Saturday, August 30, 2025

Playlist

Walla Walla, WA
Preface

"It has been said that the whale only breathes through his spout-hole; if it could truthfully be added that his spouts are mixed with water, then I opine we should be furnished with the reason why his sense of smell seems obliterated in him; for the only thing about him that at all answers to his nose is that identical spout-hole; and being so clogged with two elements, it could not be expected to have the power of smelling. But owing to the mystery of the spout - whether it be water or whether it be vapor - no absolute certainty can as yet be arrived at on this head. Sure it is, nevertheless, that the Sperm Whale has no proper olfactories. but what does he want of them? No roses, no violets, no Cologne-water in the sea."

Herman Melville, from Moby-Dick; or, The Whale.

Texts

Recorded

Walla Walla, WA
August 24, 2025

Full Album Stream - Princess [from Selling Sulphur]

so
this album
which I purchased as computer files
came with a 20+ minute track
called Full Album Stream*
a method of enforcing the notion
that one needs to hear the whole at once
to be properly informed
of its worthiness 

this music front
is angry sounding
though the backing singers
sing with less show of rage 

B A C  H motive
as an introductory riff
off the shelf 

the character of the lead vocal
is kept somewhat in the back of the sound
a guitar band
with someone shouting from behind them 

*conjunction
of the notion of an album
(an object)
and a stream
(a flow of signal)
both are methods of ordering listening
an old one
and a new

it sounds like the shouty fellow
is trying to tell a story
there are those backing singers again
like hooded priests
of some woo woo cult 

hey!
a bookends structure
like Simon & Garfunkel's!
even goes sort of symphonic
for the finish

Barn Wall - Keith Eisenbrey [May 5, 2018]

at my brother's property
out in the woods above Greenbank
on Whidbey Island
waiting for him with my folks
to help with a project involving a barn wall 

the sound of an arriving vehicle
stuff is banged about with excellent clankiness 

an airplane splutters overhead 

waiting for big brother

an engine is started
we are coordinating our task
we are subsumed within the engine sound
occasional power tool scream
pounding nails

the engine noise
has two clear pitch areas
a low and a high

our task has been completed

Track 3 - Star Anna - [from Love Shades, streamed February 14, 2023]

shout outs and tuning
and one of those songs
or several
a mix of singings

Madrigals, Book VIII: Gira il nemico, insidioso Amore - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

a tempo game
for the fun of it

Nun lob, mein Seel, den Herren, BuxWV 215 - Dieterich Buxtehude, Simone Stella

swallows swoop around it
as it moves stately on

Premier livre de clavecin: Cinquieme Ordre (la) : Les Ondes. Rondeau. Gracieusement, sans lenteur - François Couperin - Kenneth Gilbert

juggling tune parts
music as pleasure garden

Walla Walla, WA
August 25, 2025

Darzu ist erschiene der Sohn Gottes, BWV 40 - Johann Sebastian Bach - Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

everybody digs jolly music
with brass 

everywhen you listen
a fresh delight 

recitative
functions like inter-cards in silent films 

pericope
clarification
response
instruction
internalization
celebration
prayer

Sonata in G Major, Kk. 289 - Domenico Scarlatti - Pieter-Jan Belder

lovely use of touch differentiation
staccato
legato

Prelude in E-flat Major, Op. 28 #14 (alternate version) - Frédéric Chopin - Garrick Ohlsson

like hearing the animated skeleton
of the non-alternate version

Album für die Jugend, "Frühlingsgesang " Op. 68 #15 - Robert Schumann - Éric Le Sage

upon each rereading
a fresh fantasia

Prelude in F-sharp Major, Op. 37 #2 - Alexander Scriabin - Dmitri Alexeev

one cannot live
at that pitch of excitement
for long

Empty Bed Blues Part 2 - Bessie Smith [from Empty Bed Blues]

time after each line
to let it sink in
part of the ritual

Practice Makes Perfect (take 4) - Billie Holiday [from Lady Day, the Complete Billie Holiday on Columbia]

double entendres
euphemisms
modes of language
used
to speak
of a subject
containing taboos

Walla Walla, WA
August 26, 2025

Sonatas and Interludes: Sonata X - John Cage - Boris Berman

repetitions of figuration segments
ratios of durations of musics
by either clock time
or count of beats
or measures
encounter a problem
in our experience of them
as they go by
the content
affects our experience
of duration
rendering it
unmeasurable
irrationalizable

The Disguise - Ornette Colman [from Something Else!!!]

economy of the solo times granted

Drown In My Own Tears - Stevie Wonder [from Recorded Live: The 12 Year Old Genius]

if he doesn't
in all his wiggly long held notes first
(drown
that is)

Set Aside - ? and the Mysterians [from The Best of ? and the Mysterians]

an instrumental dance number
guitar and piano trade solos

The Great Gig in the Sky - Pink Floyd [from The Dark Side of The Moon]

it occurs to me
just now
that I'm channeling some of these keyboard figurations
in parts of my Slow Blues

My Love Is Forever - Prince [from For You]

clear of blemish
and without feedback or distortion
appropriate
for any lively company
corporation friendly
all surfaces chosen
for gleam

Intermezzo 6 - Keith Eisenbrey - Keith Eisenbrey [recorded February 26, 2010]

circling back
into its own forming
a constant variation upon itself

I'll Stand Up For You - X [collected from Neal Kosály-Meyer's A Miscellaneous Miscellany]

re-write
of Friendship from Anything Goes
but considerably less comic
and less well tailored for that matter

Walla Walla, WA
Shame on a N**** - Wu-Tang Clan [from Enter The Wu-Tang (36 Chambers)]

bull pit tough talk

Hoodoo Voodoo - Billy Brag & Wilco [from Mermaid Avenue]

Beatlesish riff to ride nonsense rhymes on

Song of Solomon 3:1-4 (050510A) - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded at Jack Straw Cultural Center, Seattle, May 10, 20025]

here I mess up the 5/8 bits
by worrying too much
about whether we were together
per the score

Tranciting - Tea Cozies [from Tea Cozies]

pickup lines
and responsive attitudes
an eternal flirtation

Mitchell 131114B - Keith Eisenbrey [November 14, 2013]

the original take
layered with the same
but time-reversed
temporal cruciform

Alki - Steve Layton [from Trouble In Mind]

waves
on a quiet shore
of the electric ocean
glurps from the depths
burping bivalves

