the whole of what PDQ was
rely on the introductions
they tend to amuse and annoy equally
they are mostly verbal jokes

That's How I Escaped My Certain Fate - Mission of Burma [collected from Nancy's Mix]

monster truck 
at high velocity
in rough terrain

No One Takes the Train Anymore - Bonnie Guitar [from Dark Moon and Other Country Favorites]

played as a slow oxcart lumber
or
all the ways to no longer make a new plan Stan
because they're too slow

Humans from Earth - T. Bone Burnett [from The Criminal Under My Own Hat]

colonizers
but the message is too obvious
then he makes it worse

Interlude: Speaker Phone - Janet Jackson [from The Velvet Rope]

slice of celebrity life

June 22, 2022

Serenade for Strings, 4th Movement - Pyotr Ilyitch Tchaikovksy [from The Romance of Music Chamber Concert, Sedro Wooley, April 14, 2012]

the Romantic idea of a Serenade
Summer evenings in the park
at some elegant bath town
well dressed promenaders
taking in the flavors
of their self esteems

The Pugilist - Peter Fedofsky [from The City of Good Neighbors]

this wanders off a bit
pretty enough tune

with respect to George - Benjamin Boretz - Keith Eisenbrey [November 16, 2012]

my first attempt to record this
I hadn't figured out how to record the clavichord yet
it's quiet
I like the sense of improvising into it I'm getting at
though I think that sense was preserved in my subsequent attempts

Part 1 - The Seattle Phonographers Union [from Georgetown Steamplant]

exploring the cadavers of industry
instruments of former progress
our big sounds
turned small 

Nibelheim

Banned Rehearsal 1049 - Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer [assembled April 13, 2022]


punctuational shredding of bird tweets and bells
the multiple layers
going into the mix
result in
a complex synthetic environment
a space
in which no one was
but
which leaves this trace
our virtual porch
 
the purpose of Banned Rehearsal*
is to spend a certain amount of time
listening to ourselves
and to each other
everything else just gets in the way 

(*for me)
(*or for it)
(*or as a project with its own agenda) 

we listen to each other
and to ourselves
by making sounds
for each other
and for ourselves

Barafostus Dreame, Fvb 131 - Thomas Tomkins - Claudio Columbo [from The Fitzwilliam Virginal Book]

a melody
in polite company
requires
ribbons
bows
satin
and fascinators
to grace their bare mechanisms

who made your gown 
it is exquisite 

a distraction
and an attention magnet

June 23, 2022

Ship of Glory - Price Family Sacred Singers [from Goodbye Babylon]

pre-industrialized music
when music could sound like what it sounded like
guitar
fiddle
a harmonium
and a small cohort of mixed voices

Drunken Hearted Man (DAL 3972) - Robert Johnson [from The Complete Recordings]

traditional blues intro
is conceptually no different
than any of the traditional baroque cadences
mule team tempo

Who's to Blame - T. Texas Tyler [from Allen Lowe's That Devilin' Tune]

likewise
with the traditional guitar opening of this
c'mon porky
who I presume is playing electric guitar
voice grinds on "hang"

Everything I've Got
- Blossom Dearie [from Blossom Dearie]

(Richard Rogers
Lorenz Hart)

I'm not yours for better but for worse
sleep & sleep & sleep & sleep 

the music is a vehicle
for the clever lyrics
and the clever lyrics are a vehicle
for the singer
to cleverly phrase

Man of Constant Sorrow - Bob Dylan [from Bob Dylan]

lives in the blues
all troubles
all the time

In Session at the Tintinabulary

June 18, 2022

Banned Telepath 88 Union Bay - Jennifer Chung

June 20, 2022

Banned Telepath 88 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt

Banned Rehearsal 1053 - Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt


June 22, 2022

Joshua Tree Prelude 23 - Aaron Keyt

June 24, 2022

Joshua Tree Prelude 24 - Aaron Keyt

Anybody's Fingerbook 7x7 (transpositional) A B C - Keith Eisenbrey


Postscripts

Skaldmud's Doodle Gallery 

some listening journal doodles from 1989






Saturday, June 18, 2022

Playlist

Preface

"'I think we may adjourn,' said Lieutenant Tappleton.
'Certainly,' added the doctor.
'Unless,' interposed the man with the camp-stool; 'unless Mr. Winkle feels himself aggrieved by the challenge; in which case, I submit, he has a right to satisfaction.
Mr. Winkle, with great self-denial, expressed himself quite satisfied already.
'Or possibly,' said the man with the camp-stool, 'the gentleman's second may feel himself affronted with some observations which fell from me at an early period of this meeting: if so I shall be happy to give him satisfaction immediately.'"

Charles Dickens - "The Posthumous Papers of The Pickwick Club" 

Texts

From Recent Arrivals

June 17, 2022

That Year - Brandi Carlile [from Give Up The Ghost]

in some alternate universe
wherein what happened in High School
still matters
of course some things did
but the emotional details don't generally need to be re-inflated
to adolescent proportions
we all survived more or less



Prelude et Etude en Arpeges
- Ferrucio Busoni - Wolf Harden

up and down
flips and turns at either end
some stern words

Sonata in D minor, BuxWV 257 - Dieterich Buxtehude - Jaap ter Linden, John Holloway, Lars Ulrik Mortensen

bodily movement from harmony to harmony
we are involved
as it is our body that is moved
from and to

Too Much Rain - Carole King [from Music]

you got that right sister!