Subvector Colloquy - Tom Baker, Keith Eisenbrey, Leanna Keith, Jim Knodle [July 13, 2023]

how easily we slide
into a common space
we are a magic being
visiting realms
moving into each other
passing sounds about
like so many words 

we make me smile 

it was the door 

now everybody play duets
in all directions 

finding the key
in a vast
dim
space
full of surprises 

we make a symphony
by listening
to ourselves
making it 

always end with a question

Walla Walla, WA
I Found a New Baby - Muggsy Spanier [from Really The Blues]

a groove
is a way to shake ones body 

route to the ecstatic

Bidin' My Time - Sarah Vaughan [from Sarah Vaughan Sings George Gershwin]

time
I'm 

rhyme
crime

Sometime Ago - The Art Farmer Quartet, with Jim Hall [from Interaction]

bright prospects
on a sunny day 

drummer is doing some great things
with those brushes back there

Easy Street - Thelonious Monk [from Underground]

energies spill off the ends of official melody

Chim Chim Cheree - Louis Armstrong [from Disney Songs the Satchmo Way]

not a bloke
but a cat 

ideolocalization

The Sands of Time and Changes - Morgana King [from New Beginnings]

ploddy arrangement
keyboard fills in for the drummer
plunking out the pulse

Wings of Love - Carole King [from Welcome Home]

giddy hyperbole

Boomerang - T Bone Burnett [from Truth Decay]

short story sitch
song microfiction
with chorus

Serenade - Keith ‪Eisenbrey [recorded May 31, 2011]

out for a carefree stroll
a sudden troubling thought
interlude to study the situation
worries in the night
a hopeless plea
a dance
and continued studies
step out quietly
in
ever nearer canon
till they join

Walla Walla, WA
August 27, 2025

Come As You Are - Nirvana [from Unplugged in New York]

each accented word
hoisted bodily
diaphragm punch

Banned Rehearsal 508 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [September 19, 1998]

bad tempered bottom fish
restless aquarium
prickly energy
a clang of arrival
some of the noises
have settled down
we go acoustic
but bones will blat
we take it apart
in various corners
saxes
will also blat
no chamber symphony this time
we work at stuff
that doesn't gel
doldrum room
we entertain ourselves as best we can

Walla Walla, WA
{journal entry of October 23, 2006:

what is the tolerance of simultaneity?
is our scale flexible?
milliseconds
in some cases
and hours/years
in others? 

is it a function of perception
memory
or perception
of memory? 

this music proceeds
with multiple agendi
each a distinct complex of time shapes 

once I have processed a new thing
its precise placement on the timeline
is conjectural 

stable periodic ritmas
are regimental
assisting the perception
of when events occur
within a sequence
but
what if
events occur
in fuzzy sequence?
in parallel
or oblique sequences
at various con-/per-ception distances from each other?
does the complexity
of the incoming signal
or
our conception/perception
of that complexity
alter
or fuzz
our psychological ability
to keep all events
in received sequence?
received where?
at the eardrum?
at awareness?
do different species of sound complexes
arise to awareness
at different rates?
or
is our internal mixer
less than perfectly able to track multiple periodicities
or multiple species of a-periodicities? 

given:
a span is required
for the apprehension of a sound
as a sound
this can be explained
pre-psychologically
by the physical nature
of what a sound is
i.e. a wave
(presumption here
is that in order to apprehend sound
it must be stimulated
by the eardrum
and psychological apparatus
we could
I suppose
apprehend a sound a-sensually) 

given:
there is a time lag
between the excitement of the eardrum
and the apprehension of the sound occasioned by that excitement}

Walla Walla, WA
December 4th - Jay-Z [from The Black Album]

life story
from two points of view

Wake - Aaron Keyt [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, September 4, 2008]

we are brought in
through a vast aviary
anointed
prepared to enter the temple proper
a story told in spaces

An Instrumental About Weed - Acapulca Lips [form Acapulca Lips]

a dance about headbanging
nonstop

Banned Rehearsal 958 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer [May 7, 2018]

game din texture on
game din texture off 

standing for game pieces
in place 

the sheep have wandered in 

we shake our rattles
and squawk to the rocks and clouds 

the toys
are having a puppet tiff
as they will

poking around the stuff piled up around the edges
ocarinas provide the ethereal visitations
better than AI could
a breath
among plinks and plunks
tips and tops
a right cheerful time they had at it too 

the toys cleaned up
we have become as sheep
we maa and baa

Totem 23 - Sascia Pellegrini [from Totem VI]

a wind that wanders
a wind that appears
and a clown
ray guns blasting
inundated or un-inundated
the motors descend from above

Dustin' The Keys - Burton & Blythe [from That Devilin' Tune]

the playing itself
the dance of fingers on keys
was the point of the entertainment
the tunes
were beside the point 

works for me

Chinese Love Poems: The Fisherman - Peggy Lee [from Sea Shells]

this album is distinctly kinky
distinctly 

herd boys
and spinning maidens

Walla Walla, WA
Take My Word - Willie Nelson [from Here's Willie Nelson]

his voice tempo
amid all this fiddly business
keeps its cool never gets off

Fakin' It - Simon & Garfunkel [from Bookends]

proof of concept
for a solo project
goes all Beatles to fade

I Need Somebody - The Stooges [from Raw Power]

like thrill eating
or chest thumping
proving mettle
you man enough
to be in this nasty company?
ritually raunchy

Track 1.7 - Bruce Springsteen [from Live at The Roxy, July 7, 1978]

slops his mouth around the syllables
haven't heard anything like a title yet
that I could make out 

the audience is shouting at the folks on stage

Intermezzo 6 - Keith Eisenbrey - Keith Eisenbrey [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, June 6, 2009]

at a relatively brisk tempo
quarter = 30 or so
moves the story right along

Largo al factotum - Canadian Brass [from More Greatest Hits]

of course
it was never meant to be much more than frippery 

Beaumarchais strikes again

Cold Mountain Songs: Piano Interlude - Robert Morris - Margaret Kampmeier [from Open Space 30]

composition of touch

I'm So Confused - Jonathan Richman [from I'm So Confused]

a soliloquy of introduction
fade on a phantasmagoric jumble of lines

Walla Walla, WA
August 28, 2025

Song of Solomon 3:1-4 (midi) - Keith Eisenbrey

a feature of music for voice and piano
is that the two speak their pitches differently
rendering precise temporal alignment
of polymetric textures
largely
irrelevant

Armadillo - Goat [from Special Agent]

safe cracking
in tense darkness
feline house thief scene
cinematicism
in our culture
displacing operaticism? 

not retiring
like film cues
but
going for the feel
of cinematic scenes
from various film genres

Mitchell 131114C - Keith Eisenbrey

now with reverb effect added
to bevel its edges

Retrospect - Inda Glover [from Ur OK I Guess]

indy songs
are often more a genre of poetry with music
than a music as such? 

like hip hop 

this one deals with devotion differentials
within a romanticle

Subvector Colloquy (edit B) - Tom Baker, Keith Eisenbrey, Leanna Keith, Jim Knodle [July 13, 2023]

with a modest amount of compression
to bring some of the quieter sounds forward enough
not to get lost
going some distance
toward correcting my suboptimal mic placement 

together we take a music object into our hands
and bend it playfully
into voluptuous forms
self-animated
true cryptids 

we turn on imperceptible dimes 

music not to accompany anything
but
to be what it is
a-scenic 

The Tale of the Kansas City Terminal Door 

this crew is awesome
and they bring out some of my best
pleased as punch I am

I Wish I Was a Mole in the Ground - Bascom Lamar Lunsford [from Anthology of American Folk Music]

children's nonsense poem
complete with horror element

Bags of Blues - Ray Charles, Milt Jackson [from Soul Brothers - Soul Meeting]

chemistry as can't be bought
toccata simpatica  

I find I don't write in straight lines
in pen
blue ink pen
ink blue pen
blue pen ink
pen ink blue
ink pen blue
pen blue ink 

index items
to catch all permutations 

Ray's touch on the keys 

actual performed fade
show-off move

A Tremor's In the Branches - Johannes Brahms - Lake Washington Singers, Betty Eisenbrey, Joanne Deacon [May 16, 1963]

might be one of the Liebeslieder  Waltzes
probably
quite a workout for the pianist

Maryhill Stonehenge Memorial 
While My Guitar Gently Weeps - The Beatles [from The Beatles (White Album)]

George at the top of his game
a true blues
with guitar talk back 

a bit of cleverness
with the dropped line of poetry at the end
so meaningful

I Can't Explain - David Bowie [from Pin Ups]

transformation by regrooving
not so much superior to the original
as made over
other

Space Dance - Sun Ra, Walt Dickerson [from Visions]

a tiny space
hyperpong
hell
hyperdyperpong 

plays so quickly
the traces of their play
forms an animation
of a musicryptoid 

music
as a mode of understanding

(White Man) In Hammersmith -The Clash [collected from Nancy's Mix]

sloppy tracking
is all the rage
albums
remastered from the album masters
not the song masters singing 

into a Darthish Vader vocal filter
for a manufactured characterization
enforcing uniqueness of voice
uniformly

Serenade - Keith Eisenbrey - Keith Eisenbrey [recorded live in the Kertula Ranch House, Avon, Montana, July 17, 1988]

so
apropos of Intimacy, a Polemic
{J.K. Randall}
what if I play my song
for who happens to be within hearing range
in a ranch house
in Avon, Montana
playing such
upon a pump organ
all the while
pumping furiously
what then? 

the bellows pedals groan in satisfaction
yip like sled dogs 

intermusical dishes rattle
kitchen call
scooter
c'mere 

such a comfortable chair
to settle back in

now the canon closes in
tight
tighter
tightest
focused
singular
arrived

Aragonaise from Carmen - Empire Brass [from Class Brass On The Edge]

opera favorites signify classy pop

In Session at The Tintinabulary

August 24, 2025 

Gaulos - Keith Eisenbrey

August 25, 2025

Banned Rehearsal 1132 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Haley K, Steve Kennedy, Neal Kosály-Meyer

Postscripts

Drops

Music of Benjamin Boretz
Keith Eisenbrey, piano

The music of Benjamin Boretz, which I first encountered as an undergraduate, has played a central role in my own sense of musical possibility and depth ever since. I was deeply fortunate to study with him for a few years in the early 80s, and have been blessed with his ongoing friendship and conversation since that time. It is my distinct pleasure to share these recordings with you now. 

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream

Saturday, August 23, 2025

Playlist

Preface

"The Concert Season" and "A small Music Party"

from The Comic Almanack an Ephemeris in Jest and Earnest, Containing Merry Tales, Humorous Poetry, Quips and Oddities, First Series, 1835-1843

Texts

Live

August 21, 2025

Leanna Keith: So Long And Thanks For All The Fish
Greg Campbell, Kaley Lane Eaton, Ray Larsen, Christian Pincock, Bonnie Whiting|
Chapel Performance Space, Good Shepherd Center, Seattle

Unfortunately Leanna couldn't be with us this evening, but a fine crew soldiered on for the benefit of their moving expenses as they adventure toward a doctorate. We all wish them well and earnestly hope for a speedy return if that is in our cards. 

we jump in the pool together
gastromanciful drum buzzer
we are moving gently
by inertial drift
our surroundings
also
but independently
without conflict or friction 

an uprising
hydrothermal event imminence 

a memorial sequence 

respecters of spotlit solos
temporary hierarchies
(provisional) (ad hoc) 

homing in
target located 
dogged pursuit
scrabbling and clawing 

tooling down the road
easy traveling
parallax
hills
mileposts
and bridges

Recorded

Jasper Mountain Reserve
August 16, 2025

Banned Telepath 20 Seattle - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [June 23, 1988]

in celebration of the fourth Bannediversary
some Amontillado
we are now ready to toast
cheers
hm hm hm 

getting even with the louds
who lived next door
by being quiet 

the funmaker glows into life
brightly blaring
full force room fill 

a quiet sequence of piano sounds
fits of energy
occasional focus 

too languid to gel much 

we take a tour through the music room

August 18, 2025

Esta Noche Serena - Black Cat Orchestra [from Dante's Inferno Live Score]

I'm guessing this show
is a tour through Hellville
and not a transformation of the entire book
top to bottom