In Nativitatem Domini Canticum, H. 416 - Marc-Antoine Charpentier - Les Musiciens du Louvre, Marc Minkowski

peace in a large stone room
solid deep and still

Recorded

June 11, 2022

Put up thy Dagger, Jemy, Fvb 127 - Giles Farnaby - Claudio Columbo [from The Fitzwilliam Virginal Book]

a violent image
at odds
with the politesse
of the arrangements

Christus Resurgens - Peter Philps - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocibus]

creating spaces
volumes
at will
sing
and it is so

Sonata in F minor, Kk. 185 - Domenico Scarlatti - Pieter-Jan Belder

climb the ladder
now all its rungs belong to you
take the auxiliary ladders
tie the rope bridges between
hang around
where the view is most agreeable to mood

Don Carlos, Act IV - Giuseppe Verdi - Coro e Orchestra del Teatro alla Scala, Claudio Abbado, Placido Domingo, Katia Ricciarelli, Lucia Valentini Terani, Leo Nucci, Ruggero Raimondo, Nicolai Giaurov

individual voices among the strings
intrigue
as it gains a more balanced continuity
we are mistrustful
rightly so
an act of dark and dire deeds
begins in sleepless night
the Inquisitor's pronouncements
bear a family resemblance to those of Il Commendatore
it is full of very low bass notes
ends way down there

then the treble voices enter frantic
when Elisabeth is interrogated by the King
the King has the same chromatically rising framework
as the Inquisitor 

||high speed rotary excrement distributor set to high||

chart the power structures between the characters
to the profiles of their sung lines
continuously readjusting 

||the heart of the story is a relationship between a man and a woman
most of the interactions between men and women are confrontational
accusatory||

that scene ends way up on a high note
lets have an insurrection
that will help calm things down

June 12, 2022

James Alley Blues - Richard "Rabbit" Brown [from Allen Lowe's Turn Me Loose White Man]

the blues are the mode in which we complain
about life and anything
its regularity
and narrowness
are the signifiers of grievance

Sun Showers - Billie Holiday with Teddy Wilson and his Orchestra [from Lady Day, The Complete Billie Holiday on Columbia]

trumpet plays it straight
saxophone
less straight
Billie
somehow
does both 

piano
after asides to the trumpet
follows his asides aside

Stupendous - Charlie Parker [from The Complete Savoy & Dial Master Takes]

the American Songbook uses cyclic chord patterns as building blocks
this digs into that
drills down

Me and My Shadow - Judy Garland [from Alone]

now that's a string opening!!
nearly Wagnerian 

shadow :: avenue
the rhyme made clearly simply

My Funny Valentine - Bill Evans & Jim Hall [from Undercurrents]

playing peekaboo around the tune
a game concerning itself with a song
but only
as chess concerns itself with the pieces

Easy Rider - Big Brother and the Holding Company [from Big Brother & the Holding Company]

cardboard fruit

In Our Small Way - Michael Jackson [from Got To Be There]

the ultimate ingenue
using the voice to signify an idealism
of a peculiar
lollipop
slant
unjaded
an anthem for limited aspiration

Ex Lion Tamer - Wire [from Pink Flag]

taming former lions
or now deceased 

the music is a wave to ride

Johnny 99 - Bruce Springsteen [from Nebraska]

train whistle to match the choo choo rhythm
to evoke an older style of song
old time country ballads
news items from days of gangsters

Banned Rehearsal 105 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, Yvonne Meyer, assembled April 5, 1987]

assembled from Telepaths 7
which were made at Thanksgiving time of the year previous 

dig in the bag
pour the stuff out
two drunken space speeders weave into port
hanging on each others shoulders
quadripedal 

we get the menu in song
reading from an almanac

I don't recall the reason for the delayed assembly
perhaps it took awhile for the San Diego tape to get to me
or perhaps I kept putting off doing it
or both 

life in households
of the musically
erratically
inclined 

I declaim from this journal
did you hear that Bruce Springsteen was pregnant?