Banned Rehearsal 506 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [September 5, 1998]

Jasper Mountain Reserve
rhythm urges burst immediately
wander among uke and drums
Neal restrings an electric guitar with the volume up
I observe from my organ loft
calmly

keeping it lively
with slow heavy tones 

now
can be quite an extensive bubble of awareness
but
when we turn our attention
to attempt to look directly
at now
it
eludes us
we can't observe it directly
so
it might not exist
but
there it is
all the time
and everywhere 

that sound cost seventy five cents
a comparison is made
to a sound that cost a dollar 

what is meant
by free
in free improvisation
(without cost) 

there erupted a high scream
there's the banjo
so
I've had it at least since then 

no pickles
no mustard
no sesame seeds
no bacon no cheese 

to a wandering piano chorale
and so
down to the shore
seabirds squawk
in the electric guitar rigging 

the feedback spotlight
blares triumphantly

Closing Time - Humidiflyers [from Humidiflyers]

follow the denials 

these guys were fabulous musicians
high competence levels

Wake - Aaron Keyt [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, September 4, 2008]

to bells and birds
a ritual morning
for imaginary orchestra 

psychedelic impressionism 

Fibber opened the closet again 

the sky is a delicate hue
lovely

Swift Arrows - Shelby Earl [from Swift Arrows]

songs have histories of their own
their where's and when's of enactments 

Karen and I heard her introduce this song to the public
when we heard her at The Reverb Festival in 2012

Lamb Day 180505 B - Keith Eisenbrey [May 5, 2018]

sheep bleat with occasional vibrato
hominids honk in syllables
there are maa sheep
and baa sheep 

there are chickens

Stately Autumnal Bizarro Bolero - Pete Comley [from Paintronics Vol. 2: Paintronics Electronics]

organization by tools used in its accomplishment
resulting states as settings change
maps an area of passing awareness
throbbing lowness

Jasper Mountain Reserve
August 19, 2025

Madrigals, Book VIII: Hor che 'l ciel e la terra - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

reading the poem
as a literalized dialog
the literalization
of a poetic image (dialog)
is unnecessary
but that it allows opportunity
to embody the characters of the voices
in a separate polyphonic space
flesh them out
distinguish the voices and the vocalists
(separately parseable)

Nun lob, mein Seel, den Herren, BuxWV 214 - Dieterich Buxtehude - Simone Stella

glory poured out
and runnethed over

Premier livre de clavecin: Deuxieme Ordre (fin) : Les Papillons. Tres legerement - François Couperin - Kenneth Gilbert

they flutter a jig among the flowers

near Walla Walla
O Ewigkeit, du Donnerwort, BWV 60 - Johann Sebastian Bach - Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

a pleasant land
sculpted as a meaning
wide enough to encompass
best and worst possibilities
mortal terror
comfort borne on the winds

our proper response in all humility
oh joy! trumpets! 

the duet toward the end is jawdroppingly twisted
must be tricky to sing

Sonata in D Major for Organ, Kk. 288 - Domenico Scarlatti - Pieter-Jan Belder

the size of these organ tones is overlarge
takes a Scarlatti to make their dancing sparkle

Prelude in D minor, Op. 28 #24 - Frédéric Chopin - Garrick Ohlsson

the hands have cut loose from each other
tear the place apart

Album für die Jugend: Kleine Studie, Op. 68 #14 - Robert Schumann - Éric Le Sage

weightless dance
en pointe

Prelude in B-flat minor, Op. 37 #1 - Alexander Scriabin - Dmitri Alexeev

a quiver of an eyelid
the earth holds still 

its named key is just where it ended

Walla Walla
Put it Right Here (or Keep it Out There) - Bessie Smith [from Empty Bed Blues]

trash talking
them no good
spouses

Practice Makes Perfect (take 3) - Billie Holiday [from Lady Day: The Complete Billie Holiday on Columbia]

works with the dynamic of each phoneme
and their rhythms

Sonatas and Interludes: Sonata IX - John Cage - Boris Berman

so
each preparation-in-common set
has its associated figure set
everything in its box
even if it only once appears
it is already in its box 

apparently
or
are they
the colors
gaudying up the surface of the boxes
perhaps they're all empty
what then
nullity within nullity

Tenderly - Bill Evans [from Everybody Digs Bill Evans]

ways to slide a wedge rhythm
into the collective flow
so that it glides across its floor
like Fred Astair's toes

Till There Was You - The Beatles [from With The Beatles]

a technical exercise
walk the pop walk

Walla Walla
Whistle While You Work - Louis Armstrong [from Disney Songs the Satchmo Way]

as pop
it centers the star
exclusively

Too Young - Michael Jackson [from Music & Me]

they are laid out
as upon a platter
made uncanny 

must have been quite the stage
big high note
ending blaze of glory

We Three - Patti Smith Group [from Easter]

acoustic
signifies memory
cinematically 

Patti not Pop
because
the band doesn't fade into professionalism
it holds her in place
actively 

the matter of the words
matters less
than their mattering
to the voice of the song

Walla Walla
Grunt - Benjamin Boretz, Jill Borner, Keith Eisenbrey, Dan Sedia [from InterPlay]

an otherly sourced dub
than the one heard last week 

some ghosting artifacts
provide a temporal glow 

having a thought
that is about
what it floats on
to increase its intensity
but
one does not always follow the greater imposed flow
but
that flow
that is imposed upon 

convergence
in a new sound world 

the frogs of night are heard from the yard
no interior
can escape their song

Up Town - Roy Orbison [from For The Lonely]

location location location
aspiration in love with the address

That's The Way Love Goes - Janet Jackson [from Janet]

the voice has become a ghost in its own song
a set of tracks
to be overlain
and filtered
and layered
and echoed

The Wind - PJ Harvey [from Is This Desire?]

simulacrum of a dialog between voices
lining up tracks from separate times

Jasper Mountain Reserve
August 20, 2025

Song of Solomon 3:1-4 050517 A - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded May 17, 2005 at Jack Straw Cultural Center]

more 5/8 troubles
take cut off after fumble

Made of Stone - Dolly Parton [from Backwoods Barbie]

it isn't often we hear an older voice in the commercial music of this culture

Mitchell 131114 A - Keith Eisenbrey [November 14, 2013]

Mitchell was a guitar I bought from a neighbor
an acoustic with pickup 

I was trying out
how to record directly to a device
through the pickup
but
the battery in the guitar was dead
and the result was this

Track 1 - Free Improvisation Quartets Project - a quartet from among: Amelia Love Clearheart, Karen Eisenbrey, Keith Eisenbrey, Bruce Greeley, Ha-Yang Kim, Aaron Keyt, Jim Knodle, Carol Levin, Neal Kosály-Meyer, S. Eric Scribner [September 30, 2018]

the applause has been getting together
in small groups
to make music
improvisationally 

any group of people
has a sensibility
as a unique grouping 

improvisation
as practiced herein
might be an embodiment
into common experience
of that sensibility
as an intimate social form

Old Hundred - Keith Eisenbrey [July 16, 2023]

after having finally noted and understood
the weird key signatures used in the shape note book
and transposed it to its printed key 

my added parts
support the tune
in spite of themselves

Alley Rat - Jimmy Blythe [from Really The Blues]

insinuating bass line
between the cracks tones
ripple up the bod
toes to twinkles

Alcotts - Charles Ives - Charles Ives [from Charles Ives Plays Charles Ives]

more care taken for this one
it would be an interesting speculative period-instrument experiment
to perform this
on a little square piano
such as may easily have been
in many a parlor
at the time of this composition 

if
that isn't
what's going on here 

it may just be the recording
but that piano
(though quite nice)
is not a grand
or so I would guess

Walla Walla

Try Your Wings
- Blossom Dearie [from Give Him the Ooh-La-La]

partitions the poem with wit
cocktail bar tempo

Something You Got - Chris Kenner [from Land of 1000 Dances]

I like the sound of this recording
the sounds sound like they're in the same room
they mesh

Old Friends (Bookends Theme) - Simon & Garfunkel [from Bookends]

at the end of side one of the album
on vinyl
a side
could be a structured set
so
the intelligentsia
could find an easy sophistication
goes all symphonic and all

Leave Your Hat On - Etta James [from Etta James]

objectification as flattery

Where Pathways Meet (alternate mix) - Sun Ra [from Languidity]

a monkey bar framework
supports the antics of the swinging agents
by bending with them
spring assist
framework of dance

Ricochet - David Bowie [from Let's Dance]

his words are posed
for maximum cool
fashion edge
music to wear 

punctuation break

Banned Rehearsal 142 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [June 30, 1988]

Walla Walla
we'll let some lounge-y sonorities hang in the air
nightclub for dissolute composers
no namby pamby movie songs for us
we roll our own 

ever shifting metaphors
not mixed
but
on the move

MovieTone!
Metaphors On The Move! 

maudlin as all get out
Weepy Clown
begging the skies 

proceed to collapse
do not pass go
do not collect two hundred dollars 

shake the bars
silver screen narrative
music holding a thread in your face
immediate repetition
a gambit for awareness
bubble extension 

I don't remember this session at all
I wonder why I was feeling such grandiose gestures?
angry at work perhaps
that would be about when I'd had enough
of being an abstractor 

we take a break
to start over
differently configured
among the instruments 

such dramatic psalmody 

another long pause
into a strange land
of tape wobbles
and shimmery cymbals 

I have no idea how we made that sound
it may have involved the reel to reel
in our play time 

and now
the piano is back
with a lullaby
being poked by the sprite 

a drum machine
has been birthed
without intent 

the piano plays in tenths
0 4 7 9
root with added sixth

a session of episodes

Hero - Mariah Carey [from Music Box]

cinematic
is the new symphonic 

triumphalist life advice

Banned Rehearsal 507 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [September 12, 1998]

we wash colors into the space
to hear it shining
bells on the vast walls 

142 ended with me on drums (pretty sure)
and ten years later
there I am
on drums again (pretty sure) 

as to piano and organ
I am at a loss
and I'm only guessing
Neal on guitar 

we press toward loudness assertion
apparent personnel
may have changed instruments
in the melee 

it isn't always pretty
we scrabble
and march forward
come what may 

we work the canvas vigorously
we ring the bell
to mark our leaving of this space

Lauries Porch - Steve Kennedy [from State's Exhibit]

morning coffee by the river in the woods
roar of crowd surf

Jasper Mountain Reserve
August 22, 2025

Chapel Event - Sheri Brown, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, Lin Lucas [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, September 4, 2008]

audients take their seats individually
the camera is still
the stage is only partially visible
our viewpoint is behind and to the right
we were noticeably younger back then

pre-eventual pacing and seating adjustments 

each audient
is there for their own reasons
as are each of the performers
I am pacing
the doors are shut
(sound)
the lights dim 

Wake begins
the audients are dematerialized into fuzzy specters
the camcorder struggles with the dimness
struggles to find a focus
which throbs irregularly from near to far 

Sheri
a bright splotch
indifferently defined 

priestlike
I hurl the ping pong balls
from the red bucket
and retire 

anyone's eventual perception
is limited
partial

Sheri has a long pole
from behind the pillar
holds it aloft
then balanced upon their skull
Lin appears
I begin to recite
garbed ceremonial
poles are crossed
I lecture myself
the stage
is peopled
gas masks
in honor of the anthem 

Neal fortissimos
in octaves of As
As
in fortissimos of octaves
octaves
in As of fortissimos 

a bright hand emerges
through the spaces
between the heads
of audients 

a dancer
is a body
that draws attention
a bodily avatar
of
our sense of body
occluded
by our own
and others
bodies 

retains focus
by
its own disciplined focus 

ghostlike forms appear
and dis- 

gnomic spirits
enraptured
knight of a pale order 

the unsettled focus
moves the figures of the audients
the space itself
is quivered

the sound of the camcorder's focus mechanism
a quiet tick tick  

forms are guesswork
and then
Neal alone with his A 

focus narrowed
near to vanishing 

hallucinatory figures
wraiths
materialized
transcession
to center stage
light returns
as As fade  

gestures are mimed
ite missa est 

immolation by applause
to clear the focus
thank you for coming
the ping pong balls
are collected
collectively
the camcorder
is put out