June 13, 2022

Six Contrary Dances - PDQ Bach [from Music for An Awful Lot of Winds & Percussion]

same joke told six times in the same way

Mo Money Mo Problems - The Notrious B.I.G. [from Life After Death]

how many strands
drum
bass
guitar
female vocal(s)
male vocal(s)
there might be a keyboard in there somewhere
now and again a separate female vocals track overlaid
not so many really
the density of the delivery of text makes up for it

Cactus - David Bowie [from Heathen]

Prom Queen covers this song
and this is also a cover
or so I gather  

Consider the Birds 31 - Keith Eisenbrey [February 3, 2007]

a halting syncopation
a hesitancy
strings of pulses
persisting with pauses

Trillopod- Brendan Byrnes [from Micropangea]

is a drumtrack and its surrogates
a necessary framework for some composers
or a default mode

Gradus 310 - Neal Kosály-Meyer [April 17, 2017]

first notes
how to make a large piano
sound like a toy piano
the instrument keeps changing
branching
a circuit is made
and an inventory is taken
but the tokens morph
each cycle
what is a population of tones
what any single tone might be
is so strongly shaped by its immediate context
that identity among them
can only be provisional
fleeting
true on one side
but not on the other
a longish break
divides the activity
into a before it
and an after it
allows a re-start
continuous retcon
and perpetual

Popping In - Steve Layton & Sound-In [from Miracles and Wonders]

inventing a sound world as it goes
the bandwagon gets on it
and takes over
then
is dumped over

June 14, 2022

Bony Sweet Robin, Fvb 128 - Giles Farnaby - Claudio Columbo [from The Fitzwilliam Virginal Book]

since the conceptual intervals they were working with
had multiple values
depending on the multiple function
each tone might have
it opens up different
but interwoven
betweennesses

Pretty Audry - Louis Dumaine [from Allen Lowe's That Devilin' Tune]

extended clarinet techniques
sliding around
a wild vibrato

Drunken Hearted Man (DAL 3972) - Robert Johnson [from The Complete Recordings]

the guitar has heard this sorry tale before
sounding board
counselor

Old Riley - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy]

the guitar chugs along with the lyric stresses
when they're important to the flow of the text
otherwise lays around on the floor

You're Blasé - Peggy Lee [from Dream Street]

you're bored when you're adored

Fingertips - Stevie Wonder [form The Jazz Soul of Little Stevie]

blues changes
uptempo
flute solo in front

Legend of Paul Revere - Paul Revere and The Raiders [from The Legend of Paul Revere]

our own local legend
sung by us
how we got famous
Idaho to Hollywood

New York City - John Lennon & Yoko Ono [from Some Time in New York City]

the only song on the album that isn't overtly message political
also
what makes the album worth having at all
play opposite Taylor Swift's Welcome To New York 
and maybe crank up Liza Minelli New York New York

King's Lead Hat - Brian Eno [from Before & After Science]

no sound left as is or was
song structure remains untouched

It's Hard - The Who [from It's Hard]

he's reading his lines off a sheet
they don't seem to be playing
at the same time
in the same room

Peer Gynt - Morning Mood [from 100 Greatest Classics]

cribbed from Rossini?
Wagner lite
the little birds are stuck
on a mill wheel

Fugue in F minor, BWV 578 - Johann Sebastian Bach - The Canadian Brass [from The Essential Canadian Brass]

somehow divorced from its virtual architecture
plays it but doesn't build it

Versus: Veri Solis radius - Ensemble Organum [from Portrait]

a narrow passage through cold stone walls
cloistered nights

Serenade for Strings, 2nd Movement - Pyotr Ilyitch Tchaikovksy [from The Romance of Music Chamber Concert, April 14, 2012]

a waltz
but not risqué

isn't a chaste waltz an oxymoron?

Times in Between - Smokestack and the Foothill Fury [from Kitchen Recordings]

a guitar is an imaginary friend
an externalized self-avatar

June 15, 2022

with respect to George - Benjamin Boretz - Keith Eisenbrey [recorded November 20, 2012]

written for vibraphone
but not having one handy
I played it on clavichord
this was take 2
brings it right up close
among that class of pieces
that I'm not sure how to think about
while playing
just do the best I can
to play what was written
too busy playing to hear the piece as a whole
which only comes alive when I'm on this side

L'Abbraccione - Amy Denio [from The Big Embrace]

sings her own nonsense syllables
because that's how the melody feels good
which helps us feel good

Banned Telepath 85 Hair - Pete Comley [April 13, 2022]

this engine revs and revs
but it never picks up the tempo 

Pete thrashes
slo mo
fo' us

June 16, 2022

Fantasia, Fvb 129 - Giles Farnaby - Claudio Columbo [from The Fitzwilliam Virginal Book]

four notes in descending order re-ascend
so that the lowest is last
and then first
give the rhythm some detail
then elaborate
in multiple voices
simultaneously
permute and rotate to taste 

curtsy when complete

Riley the Furniture Man - The Georgia Crackers [from Allen Lowe's Turn Me Loose White Man]

in the same tempo
but separate times
at several removes
Riley's been here
got my furniture
and gone
racial slur trigger
a blues sentiment
without the overhead
of the whole blues thing

Sandy Land - Fiddlin' Dave Neal [from Evans 78s]

guitar plays the rhythm
and I guess that might be a fiddle on the tune
not much left behind the vinyl
one could still dance to it

Sweet Lorraine - Red Allen [from Allen Lowe's That Devilin' Tune]

checking in with
as written
on occasion
for sentiment only

Can't Believe You Wanna Leave - Little Richard [from Here's Little Richard]

talk about upspeak
his lines often end in an upsqueak

In Session at the Tintinabulary

June 14, 2022

Joshua Tree Prelude 20 - Aaron Keyt

June 15, 2022

Joshua Tree Prelude 21 - Aaron Keyt

Prelude in E Major - Keith Eisenbrey

Anybody's Fingerbook 5x5 (augmentational) A B C D - Keith Eisenbrey
  

just ten more of these to go
oof!