In Session at The Tintinabulary

August 17, 2025

Chard - Keith Eisenbrey

Walla Walla
August 18, 2025

Gradus 419 - Neal Kosály-Meyer

we will hear a plethoric value of pitches
we specialize here
in sonorities
that call intonation into question 

thought threads
spun upon commonalities
among moments
and discommonalities
among the same figures 

play
upon the variable values
of the durations
of now
as
they pass through the figures 

a figure
differs from a filter
in that
a figure
particularizes
and a filter
departicularizes 

figures deepen abstraction
filters sand it smooth 

commonalities assist us
in keeping our place
or
in mapping our position
reassurance
desperate measures 

the pages are loosely rumpled
an alternative compositional approach
might be
to maximize discommonalities
in the immediate awareness bubble
that
any latent properties of the rung's combinations
would make themselves apparent
as though
from raw data 

threading through commonalities
is a mode of compositional thinking
but not the only such mode 

the written score*
is a geography to be explored 

*Neal
when necessitated by the plethora of pitches involved
produces written out scores
(graphically structured representations
of the rung's pitches in pitch space)
which
he then explores
by searching paths
within that specific geography
(perhaps geomorphology)
(or pitch space morphology)
(better terms?)
locations
(pitch sets)
cross-referenced 
by their constituent pitches
and/or pitch classes

Postscripts

Drops

Music of Benjamin Boretz
Keith Eisenbrey, piano

The music of Benjamin Boretz, which I first encountered as an undergraduate, has played a central role in my own sense of musical possibility and depth ever since. I was deeply fortunate to study with him for a few years in the early 80s, and have been blessed with his ongoing friendship and conversation since that time. It is my distinct pleasure to share these recordings with you now. 

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream

Saturday, August 16, 2025

Playlist

Jasper Mountain Reserve
Preface

"I found Magdalen in the garden. 'Heavens, Mr. Stubbs!' said she, as in my new uniform I appeared before her, 'I really did never--such a handsome officer--expect to see you;' and she made as if she would blush, and began to tremble violently. I led her to a garden seat. I seized her hand--it was not withdrawn. I pressed it;--I thought the pressure was returned. I flung myself on my knees, and then I poured into her ear a little speech which I had made on the top of the coach. 'Divine Miss Crutty,' said I; idol of my soul! It was but to catch one glimpse of you that I passed through this garden. I never intended to breathe the secret passion (oh no! of course not!) which was wearing my life away. You know my unfortunate pre-engagement,--it is broken, and for ever! I am free!--free, but to be your slave,--your humblest, fondest, truest slave:' and so on."

from The Comic Almanack an Ephemeris in Jest and Earnest, Containing Merry Tales, Humorous Poetry, Quips and Oddities, First Series, 1835-1843

Texts

Recorded

Jasper Mountain Reserve
August 9, 2025

Solo at Solo - Peterman [from Red Vinyl, split with Jaguar Shark]

intersecting social and economic desires
seeking their optimal tuning

Gradus 332 - Neal Kosály-Meyer [April 30, 2018]

a note
a motion of the body
a gesture
a recorded note
is also a recording
of the motion of the body
of a physical gesture
embodied
in the sound of the note
or
heard as such 

archipelagos of notes
scattered across a surface 

the cloud of lingering resonance
propagates outwards
from each island
in each archipelago
across
that same surface 

notes' gestures
notes' ripples

Jasper Mountain Reserve
August 10, 2025

1997 - Pete Comley [from Paintronics Volume 6: Guitar with Digital Looping]

throbbing cycles
something heedless this way spins
followed by gulls
and their chatter 

all
are absorbed
in the cycling throb
buffed
to a solid shine

Madrigals, Book VIII: Ogni amante è guerrier - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

this music
sings
with its hands and face
in active participation 

enunciation theater
reveling
in the language
discovered to literature
by Dante

Es spricht der unweisen Mund wohl, BuxWV 187 - Dieterich Buxtehude - Simone Stella

he spreads this music out
as on a worktable
a puttering thinker

Premier livre de clavecin: Deuxieme Ordre (fin) : La Volupteuse. Rondeau. Tendrement, &c. - François Couperin - Kenneth Gilbert

all the finest silks and weaves

Was soll Ich aus dir machen, Ephraim, BWV 89 - Johann Sebastian Bach - Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

long held melismas
on ü
long strings
of music talking at us
this one's right jolly
there's the chorale
we must be at the end

Jasper Mountain Reserve
August 11, 2025

Sonata in D (for organ), Kk. 187 - Domenico Scarlatti - Pieter-Jan Belder

what follows a figure
is put together
in terms of a mapping
of the figure
that is
we line them up
a remembered sequence
upon a new presented sequence

Prelude in F Major, Op. 28 #23 - Frédéric Chopin - Garrick Ohlsson

pleasant magic in every direction

Album für die Jugend "Mai, lieber Mai, bald bist du wieder da!" Op. 68 #13 - Robert Schumann - Éric Le Sage

lost in reverie

Poème Satanique, Op 36 - Alexander Scriabin - Dmitri Alexeev

introduces themself so charmingly
theosophical exoticism
revels in projection of power

Empty Bed Blues - Bessie Smith [from That Devilin' Tune]

the trombone commentary
occupies the end of each line

Practice Makes Perfect (take 2) - Billie Holiday [from Lady Day: The Complete Billie Holiday on Columbia]

the title
omits
the crucial
if
that precedes it
and
the then
of the conditional clause

Sonatas and Interludes: Third Interlude - John Cage - Boris Berman

I wonder
whether
there is a differentiation
in the use of the prepared notes
between the Sonatas
and the Interludes
or
does the distinction flow
from some other aspect of these?

Twirl, Twirl - Norman Monath [from Songs of the Pogo]

alliteration waltz

Ask Me Why - The Beatles [from Please Please Me]

you
woo woo woo
I
yai yai yai

Let There Be More Light - Pink Floyd [from A Saucerful of Secrets]

microphone on the move
psychedelic scifi connection

Ooh Yea - Betty Davis [from Betty Davis]

stylized speech rhythm
over stylized pulse structure
breakouts from the cycle
help to articulate the cycle
proto hip hop
language activated dance music

Candy's Room - Bruce Springsteen [from Live at the Roxy, July 7, 1978]

giving the drummer a workout

Jasper Mountain Reserve
August 12, 2025

Improvisation - Keith Eisenbrey, Dan Sedia [August 7, 1983]

both of us on piano(s)
duet for two personalities
conversing in piano

judging by the extraneous sounds
this may have been made in a public space
(I don't recall) 

a thoughtful and considerate session
wherever it was made 

we are distracted
by the lovely acoustic diffusion
occasioned
by their independent intonational philosophies 

this session
sticks with it
hangs right in there 

the piano on the right
I think it is me
is not willing to emerge far
from its mindset
Fafner at slumber
after circling warily
statements are firmly made
and seconded

we seek paths through the instreaming data
in order for it
to be parseable
as experience
the paths
are
our experience
of experiencing it

The Day You're Mine - Big Daddy Kane [from Long Live The Kane]

my manufactured sound
is more manufactured
than yours 

two musics
over a common beat
each of which
translates the other
through textual affinity of subject 

presenting his suit

Irish Debussy - S. Eric Scribner [from Pianosphere]

piano and a free reed instrument of some ilk
upon which an old tune is writ

Slump - Outkast [from Aquemini]

structured dialog
syllable spew
choral chorus
gives 'm a breather

Song of Solomon 3:1-3 050510C - Keith Eisenbrey Karen Eisenbrey, Keith Eisenbrey [recorded at Jack Straw Cultural Center, Seattle, May 10, 2005]

the rhythms in the midbits
the 5/8 bars
are intended to confound each other 

we made some additional takes
but I don't know what I thought had gone wrong in that one

3 Translation of the Works of Maurizio Mochetti: No. 3, Rebounds - Alvin Lucier - Alter Ego

pebble put plain
one word each 

home ground of the muse

Banned Rehearsal 847 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [November 11, 2013]

Jasper Mountain Reserve
play upon play
we all do

on the midi-sampler
all the control buttons
could be (have been)
designed
as an additional keyboard
with which to compose
with machine instructions
by direct manipulation 

elbows in 

the charming articulations
of clumsiness 

wooden dancers
observe the bells rung above 

there's that
unwilling to emerge
piano growler
grumping away 

ocean drum
rinse cycle
the waves
of the tides
the ringing drum
and now
a word from the haunted castle 

ding dong

sudden inset locations of sound

the muse wanders the room 

not on the tape
so
assigned to a committee
persistence of activity

Banned if I can find it - Steve Kennedy, Lisa Puteska [from Untitled Album]

now that's what I call a ring tone!
what fun!

Banned Rehearsal 1079 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt [July 3, 2023]

invocate the arena
listen back at its response 

frame drum articulates the ceremony 

we slide our wedge of sounds
between the ambiance and the silence 

our modest music tent bubble
of here now 

July 3rd fireworks
go bang
urban sirens 

sounds keeping to themselves
in company
with the yard's critters

Take It Easy - Duke Ellington [from That Devilin' Tune]

an inexhaustible back stage of talent
to trot out before the lights

March No. 6 for Piano, with Here's to Good Old Yale (1943) - Charles Ives - Charles Ives [from Charles Ives Plays Charles Ives]

needs the flicker of a projector
and bumbling cops
in tall black helmets

St. George and the Dragonet - Stan Freberg [from The Very Best of Stan Freberg]

narrates like a hardboiled police report
its monotone is its color scheme

Joy To The World [from The Life Treasury of Christmas Music]

every syllable
to be pounded out
with mighty hammers 

this arrangement
has been over-Handeled

Jasper Mountain Reserve
I'd Rather Go Blind - Etta James [from Tell Mama]

the private epistle genre
of lyric voice

Happy (Love Song from Lady Sings The Blues) - Michael Jackson [from Music & Me]

full employment for spotlights

Constructive Neutrons - Sun Ra, Walt Dickerson  [from Visions]

running crab spider mallet-work
backwards in heels
sonorities
that accept all within their embrace

When Numbers Get Serious - Paul Simon [from Hearts and Bones]

using arithmetical equations
as neutral statements
for payoff rhymes

August 13, 2025

Banned Rehearsal 140 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Sharon Watson [June 14, 1988]

in Bickleton
walk with small instruments
play fishwhistle
for the horses
multiple layers of doing
the deep background
the stepping in gravel road
the wind in the microphone
the fishwhistles and harmonica
the conversation
each
clearly distinguishable
as a distinct doing 

strolling minstrels
cowboy dance 

the long straight road
that leads to a gully
stops being straight 

don't know where they live blues 

walking in gravel
sounds like chewing crunchies

using a law degree
as an excuse
to write variations
on Scott Joplin tunes 

we crunch along the road
chewing it thoroughly 

burying a musical insight
where it will never be found
inside
an obscure bit
of Joycean prose 

meanwhile
the fishwhistlers whistle
on the road to perdition
and declension
cute as a cufflink 

oops there's a fence
frogs in their pond

You've Been Around - David Bowie [from Black Tie White Noise]

blank face dancing

Banned Rehearsal 505 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [June 29, 1998]

Jasper Mountain Reserve
jump right in
make a glorious splash
into a tense balance
the mature stress
of the decade of chaos
still
almost
holding it together
the chamber symphony
is wandering into dissipation 

overtly music-making 

a bit techy on the drums there
duly noted 

we'll hang out in the mellow room

sensitivity
is not synonymous
with expertise
expertise
being a mode
of sensitivity
in the service
of melody processes
and
involved
in making a melody
out of an incoming sound
(mental processes)
or
of making "sense" of it at all 

quite a fine strong session
of making music overtly
from a multitude of voices 

the fictional audience
hypothecated for mere form's sake 

a split of persons
an editor

a magnificent sneeze ah<CHOO!
to match
the glorious splash
from above 

now we're getting all harmonic and learned 

sitting upon an electric guitar
pianissimo blissout
articulating an endless chorale
late stage Pastorale (C.O.W., the)
thousands and thousands of chords along 

disruptor in the back row
scherzic time
bang and clank and clangor and woe 

banging with cans
at close range
chimney can 

wind up for the finish

{journal entry of September 24, 2006:

mostly an admirably transparent mix - punctuated}

Jasper Mountain Reserve
shouldn't we talk: IV - J. K. Randall [from Open Space 19]

a music from given sounds
{midi samples?}
their music
is not
from
where
they were given 

no fancy sheen 

where we may be
within this
is unanswerable

Gradus 144 - Neal Kosály-Meyer [August 19, 2008]