June 16, 2022

Joshua Tree Prelude 22 - Aaron Keyt

June 17, 20220

Minute Etudes Book 1, Languid - Emily Doolittle

Postscripts

Skaldmud's Doodle Gallery 

some listening journal doodles from 1989






Saturday, June 11, 2022

Playlist

graffiti
Preface

"The wine which had exerted its somniferous influence over Mr. Snodgrass, and Mr. Winkle, had stolen upon the senses of Mr. Pickwick. That gentleman had gradually passed through the various stages which precede the lethargy produced by dinner, and its consequences. He had undergone the ordinary transitions from the height of conviviality to the depth of misery, and from the depth of misery to the height of conviviality. Like a gas lamp in the street, with the wind in the pipe, he had exhibited for a moment an unnatural brilliancy: then sunk so low as to be scarcely discernible: after a short interval, he had burst out again, to enlighten for a moment, then flickered with an uncertain, staggering sort of light, and then gone out altogether. His head was sunk upon his bosom; and perpetual snoring, with a partial choke, occasionally, were the only audible indications of the great man's presence."

Charles Dickens - "The Posthumous Papers of The Pickwick Club" 

Texts

From Recent Arrivals

June 10, 2022

Heaven -  Beyoncé [from Beyoncé]

a song is a whole product anymore
very little is allowed to have personality
outside of the star's vocal
no competition allowed 

do pop pianists have to practice
to avoid
voicing their chords 

I trust they got paid

Romaine - Bill Evans & Jim Hall [from Undercurrent]

like that
and polyvalent pulse senses to boot

bury a friend - Billie Eilish [from When We All Fall Asleep, Where Do We Go?]

music follows the lyric closely
nothing wasted
understated and strong

How Am I to Know - Billie Holiday [from The Complete Commodore Recordings]

or that
for that
matter

I'm Old Fashioned - Blossom Dearie [from May I Come In?]

or that

Recorded

on the yellow line at Green Lake Park
June 4, 2022

Christe Redemptor, Fvb 125 - John Bull - Claudio Columbo [from The Fitzwilliam Virginal Book]

a figuration fence hiding a progression in its slats
a distinctly keyboardian or lutish move
this is about fingers as much as voices

Surgens Jesus Dominus - Peter Philips - The Tudor Consort, Peter Walls, [from  Cantiones Sacrae Quinis Vocubus]

the stones sing out

Sonata in F minor, Kk. 184 - Domenico Scarlatti - Pieter-Jan Belder

a renewed iteration sneaks in the first answer
so that's where you thought this was headed eh? 

ha!

Waltz in E minor, Op. posth. - Frédéric Chopin - Alfred Cortot (1943)

not a waltz to be danced to
not so functional as that
rather
a fully
cinematically choreographed
performance 

Chopin could waltz the waltz
he didn't write them
he danced them compositionally

Don Carlos, Act III - Giuseppe Verdi - Coro e Orchestra del Teatro alla Scala, Claudio Abbado, Placido Domingo, Katia Ricciarelli, Lucia Valentini Terani, Leo Nucci, Ruggero Raimondo, Nicolai Giaurov

a lesson in minute modulations
tremolo
pp
on the e strings 

not only in love with his dad's wife
but also
makes a pass
in error
at his dad's mistress
thinking she was his mother-in-law 

Don Carlos has problems 

conceptual question
in opera the voice is the character's presence
by which they exist at all
but the actors on stage mistake each other
if they happen to have a mask on their face
but
there is no mask on their voice
how could the characters possibly mistake each other?
("That voice! Where have I heard that voice?") 

a voice and a body on stage
a double puppet 

great tumbril drums 

this must be the king with all the pomp and fanfare
company rejoices
as the monks light up the heretics

rootless
June 5, 2022

Alligator Blues - Johnny Hyman's Bayou Stompers [from Allen Lowe's That Devilin' Tune]

these stompers
open with a stomp
on one and half past two
stomp motto
but it stays at the beginning
making no particular impact on the remainder

Malted Milk - Robert Johnson [from The Complete Recordings]

inscrutable in this head

They Can't Take That Away From Me - Billie Holiday [from Lady Day, the Complete Recordings on Columbia]

recompose the song to suit
but keep it clearly recognizable
without trouble 

recorded live
there was an announcer
announcing
over the end of it

Cheers - Charlie Parker [from The Complete Savoy and Dial Master Takes]

jazz small combo
as adventuring party  

the ease with which
each member characterizes
their self
is a crucial aspect

I Got it Bad (And That Ain't Good) - Bill Evans [from New Jazz Conceptions]

some of what Monk does
with his quasi acciaccaturas
Evans does
with full chords voiced to the nth

the big G
Fat Boy - Billy Stewart [from The Best of Billy Stewart]

the guitar licks are the animated cartoon of the girl in the song

Bring a Torch, Jeanette Isabella - The Philadelphia Brass Ensemble [from Festival of Carols in Brass]

it is odd how we name an instrumental only arrangement of a song
by the same title that the song uses
as though the text is still back there somewhere

Wats . . Uh the Deal - Pink Floyd [from Obscured by Clouds]

there are hints of songs from The Wall
stone after stone :: just another brick in the
outside looking in :: anybody in there

Sound and Vision - David Bowie [from Low]

when he's on target with his collaborators
the composition involved
in when each new element enters
is top notch
case in point

don't you wonder sometimes?
{NB: I am as clueless as you are}

Endless Drive - Orbaneja [from Orbaneja]

composition here has similarities to Scarlatti
that is
they each concern themselves with short repeatable segments
that can be intercut on command
more a similarity of topic
than of sound
or vision

Assembly Rechoired 20 - Karen Eisenbrey, Keith Eisenbrey [April 4, 1987]

we are out of doors and there are kids
I don't remember this session at all
where are we
who are we with
Bickleton perhaps
not sure why we'd go there in April necessarily
we must be at the zoo
was my Walkman cassette deck new then
perhaps
must have been
I don't remember this
it must have been in a different version of my past
the sound is remarkably good
there was a peacock
we probably went to the zoo that day
because it was almost the anniversary of our engagement
which event went down
at the zoo
yes
now we're talking about that sleeping monkey

I do remember the sound in that old primate house
I'm glad I have it documented

we were humming amongst ourselves
how disgustingly cute is that 

Karen is humming the Aaronsbundler
we visit the farm animals
the very large pig
where's the bear
over there
consult a map
just to the left of the giraffe
Karen recites 

Oh Hippopatami!
Me belly limn she touch the sky
That be that
that I be fat.
Oh Hippopatami! 

mysterious sounds indeed
Giraffe crossing
a surprising lack of you are here signs

We sing the Aaronsbundler
along with a bird
who keeps a fine beat going

waiting for fish to bite
June 6, 2022

Bye Bye Baby - Madonna [from Erotica]

kiss off on a printed card
cutesy bleeped out F bomb at end

Got 'Til It's Gone - Janet Jackson [from The Velvet Rope]

turning her interlocutor inarticulate
reduced to uh uh what
on various loops
fractured conversation
folded into a music
using industrial technique
to evoke loose play

Track 2 - The Humidiflyers [from The Humidiflyers Fall 2002]

cycles of figures building a song part
verse chorus bridge etc.
parts of standard size
go anywhere

Consider the Birds 32 - Keith Eisenbrey [February 3, 2007]

finding a way to extract a sequence of pulses
from an independently
and indifferently
pulsed
signal

June 7, 2022

For Awhile - The Swearengens [from Devil Gets Her Way]

social* music serves multiple functions
décor lubricant conversation starter enclosure
*appropriate for playing in nonconcert settings
where the audience can
theoretically
converse
or otherwise mix

Banned Rehearsal 932 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy [April 10, 2017]

make a mark
there it is
fuss with it
or not
grouping of sounds happens subconsciously or preconsciously
earmind distinguishes objects from within the raw signal
and in distinguishing them
creates them
distinguishing bird from brook
is no different
than distinguishing viola from guitar
or even one amp from another
we don't seek them out
they appear
spontaneously
fully formed
in the midst of forming
higher level complex objects
can be discovered
but
as experiences they are no different
what we can't do
is experience a class of distinguished objects
we can only experience particular instances
and consciously classify them
as "a" B-natural
or as "a" melody
or as "an" example of Klangfarbenmelodie
this is one of language's entry points

judgment is the act of inquiring
into the activity of making one's own distinctions
testing them 

our earminds
are notoriously
promiscuous

Cruise Control - Steve Layton [from Moving Bodies (Pandemic 10)]

episodes of beats with little tails
that tail was not so little
this is a large space and things are flying around in it
getting crowded

the Guidonian Hand
The Mayden's Song, Fvb 126 - William Byrd - Claudio Columbo [from The Fitzwilliam Virginal Book]

the pitch system in use
was
among other things
a way to cross-reference functions across registers
which registers
were not necessarily defined by octave equivalence
an F is any other F
but also
a Fa is any other Fa
along the hand

Down South Blues - Doc Boggs [from Allen Lowe's That Devilin' Tune]

Where the weather suits my clothes
a common song sentiment
I think Guthrie used that somewhere
but I may be mistaken
banjo guitar and vocal

Roving Gambler - Vernon Dalhart [from Evans 78s]

the verses change point of view from one to the next
the gambler
the girl's parents
the girl
the gambler
the girl
and a train-whistle-from-a-distance effect 

Sukey Jump - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy, Volume 1]

was a jump a particular dance step
this the sort of song
to which one danced a jump
one wonders

Moon Dreams - Miles Davis [from Birth of the Cool]

there's a tuba back there
the voice leading
going on
inside this
is truly stunning

Do You Love Me - The Contours [collected from Dave Marsh's The Heart of Rock & Soul]

twist the mashed potato one more time

Your Ole Handy Man - Dolly Parton [from Hello, I'm Dolly]

consider yourself warned dude

Acapulco Gold Filters - Cheech & Chong [from Cheech & Chong]

take 403
Jefferson Hair Pie
what you want
good grammar
or good taste

Liar - The Sex Pistols [from Never Mind the Bollucks, Here's The Sex Pistols]

nothing here to act as a barrier to musical comprehension
everything that is there
is a carrier for the vocals
either directly
or as a surrogate
anti-elite
but certainly not
un-off-putting
intentionally
by keeping them out
we can be us

mallards occupy Green Lake Park
Rock the Casbah - The Clash [from Combat Rock]

one not ought to sound too articulate
or educated
a kind of internally generated
self inflicted
cultural revolution

I Wanna Dance with Somebody (Who Loves Me) - Whitney Houston [from Whitney]

a dance song
about dance
in the girls just wanna have fun camp
or rather
the number is a carrier
for words
that put a voice in the person
who wants to dance
and for a dance
an icebreaker

Wach Auf! (Die Meistersinger) - Richard Wagner [from World's Greatest Choruses]

it's odd enough to hear some of the longer set pieces
but these little fragments of Wagner are like contemplating David's left nostril
all by itself

The Roof - Mariah Carey [from Butterfly]

she is fond of decorated appoggiaturas
song as warm bath
envelopment fantasy
for the wealthy client
or their wannabes

June 8, 2022

Gradus 11 - Neal Kosály-Meyer [from April 22, 2022]

a single tone
then
gradually
groups of that single tone
return
to fill gaps among the groups
creating more groups
and more gaps

playing with partial application of the dampers
upon the otherwise freely vibrating harp

Flaming Inner Mount - Ghidra [from The Sound of Speed]

locals Bill Horist, Mike Peterson, and Wally Shoup checking in
furiously scurrying for position
fluid game field

Gradus 213 - Neal Kosály-Meyer [June 11, 2012]

ten years along
still on the A train
and will be for awhile yet
completing
on this day
all the combinations
of 5 A naturals
on the piano keyboard

June 9, 2022

In the Spin - Low Hums [from Night Magic Wine]

song of the washing machine
announcing its cycles
a cleansing annunciation

My journal entry for
Banned Telepath 85
Back Yard Morning Rush Hour
Banned Telepath 85 Back Yard Morning Rush Hour  - Steve Kennedy [April 12, 2022]

In Session at the Tintinabulary

May 22, 2022

Banned Telepath 87 Roosevelt Station - Steve Kennedy

June 5, 2022

Banned Telepath 87 Breakfast with Chickens - Jennifer Chung, Aaron Keyt

Banned Telepath 87 Samish Island High Tide - Jennifer Chung, Aaron Keyt

Banned Telepath 87 Samish Island - Jennifer Chung, Aaron Keyt

Banned Telepath 87 Dinner with Hummingbirds - Jennifer Chung, Aaron Keyt

June 6, 2022

Banned Telepath 87 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer

our first session ever from Anarcadia
that being
the patio
off the porch
at the Tintinabulary

Banned Rehearsal 1052 - Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer

this is lovely
truly lovely
I presume the rude beep beeps
that recur
are the hummingbird buzzes 

all of the above
layered and variously looped around

June 10, 2022

Joshua Tree Prelude 20 - Aaron Keyt

I'm going to give this one another go. The rhythm skews my internal pulse toward the end, but it really needs to be closer to being as written than I managed this time.

Postscripts

Skaldmud's Doodle Gallery 

some listening journal doodles from 1989






Saturday, June 4, 2022

Playlist

Preface

"'My friend Mr. Snodgrass has a strong poetic turn,' said Mr. Pickwick.

'So have I,' said the stranger. 'Epic poem, - ten thousand lines - revolution of July - composed it on the spot - Mars by day, Apollo by night, - bang the field-piece, twang the lyre.'"

Charles Dickens - "The Posthumous Papers of The Pickwick Club" 

Texts

Live

June 1, 2022

Tom Baker Quartet
Tom Baker, Greg Campbell, Brian Cobb, Jesse Canterbury
Royal Room, Seattle

We adventured out once again, this time all the way out to Columbia City, to catch the welcome return of the Tom Baker Quartet, following a decade or so of their internal geographical separation. 

river passages
white water and calm
crazy disbalancing moves
balanced on the fly 

the new song For Bill is lovely.
We're so glad you're back playing again.

From Recent Arrivals

May 28, 2022

Remedy - Adele [from 25]

piano and power vocal
like Billy Joel
if he could sing 

keyboard
intentionally bland in the figuration bureau
tarted up with a reverb

I Will Survive (The Aretha Version) - Aretha Franklin [from Aretha Franklin Sings the Great Diva Classics]

runs through the song quickly so she can get to the party

He Was a Big Freak (Record Plant Rough Mix) - Betty Davis [from They Say I'm Different]

moves every danceable shiver

When I Fall In Love - Betty Roché - [from Singin' and Swingin']

turns a swift pivot on that sudden "or"
takes the long lines
in the short segments
until the wind up
for the ending
(nice lower appoggiatura)!

Recorded

May 28, 2022

Pavana, Fvb 123 - Thomas Tomkins - Claudio Columbo [from The Fitzwilliam Virginal Book]

the background motion is so simple to follow it nearly disappears
while we delight in the sparkle
then we find ourselves ensorcelled
without hearing how

O Maria Mater - Peter Philips - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocubus]

theological minutia contemplation
the pericope
as a lens to the whole of Grace

Sonata in F minor, Kk. 183 - Domenico Scarlatti - Pieter-Jan Belder

sticks on pitches that hang in the air
sensitive to how the shapes of his figures energize the pitches with an additional functionality

Waltz in D-flat Major, Op. 70 #3 - Frédéric Chopin - Alfred Cortot (1943)

a pretty dress and a fine cut of coat

May 29, 2022

Don Carlos, Act II - Giuseppe Verdi -  Coro e Orchestra del Teatro alla Scala, Claudio Abbado, Placido Domingo, Katia Ricciarelli, Lucia Valentini Terani, Leo Nucci, Ruggero Raimondo, Nicolai Giaurov

this is the act where I lose track of the plot
gist at end:
Don Carlos can't marry his lady love
since
she is married to his dad
there is trouble from many sides 

quite the horn line to open
the music follows the character closely
so closely that the lines between each character
as they follow each other
turn on points
not turning
spinning in a moment
characters sharing a moment
also share the music
structural signifier of simpatico
the male duet
a neutral moment is their set piece duet
but the artificiality of it won't hold it together
quite the little bromance there
scene 2
some female voices at last
you know this will end badly
it starts so cheerfully
as I suspected
solemnity
sometimes the music is the politeness which the social situation demands
the music is our own empathy up on stage 

he loves sudden interruptions

May 30, 2022

Wild Man Blues - Jelly Roll Morton and His Red Hot Peppers [from Jelly Roll Morton and His Red Hot Peppers]

interruptions to the simpler flow of it poke here and there
another music intruding
might be 6 or 7 of them
possibly more

Don't Know If I'm Comin' or Goin' - Billie Holiday [from Lady Day, The Complete Billie Holiday on Columbia]

a show tune type song
says its thing
time for a dance
repeat the thing
move on

Carvin' the Bird - Charlie Parker [from The Complete Savoy and Dial Master Takes]

swing is among other things a form of rubato that can coexist with a steady beat
it is not of course the only such rubato to have arisen
and although swing can coexist with a mechanically steady beat
that steadiness is not required

I've Got My Love to Keep Me Warm - Sarah Vaughan and Billy Eckstine [from The Irving Berlin Songbook]

entertainingly fancy duetting
showing off

Any Day Now - Chuck Jackson [collected from Dave Marsh's The Heart of Rock & Soul]

commercial popular song
instruments hold to certain limited functions
at most offering a response or echo to the vocal at its own level
more of the time clearly subordinate

The Look of Love (from Casino Royale) - Morgana King [from Gemini Changes]

her voice is held close inside
comfortable with breathing intimacy
doesn't sail into anthemic grandeur
except as an occasional glance

RFO-M-F(32) - Anthony Braxton [from Saxophone Improvisations Series F]

a duet among close registers within the figuration
an ambitus melody turning inside out

Sons of the Silent Age - David Bowie [from Heroes]

a series of chords rising stepwise
aims elsewhere than where it lands
discussing the emptiness of another's life is a risky game

Looking For the Perfect Beat - Afrika Bambaataa and Soulsonic Force [collected from Dave Marsh's The Heart of Rock & Soul]

industrial design for mass dancing
to lose self in a raving mass
a social solvent
be part of the solution 

just a lonely ion floating free

Cantus - Keith Eisenbrey - Fehrwood Ensemble [2nd rehearsal run-through March 29, 1987]

at the time I was working with the idea that the sounds made while composing were also music of some interest
this project started with a long session of me improvising fingerings on a recorder
which session I recorded to see what might happen
as it turns out
the final piece is not so far off the sounds of that session
and even maps it metaphorically
as
the ideational path of the melody that emerges
as the payoff

Rap Promoter - A Tribe Called Quest [from Low End Theory]

cuts off short
after some diggidiggidangdidangs

Loop Di Loop - Shonen Knife [from Brand New Knife]

I guess it has a teenybop freshness about it
just doesn't do much for me

Jimmy Dean - The Humidiflyers [from The Humidiflyers 2002]

this band could really cook together
always seemed to be having a good time

Consider the Birds Mix 1 - Keith Eisenbrey [February 3, 2007]

put it all together and what have you got
a bird coop
bickerers and mutterers
some sounds are recognizable for what they originated as
even when sliced out of their envelope context
xylophone
it's a quick sound anyway
and human voice
as for the rest of it
not so much 

Karen thought it all sounded like birds bickering
hence the title
Consider the Birds (how they bicker)
there was a scheme for how all the little bits would be put together for the mix
but I have forgotten it
ends with sudden disappearing

May 31, 2022

As the Clouds Drift By - Song Sparrow Research [from Song Sparrow Research]

this song is a boat on a creek
or a planet surface with picturesque atmosphere
stops before the song feels complete

Gradus 309 - Neal Kosály-Meyer [April 3, 2017]

does music arise out of the physical properties of sound
or from the psychic properties of people?
do we listen to discover artifacts of sound or artifacts of us?
window or mirror?
both?
social or physical? 

|||
as social
distinct from language
in that
linguistic reference supersedes the internal reference
if reference it is
of music
or
are the mechanisms of internal self-referentiality we consider musical
merely so many metaphors
linguistic contrivances?

|||
as physical
what is it exactly we are attending
sound by means of sound?
and isn't attention a social act? 

|||
windows wide open
oh my such sweet smelling Spring
a breeze that blows by

Jaunty Part 2~~~-~~~-~-~~-~-~- (Rojahn Remix) - Lost Chocolate Lab [from Previously Clean]

at a cabin by a lake
fishing for lazy afternoons

Fantasia, Fvb 124 - Thomas Morley - Claudio Columbo [from The Fitzwilliam Virginal Book]

intervals in time
then in pitch
along Guido's Hand
they repercuss
throughout

Country Blues - Dock Boggs [from Anthology of American Folk Music]

dig a hole in a meadow
good people

Riding on a Humpback Mule - Cumberland Ridge Runners [from Evans 78s]

that mule was saved
must have gone to a camp meeting 

fiddle guitar and vocals in harmony

Bottle Up and Go - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy Volume 1]

this train keeps going faster is it gets along

Bassism - Sun Ra [from The Futuristic Sounds of Sun Ra]

lovely moment where the sound is reduced to the slowly bowed bass
one would almost think the beat had stopped for moment but it hadn't

Flying - The Beatles [from Magical Mystery Tour]

not entirely sure this vehicle is aloft for real
somebody having fun in the studio

Scumbag - John Lennon and Yoko Ono [from Live Jam]

one gets the feeling that John didn't just want to leave The Beatles he wanted The Beatles to leave him

Looking After No. 1 - The Rumour [from Max]

male strut uptight
convincing itself it knows what's right
for who isn't number one

June 2, 2022

Come Back to Me - X [from Under the Big Black Sun]

country lyrics with a retro rock and roll sound and a distinctly not country styled sax solo

Crazy - REM [from Dead Letter Office]

lots of shaken things and take a walk
repeated

Music for Winds and Harp - Michael Leese - Arcadian Winds

settings are adjusted tested readjusted
finding music to make at each setting 

Morsey rhythms

Seven Years in Tibet - David Bowie [from Earthling]

a large sound instrumental punctuates the interval between each verse
which 
(the verse)
increases in vocal presence on the second iteration
the large sound punctuation has words the second time it comes around

3rd verse
no vocal heard

Serenade in C, first movement - Pyotr Ilyich Tchaikovsky [from The Romance of Music Chamber Concert, April 14, 2002]

an amateur ensemble plays that string orchestra movement that comes up constantly with intonation issues

Livin' in the Future - Bruce Springsteen [from Magic]

it helps
to hear this as simply a rhythm of syllables
that
I haven't a clue what he's saying
outside of the chorus 

na na na na na
I got that
whew

Side by Side - Your Mother Should Know [recorded at the Tintinabulary, Seattle, June 6, 2012]

a train case full of kazoos no less

Retrograde - Bad Cap / Bad Cop [from Warriors]

music for moshing
happy heaps of folks squeezing together
high energy community glob

Banned Telepath 85 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer [April 11, 2022]

I am frankly at a loss as to how many people would be needed to do all this
I'm playing washtub
Neal is on the phone
Karen is drumming
who is making the other sounds
I must be wandering amongst the percussion
Neal sneezes over the cell waves
now we all wander

we're recording these Tintinabulary sessions in five channels
two Realistik PZMs ca 1990 taped to the East wall at opposite ends of the studio treated as a stereo signal (one and two)
an Audio Technica stereo condenser mic in the middle aimed West stereo oriented up down (three and four)
and a large diaphragm Audio Technica mic to pick up the phone (five)
though all the sounds leak to the others
keyboards of all stripes should be approached with extreme caution

In Session at the Tintinabulary

June 1, 2022

Joshua Tree Prelude 18 - Aaron Keyt

Anybody's Fingerbook 5x5 (augmentational) C D A - Keith Eisenbrey

June 2, 2022

Sinfonia 2 - Keith Eisenbrey

I just finished this on Thursday. After several months of struggle it came together easily in just a few days. This is a midi realization with which I am quite pleased.

June 3, 2022

Joshua Tree Prelude 19 - Aaron Keyt

Anybody's Fingerbook 5x5 (augmentational) D A B - Keith Eisenbrey

Prelude in F-sharp minor - Keith Eisenbrey

Postscripts

Skaldmud's Doodle Gallery 

some listening journal doodles from 1989