causeways
along a perilous rim
a yelp 

play with dynamics
and characterization
extremes of contrast
jump scare
the village bell tolls gently in the night 

propensity to dreamstate

I Don't Know - Your Mother Should Know [recorded live at Victory Lounge, July 6, 2013]

post Pouch set 

in the costume of dive-bar music

Lamb Day 180505 A - Keith Eisenbrey [May 5, 2018]

if it sounds like a sheep
it might be a sheep
if it sounds like somebody
imitating a sheep
then
it is a sheep 

dogs birds
even a rooster
among the lambs and folks
of several ages

Sedna - Steve Layton [from Bedtime Stories]

in the wastes of existential dread 

fear factory transit hub

Jasper Mountain Reserve
August 14, 2025

Blues in the Bottle - Prince Albert Hunt [from Really The Blues]

one could transcribe this note for note
into written form 

in such written form
it could be analyzed
as a sung sequence of notes
a fiddled sequence of notes
and a strummed sequence of notes
and surmised relations among them
but
if we are confident
there is such an analysis possible
then is it worth doing?
seeking insight
by means of abstraction

Tell Me How - Buddy Holly [from The 'Chirping' Crickets]

as one could do with this
mutatis mutandis
could be used
as a basis of comparison
but
we must keep in mind
that we would be comparing abstractions
subject to the spin
that abstraction inflicts
back into its object
and
our prejudice
about what to abstract

Jasper Mountain Reserve
I Saw Mommy Kissing Santa Clause - The Ronettes [from A Christmas Gift for You from Phil Spector]

interesting that the entirety of this album
is of the secular side of Christmas
save for the Silent Night sop
at the end
is that the one Mr. Ick talks over?

Run Run Run - The Who [from Magic Bus]

rough sound
not engineered for immaculate hygiene
likely in the same room at the same time

That's How Things Go Down - Carole King [from Fantasy]

and could one be confident
one had transcribed/abstracted the samples
to equivalent degrees of abstraction 

I'm guessing this album tells a story
the songs cut off/into each other

She's The One - Ramones [from Road to Ruin]

for instance
it might not catch
the sense
of presented abstraction in play
the interval
between an experience
and the abstraction/transcription thereof

Improvisation - Benjamin Boretz, Jill Borner, Keith Eisenbrey, Dan Sedia [August 9, 1983]

{NB somewhere I had marked this session
as though Sarah Johnson were playing
rather than Dan,
but see below} 

for me
at the time
this session
represented a breakthrough
in how I was listening
to my own playing 

during the discussion
that followed our listening back
I was made aware
that I had dominated the session
(a danger to be aware of)
mea culpa
but
that piano was talking to me
as was
the color depth
of the sounds my comrades were making 

this session ended up
in one of the InterPlay tapes
{"Grunt"} 

I think that's Sarah on the flutes
Jill on the violin
and Ben playing the little drum 

music
like language
is a communal medium
we can share it effectively 

I think it is Dan
not Sarah on the flutes
now
not so sure
whoever it is
is doing some interesting things
finding ways
to make sounds 

chords ought not to sound the same
it is a waste

Jasper Mountain Reserve
Dirty World - Traveling Wilburys [from Traveling Wilburys]

rude come-ons
service charge
parts and service

Legs - PJ Harvey [from Rid of Me]

the image of the room changes
jump cut instant
I think they were all in the same room together
at the same time
it has that feel

Final Hour - Lauryn Hill [from The Miseducation of Lauryn Hill]

twisting rhyme
echo chorus
talk-back-along
eyes on a prize

Song of Solomon 3:1-4 050510B - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded at Jack Straw Cultural Center, Seattle, May 10, 2005]

I felt messed up
so we started over
I
was an idiot
about the 5/8 bits
it's so about not lining things up

LUV - Janet Jackson [from Discipline]

aimed at the teen mind
shiny mall
fashion glitz

Silvertone 131112 - Keith Eisenbrey

so I had this device
that could record 8 tracks on it
so I did
these are them 

another great ring tone 

amoeboid
is the
amoewoid

Changes - Red Car Burns [from split with Dead Bars]

specificity of attitude
is the message
is the media
being
a how to be

Old Hundred - Keith Eisenbrey - Keith Eisenbrey [July 11, 2023]

squared skewed 

cubed skewed

Voice of the Southland - Thelma Terry [from That Devilin' Tune]

the engineering of this recording
is flawless
of its time {1928}
state of the art

Heeby-Jeebies - Little Richard [from Little Richard]

more going on
than can quite be articulated

Brady, Brady, Brady - The Brothers Four [from The Brothers Four Cross Country Concert]

murder
as a comic western hokum tale

Beside You - Van Morrison [from Astral Weeks]

lines are extruded under pressure
like pasta
extrusion expression
begging empathy
as a performance
emotional identification
projection screen

Golden Lady - Stevie Wonder [from Innervisions]

selling the well-dressed pipedream

Under the Light, Yet Under - George Perle - Bethanee Beardslee, Morey Ritt

the limits
of our sphere's
under
and over
-spheres

I Will Folow - U2 [from Under a Blood Red Sky]

the urge to pound ones words
upon a multitude
at high volume
with drums and guitars
to drive home
the message
of the urge
self-indulgency porn

In Session at The Tintinabulary

August 10, 2025

Azmon - Keith Eisenbrey

August 11, 2025

Banned Rehearsal 1131 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt

Postscripts

Drops

Music of Benjamin Boretz
Keith Eisenbrey, piano

The music of Benjamin Boretz, which I first encountered as an undergraduate, has played a central role in my own sense of musical possibility and depth ever since. I was deeply fortunate to study with him for a few years in the early 80s, and have been blessed with his ongoing friendship and conversation since that time. It is my distinct pleasure to share these recordings with you now. Partita was recorded in 2018, the others in 2024/2025.

1-4. Partita (1955)
Prelude
Gavotte
Allemande
Capriccio
5. ("...what I could hear, trying to crawl out from between the lines of your last ferocious Sonata...") (1979)
6. O (2000)
7. Liebeslied - for a pianist alone (1974)
8. Lament for Sarah (1990)
9. Invention (1988)
10. ("...my chart shines high where the blue milks upset...") (1976/1977)

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream