Saturday, January 17, 2026

Playlist

Skyline Trail, Mt. Rainier National Park
Preface

"There is, one knows not what sweet mystery about this sea, whose gently awful stirrings seem to speak of some hidden soul beneath; like those fabled undulations of the Ephesian sod over the buried Evangelist St. John. And meet it is, that over these sea-pastures, wide-rolling watery prairies and Potters' Fields of all four continents, the waves should rise and fall, and ebb and flow unceasingly; for here, millions of mixed shades and shadows, drowned dreams, somnambulisms, reveries; all that we call lives and souls, lie dreaming, dreaming, still; tossing like slumberers in their beds; the ever-rolling waves but made so by their restlessness.

To any meditative Magian rover, this serene Pacific, once beheld, must ever after be the sea of his adoption. It rolls the midmost waters of the world, the Indian ocean and Atlantic being but its arms. The same waves wash the moles of the new-built Californian towns, but yesterday planted by the recentest race of men, and lave the faded but still gorgeous skirts of Asiatic lands, older than Abraham; while all between float milky-ways of coral isles, and low-lying endless Archipelagoes, and impenetrable Japans. Thus this mysterious, divine Pacific zones the world's whole bulk about; makes all coasts one bay to it; seems the tide-beating heart of the earth."

Herman Melville, from Moby-Dick; or, The Whale.

Texts

Recorded

Skyline Trail, Mt. Rainier National Park
January 10, 2026

Banned Playalong Playedalong 4 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [November 18, 1988]

on an ice sheet swept by gales
listing meats to eat 

I sing of the manly breakfast
taken out of doors
dressed in syrup from Vermont
corn flakes
raisin bran
and froot loops
and cheerios swimming in milk
cereals with a prize on the bottom 

Whitmanesque inventories
and the just too close voice
of Proust
on assuagement of suffering
not a positive joy 

partake
of the five-tiered wedding cake
closeted
with the little person inside me 

I sing the toaster electric

the building of a thingness
from the stuff of itself
Urthing
Urersatz 

I was confused
gave me quite a start 

language can pull interpsychic states
out of common experience
such as
a bare modifier
such as
"weird"
being
an adequate expression
of the sentence
"That is weird."
though subject and predicate
are silently understood
seamless intersubjective

Nanwei Chin Su - Japan - [from The World Sings Goodnight]

it doesn't harm each of these tracks on their own
but over time
the uniformity of sound-engineering
imparts a weird sense of deadness to the enterprise

I'll Dip - Aretha Franklin [from A Rose is Still a Rose]

the variety of vocal productions
that pass across her sung line
is a jaw drop

Little Drummer Boy (feat. Bobbi Kristina Brown) - Whitney Houston [from One Wish: The Holiday Album]

brings his little drummer friends over
and they're gonna go all taiko 

the little taiko tyke

Skyline Trail, Mt. Rainier National Park
January 11, 2026

Zither Film Mix Reversed - Keith Eisenbrey [November 30, 2008]

the last of the preliminary mix tracks
of which there were six
three regular
and three reversed
all six
were then to be combined
to make the final item in the series
since the three regular mixes
all begin with a dense texture
and finish with a thin
and the reversed mixes
begin thin and end densely
the resulting conglomerated track
will begin and end dense
and thin out toward the middle
like the shape of saddle 

if anything now
can be music
then
the usefulness of the term
may be nigh vacuity 

perhaps
we want new terms
for the various species of objects under consideration 

one might regard the desire
to include anything at all
as music
as a desire
to valorize those anythings at all
with an epithet
a badge
rather than
a desire to understand them 

we often assert that a music
is
or is like
such things
as poems
pictures
dramas
dances
et cetera 

is it as commonplace
for those other modes
to be asserted to be
or to be like
those
its fellow modes? 

what then do we mean? 

going in the dense to thin direction
the first moment
of no sound
is an immediately attended event
whereas
in the other direction
the last such moment of silence
is always provisional
and retrospected

Leave Me Behind - Acapulco Lips [from Acapulco Lips]

alas
another victim of the loudness wars
though here it's mostly the instruments who hog the mix
convinced it's all about them

Anvik - Aaron Keyt - Keith Eisenbrey [December 19, 2025]

this music
is a delicate explanation
by several voices

Nature Lives in Motion - S. Eric Scribner [from Adjacencies]

Aaron
above
manipulated notes
to make note things
out of sounds
Steve
here
manipulates sounds
to make sound things
out of sounds 

timbre can be distinguished
but can't be laid out
except upon a merely plausible spectrum 

their various distinguished categories
form only loose and permeable alliances 

and yet
note-like things appear 

this music
is a walk
in a large garden

Madrigals, Book IX: Alle danze, alle gioie - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

this song is dancing on a stage

Komm, heiliger Geist, Herre Gott, BuxWV 200 - Dieterich Buxtehude - Stimone Stella

wisdom floats down upon us
a blessing from heaven

Skyline Trail, Mt. Rainier National Park
January 12, 2026

Man singet mit Freuden vom Sieg, BWV 149 - Johann Sebastian Bach Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

episodes differentiated by tonal/polyphonic procedure
phrases crafted to assist in the comprehension of the text's rhetorical rhythm 

complete a sentence
complete a phrase 

what has been bubbling along
behind what one attends
reveals itself
in spillover continuations 

an extensive chorale to finish
with brass flourish

Sonata in C major, Kk. 308 - Domenico Scarlatti - Pieter-Jan Belder

at a gracious tempo
even in heavy fabrics
long pauses

Symphonie Fantastique, S470 - Hector Berlioz, arranged by Franz Liszt - Leslie Howard

this is quite fun as a solo piano piece 

Liszt
in great excitement
tells us
the symphony
that Berlioz wrote 

waltz emerging
from a tectonic rumble

technicolor widescreen beheading

Skyline Trail, Mt. Rainier National Park
January 13, 2026

Kinderszenen: Träumerei, Op. 15 #7 - Robert Schumann - Florian Uhlig

lifted from next to nothing
nestling back

4 Pieces: Nuances, Op. 56 #3 - Alexander Scriabin - Michael Ponti

a melody
in counterpoint
to
an invariantly figured accompaniment

West End Blues - Louis Armstrong [from Smithsonian Collection of Classic Jazz]

this music
faces out
into the room it fills 

does it also
pull the listener
into itself? 

it pulls us toward
but not into
its workings

Last Night - Buddy Holly and The Crickets [from The 'Chirping' Crickets]

this music
is an act
it sings
as though it were personal
to the singer

Money - The Beatles [from With The Beatles]

this music
is an attitude strut

A Hazy Shade of Winter - Simon & Garfunkel [from Bookends]

this music
pretends to sophistication
of a literary hue

Eclipse - Pink Floyd [from the Dark Side of The Moon]

this
to that
of grandeur

She's The One - Bruce Springsteen [from Live at The Roxy]

this music
rides on its own glory
or is nothing 

rollercoaster

Skyline Trail, Mt. Rainier National Park
Six Intermezzi (Studio Version) - Keith Eisenbrey - Jill Borner, Keith Eisenbrey

assembled from my 1983 recordings

this music is a face
it presents itself
without explanation 

we observe them happening
optimally
there are not layers
been you and it
it is
after all
at your ear 

life in my 1983 head
confounding
of up and down
as a valid metaphor of pitch

Paths That Cross - Patti Smith [from Dream of Life]

some poets latch on
to the rhythms and flow of demotic music

All About Nothing - Fastbacks [from Zucker]

a band
to be a band
would be bent
to a single focused
brand
of sound
to stand
out
on the shelf 

a body of novelty acts

I Don't Do Floors - James King [from Bed By The Window]

marital bickering hoe down dance

Everybody - Keith Eisenbrey - Keith Eisenbrey [from Summer Songs/Winter Mix]

this is what happens
when I am left without a piano

Symphony in F Major, Op. 93 (#8) - Ludwig van Beethoven - Skagit Symphony

first movement broadly struggles a bit 

some of those wind players
may have found refreshment
at intermission 

ever over-eager brass
get their moment 

all the little clock parts
rush to their places 

here's the part
the horn player
practiced the most

Golden Goddess II - Antique Scream [from Two Bad Dudes]

Sweetwater Catalogue hype true believers 

bicep bros

Punch Back - Steve Layton [from Próxima Estación]

this groove continues to drill
until the plug is pulled from the wall

Intermezzo 3 - Keith Eisenbrey - Keith Eisenbrey [from Keith Eisenbrey 3: 1982-1983]

thin voices
of narrow registral adjacency 

a voice
of center-of-sonority polyphony
of two levels
of apprehension

Skyline Trail, Mt. Rainier National Park
Worried Blues - Gladys Bentley [from That Devilin' Tune]

voice of experience

Crying - Roy Orbison [from For The Lonely]

frown clown

Selections 2 - Lake Washington Singers [June 14, 1963]

another
presumably
incompletely labeled tape 

this gentleman singing
is not the Lake Washington Singers
that I remember

Don't Tease Me - ? and The Mysterians [from The Best of ? and The Mysterians]

the quasi-calliope sound of the B3

You Light Up My Life - Carole King [from Fantasy]

broad relatability
aspirationally acceptable

Nervous Breakdown - Black Flag [from The First Four Years]

punk clown
pretend to be an angry brit
from the streets

Euro Session - Janus Circus [from Bard Sampler 82-83]

street fair
contraption music

Skyline Trail, Mt. Rainier National Park
January 14, 2026

Banned Playalong Playedalong 5 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt

sounds have a size
within the space
they are made in:
its presence 

a played-back sound
includes that presence
which
then
has a presence
within the room
into which it is played back 

filling tapes with sound
as a goal
is too easy
to be worth the time 

it is filled
so what? 

a tape from the past
is played back
and we play along with it 

an asymmetrical relation:
everything on the tape from the past
is heard in the present tense
of the players-along
but
is impervious to
deaf to
what the players-along
play 

asymmetry
(social)
is a frustration
like improvising with a telephone pole
it pays no heed

Strange Repeating Bird - S. Eric Scribner [from Pianosphere]

cyclic infusions
minimalist stylistic repetitions
a methodology to fill expanses of time

Viva le High - Goodness [from Goodness 1995-1998]

relatively modest use of dynamic contrast between segments

Desire - Frieze of Life [from Nuclear Frog Pond]

differentiated motion types
one quickly nervous
the other sustained and gooey

taking a solo
in such a composition
requires no explanation
it is an invariant part of the culture

Skyline Trail, Mt. Rainier National Park
Zither Film - Keith Eisenbrey [November 30, 2008]

an ode
to the texture
of a curve swept skin 

signal level
crab canon 

all the tingles
within the swept curve skin 

a note
is an irreproducible location  

here
in the middle
where coming and going meet
a moment
headed in both directions
at once
across the representational divide 

of course
it might be a silence
signal-wise 

headed tailward
it lingers
lifting
out of the softest cleft
this curve's texture
at each moment of curvature

The Mystery - Spinning Whips [from Sentimental Groover]

a story implied
within the acting out of the song 

nice combined vocals
in widely separated registers:
across a gender-gap of voices

Maple Leaf 181027A - Keith Eisenbrey [October 27, 2018]

a downpour in the driveway

Windows Down - Tom Baker Quartet [from Begin Again]

this is an awesome nice drive

Too Tight Blues #2 - Blind Blake [from Turn Me Loose White Man]

light fingered guitar dance
migrates tongueward

Some Other Time - Bill Evans [from Everybody Digs Bill Evans]

prospective nostalgia
dreamy

G---- Eyes - The Jimi Hendrix Experience [from Electric Ladyland]

fancy guitar playing

Don't You Worry 'Bout a Thing - Stevie Wonder [from Innervisions]

the sophistication of it
is palpably intentional

Six Intermezzi (2004 Remix) - Keith Eisenbrey - Jill Borner, Keith Eisenbrey

very dramatic engine roar-by
on the heap deep jam rut

Skyline Trail, Mt. Rainier National Park
January 15, 2026

Don't Believe The Hype - Public Enemy [from It Takes a Nation of Millions to Hold Us Back]

music to words
broadside graphic
to broadside text 

music and words
a broadside design
designed loud
to punch 

is it
as a design among designs
violent?
yes. 
appropriate?
quite likely.

Nite Flights - David Bowie [from Black Tie White Noise]

his text-lines
in carefully laid out rhythm upon the meter

The Eyes of Amelia - Tingstad & Rumbel [from American Acoustic]

pretty guitar
being pretty guitar
with
warm glow
framed glossy
landscape photograph
lighting

Hello Jim - Keith Eisenbrey - Keith Eisenbrey [from Summer Songs/Winter Mix]

this one
I pretty much left alone
from its original
I may have done some compression or equalization
not much

Down and Out in London - Peter Fedofsky [from Situations]

this music is comfortable
in its raw charm
can't be shed of it

Skyline Trail, Mt. Rainier National Park
Go To Hell - Star Anna [from Go To Hell]

from the bottom of the gutter

R.B.G. - Bad Luck [from Four]

this music prints on sheets
this music is the machine
that prints on sheets
this music
is the sounds
of the machine
printing on sheets
both sides
flip flap whap
squeeze lift clear 

late generation impressionism
coded communication
a catalogue
of machines
for printing on sheets
in action
with their sounds

Intermezzo 4 - Keith Eisenbrey - Keith Eisenbrey [from Keith Eisenbrey 3: 1982-1983]

changing the types of dyads used
changes the color
or mode
of the arising internal polyphony
its tonality
is differently shaped in pitchspace 

how pre-composition manifests downstream
or
just
how upstream composition
affects downstream composition 

demonstrating for myself

Wayward Girl Blues - Lottie Kimbrough [from That Devlin' Tune]

the guitar player talks with the singer
verbally and with his hands
the singer responds to each
individually

Give Him the Ooh-La-La - Blossom Dearie [from Give Him the Ooh-La-La]

advice for digging gold
Napoleon and an army of debutantes
change the history of France

On Broadway - The Drifters [collected from Dave Marsh's The Heart of Rock & Soul]

the combo is recorded as though on risers
individually risen
individually lit
in groovy pastels

Chest Fever - The Band [from Music from Big Pink]

different from a chest freezer 

a song for making the music
these folks make together
when they do make that music
together 

a shared culture within an artifact

Desert Hush - Morgana King [from New Beginnings]

a strange connection
from this wordless bit
to Pink Floyd of the same era

Lawyers in Love - Jackson Browne [collected from Dave Marsh's The Heart of Rock & Soul]

the weary strivers
at their weary striver bars
sorry lounges 

big dramatic synth-led modulation

Banned Rehearsal 160 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [December 2, 1988]

the sudden malfunction of the rolling pin
is Karen baking? 

a music erupts
to silence the Beatles 

Aaron and I yowl and whang at guitar strings 

Boo Cookie contest 

Karen must have been baking cookies 

a rousing rendition
of the Buddha Cookie Chorus 

Uncle Walt
by the roadside
breathless
endless lines
roll on
across the prairies 

it is amazing
how much
a list of Whitman's poems
sound like
a Whitman poem 

a tale of ticking talking 

The Beatles are back
with the clockwork

Highway '61 Revisited - PJ Harvey[from Rid of Me]

most of this arrangement is presented
as though played on the stage
except the bit at the beginning
which bit transforms the whole
into
an only-as-recorded product

Track 9 - Richard Rorex & Reid Merriman [from Mood for Richelle]

well crafted guitar sounds
for well crafted guitar lovers

Pavane for a Dead Princess - Brave Combo [from Box of Ghosts]

this dead princess
really rocks out
to her tender pavane

SpottieOttieDopaliscious - Outkast [from Aquemini]

slinky close dance
comment on a culture
from within that culture

Day is Dying In the West - Keith Eisenbrey - Keith Eisenbrey [January 12-18, 2015]

a solid hymn
does not need to be sung
to professional standards
to be maximally effective

In Session at The Tintinabulary

January 11, 2026

St. Ann's - Keith Eisenbrey

January 12, 2026

Banned Rehearsal 1141 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer

Postscripts

Drops

Music of Kosály-Meyer, Verrall, Palmer, Baker, Oldham, Osborn, and Cobb

This album is a selection of music by various Seattle-area composers, composed between the 1940s and 2010 or so.

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream

Saturday, January 10, 2026

Playlist

Preface

"July - Down at Beulah"

George Cruikshank, from The Comic Almanack, First Series 1835-1843

Texts

Recorded

January 3, 2026

Madrigals, Book IX: Come dolce hoggi l'auretta - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

decorousissimo
Wagner's Rheinmaidens should have had it so good

Praeludium in F Major, BuxWV 145 - Dieterich Buxtehude - Simone Stella

if the Praeludium behaves
structurally
like the clown that presents a play's argument
before the curtain
then this clown
is prolix
or perhaps
just stalling 

a hide and seek
can't catch me
fugue game
played
up in the arches 

the various chapels
cadence in order

Sei Lob und Ehr dem höchsten Gut, BWV 117 - Johann Sebastian Bach - Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

we are floated to our pews
on billows of bliss
and a blessing is given
in baritone
and a sermon as well 

I lose myself
in the casual brilliance
of the voice-leading 

a chorale that dances

Comet Falls Trail, Mt. Rainier National Park
January 4, 2026

Sonata in E-flat Major, Kk. 307 - Domenico Scarlatti - Pieter-Jan Belder

fresh as daisies
every time around

Kinderszene: Wichtige Begebenheit, Op. 15 #6 - Robert Schumann, Florian Uhlig

an announcement that echoes down the corridor

Buch der Lieder I: Der König von Thule, S531/4 - Franz Liszt - Alexandre Dossin

something puzzles
something moves
something decides

4 Pieces: Ironies, Op. 56 #2 - Alexander Scriabin - Michael Ponti

all the parts of these things
appear to be other parts
of other things

D'un matin de printempts - Lili Bolulanger - BBC Philharmonic - Yan Pascal Tortelier

frolic on weightless limbs
flit like butterflies
filled with wonder

Don't Jive Me - Louis Armstrong's Hot Five [from Hot Fives and Sevens]

this music forwards the personality of its makers

Hallelujah I Love Her So - Ray Charles, Milt Jackson [from Soul Brothers-Soul Meeting]

cats having a right good time

Not a Second Time - The Beatles [from With The Beatles]

hanging ones blindnesses out
for all to see

Nathan is Forever - Joni Mitchell [from Song to a Seagull]

leads us will-lessly
into an aromatic garden
some of which
affects the sensibilities
chemically

The Ballad of Danny Bailey - Elton John [from Goodbye Yellow Brick Road]

the echo sheen
effaces the individuality
of the various instruments' sounds
which makes the instrumental-only verses
come across
as part of the costumery

Comet Falls Trail, Mt. Rainier National Park
Mona - Bruce Springsteen [from Live at The Roxy]

playing subhuman
as an exotica 

then he comes out
to tell his Bo Diddley brag tale

January 5, 2026

Train in the Distance - Paul Simon [from The Essential Paul Simon]

the promise of distance's potential for escape

Banned Rehearsal 158 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [November 4, 1988]

a tale is spread out before us
it overwhelms the recording levels

waxing nostalgical 

clang and bang and grumble and wail

trombone imitates the doppler
of a model airplane
round and round
loop by loop 

why?
without it
cheese would have no flavor
the coffee not stay hot 

...am I here?
...am I a radish? 

the radish goes on 

thus spake the bumper sticker 

shouting to release tension
this session is intent
on hollering over itself

I'm looking for something specific
I'll know it when I find it
I think it was the first Loft tape I was looking for 

the quintessential urge
to overshout
born
of the rage
of adolescence
the imperative
to dominate 

a specific song
about nothing in particular 

spends his days
as a radish
outside
hip deep
in manure 

Ich grolle nicht!
as sentimental driving anthem

Just Say I Love Him - Nina Simone [from A Single Woman]

the point of a song such as this
is to create the conceit
of a figure
that is singing it
and to embody it
essentially actorly 

this remains the case
even when
or especially when
it is autobiographical
though self-portraiture
perhaps a better word
for a song
made to be sung
from ones own first person

If She Don't Love Me - Jonathan Richman [from I'm So Confused]

another example of above
song as a staged song and dance act

Pablo Picasso - David Bowie [from Reality]

waddayaknow!
he's covering Jonathan!

Comet Falls Trail, Mt. Rainier National Park
January 6, 2026

Zither Film Mix 01 Reversed - Keith Eisenbrey [November 30, 2008]

a graph of a population
as to
distance from a center
moving
here
from the out
to the in
rhythmic bands
of zero population events
events imputed
to occupy
a measurable acreage
of influence
made audible 

continuities confuse confusion

Track 1 - Old Man Williamson [recorded live at Victory Lounge, Seattle, July 6, 2013]

the endless open mic industrial chopper

Figure Study 181015 - Keith Eisenbrey - Keith Eisenbrey

following
where the sound
my fingers make
goes
brambles
or morass
or night

Overscape (SoundScroll V, part 3) - S. Eric Scribner [from Soundscrolls - Lost Landshapes]

the guitar comes across
as the voice of its amplifier
a cave of sound specimens
held in silence
reaching across chasmotic void 

this is awesome

I Wish That Gal Was Mine - Herschel Brown and His Washboard Band [from Turn Me Loose White Man]

that's a washboard
for sure
as shootin' 

like tap dancing with the fingers

I've Got a Woman - Ray Charles - [from Ray Charles at Newport]

blues
as a theater
put on by the band
for dancing to

Comet Falls Trail, Mt. Rainier National Park
Selections 1 - Lake Washington Singers [April 16, 1963]

somebody is singing an opera favorite
this may not be the Lake Washington Singers
my mom's tapes were not always completely labeled

The Only Way Out (Is to Walk Over Me) - Dolly Parton [from Just Because I'm a Woman]

abject humiliation

Red Baron - Billy Cobham [from Spectrum]

insinuating its mood lounge-wide
groove all night

I've Had It - Black Flag [from The First Four Years]

to be muttered under ones breath
as a mantra
to cope
with working life 

a rage-quitter hero is something to be

5 Movements: December 8, 1983 - Keith Eisenbrey - Keith Eisenbrey [recorded March 7, 2010]

it's not the slowness
but the particular agogic friction elicited
between it
and what preceded it
within a constant awareness
of the narrowness
of the choice
this
then
that
in
unending
see saw
cycles 

recording a sound
creates an exportable image
of a distance
from that sound
recreated
as an image
of a distance
from the sound
different
from amplitude
:presence:
the ghost
of the microphone's ear

are we comfortable with that kind of intimacy

doesn't let on
what it's about
or
whether the lower
is the higher
and the higher
the lower
or
the lower
is lower
and
the higher
higher 

they share their interval
with parental care 

each note
in turn
may be the first 

just what's down there
past the cobwebs and bones
a report from the field

Comet Falls Trail, Mt. Rainier National Park
Something Against You - Pixies [from Surfer Rosa]

as the produced sound shifts gears
from small to big
it glorifies power and consumption

How Am I to Know - Sun Ra [from Monorails & Satellites]

fingers follow ears
as ears follow fingers
for
fingers have ears
and ears fingers

Sky Fits Heaven - Madonna [from Ray of Light]

the witch in the dance
an old trope
playing the part

Bug Guitar - Keith Eisenbrey [from Summer Songs/Winter Mix]

initiation event
commemorative book report

bug guitar
VCR
(not a bad rhyme past me)

A Barren Land - Smokestack and The Foothill Fury [from A Live Wire]

seen at highway speeds
between there and here
parallax of power poles
dynamic perspectives

Sea of Glass - Shelby Earl [from Swift Arrows]

relationship business
either or

The Separation - The Science of Deduction [from Alternative Works]

techno
fo'
tech bro bar

feel bad
irony
good time buds

Intermezzo 1 - Keith Eisenbrey - Keith Eisenbrey [from Keith Eisenbrey 3: 1982-1983]

Wagnerian mountain horn call
adds notes methodically
as locations
among the horn tones 

it seeks to expand
into its possibility-field
without disturbing its serenity 

the cut of this music's clothes
will never make the glossies 

ideally
it might not come to mind
that it's one note at a time
except
in those moments
one hears it
being two notes
a few times

Comet Falls Trail, Mt. Rainier National Park
Worried Blues - Gladys Bentley [from Really The Blues]

singer provides their own scat trumpet commentary

I'm Confessin' (That I Love You) - Judy Garland [from Judy In Love]

soft and smooth
and a coy curtsy

Mr. Ugly - Aretha Franklin [from Laughing On The Outside]

slow dance devotional

A Saucerful of Secrets - Pink Floyd [from A Saucerful of Secrets]

enter clanging bells
robed and obscured by the mists 

dial twiddler's crescendo 

a music that transpires
free floating
amid moment scraps 

let's be weird
like they are
down in Darmstadt 

enter the anthem
to save the day
for triads

Comet Falls Trail, Mt. Rainier National Park
January 7, 2026

You Won't See Me In The Morning - Betty Davis [from Betty Davis]

she singer
he singer 

she group
he group 

she band
he band 

she player
he player 

mixed singer
mixed group
mixed band
mixed player

Trouble Under Water - U-Men

all he
all the time

Banned Rehearsal 159 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [November 10, 1988]

glimpses
of what it might become
through the trees 

distortion sound on tape
stemming from
the inability of the mechanism
to faithfully record
a hyper-ample input
perceived
at this end
(faithfully reproduced)
as a limit
against which
the sound seems
physically repressed
splashed back into itself
a right palpable limit
an alienation 

we plod grimly
each to our own drumming
we sing
as we go ploddingly on 

gibberish
and scat
and in-tongues
the music of language
without the relational shackles 

virtual body
of the Funmaker's string bass pluck
a staple sound
in the early days of Banned Rehearsal 

we have reached camp
and have set off the windup toys
as we pitch tents
and prepare a meal 

spurts of radio talk
in the radio blender 

quite the roar of distortion there

some of this sound
is from this sound's sound makers' pasts 

we sort through the detritus
a segment has no sound
perhaps 20 seconds
perhaps more 

no pickles
no mustard

Comet Falls Trail, Mt. Rainier National Park
Darklines Vanish - Helena Alexander [from The City Sketches]

a blissful oblivion
as to how what one is doing
accomplishes that doing
ask no questions
of one's own means 

the harmony between
what one has done
and its perfection
unqueried 

we are
to adore
the blissful oblivion
and its purity 

she plays with an expressive touch 

a music
playing the part
of a music
an image
of the surface sheen
of a music
but not
of its workings 

pretty peroration
past
pretty peroration 

perorate pauselessly
always a new pretty pose

Meet Me Half Way - Bonnie Raitt [from Fundamental]

sexual relations as a partnership

On a Clear Day You Can See Forever - Glenn Tate [from Days of Wine and Roses]

the sentimental favorites
of a sentimental age
of a sentimental generation
forever dated

Zither Film Mix Forward - Keith Eisenbrey [November 30, 2008]

negotiating the relations pertaining
twixt over-plenty and rarities
minced sound cake 

the first null spaces
are a marker
a limn 

the soundfile
is the material
not the sounds
the soundfile
is a soundfile
of

The Desert Deep - Princess [from Selling Sulphur]

heroic battle theme
there will be explosions for sure

Banned Rehearsal 968 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt [October 22, 2018]

we are a collection of rattles
and assorted noisies 

is this sound speaking to me
or is it talking among its constituents
of which I
as the listener
am one? 

entropic counterfacts 

the sound must be real
clearly made
on the spot
with mechanical means 

virtual objects
in a virtual real room
rather than
virtual objects
in a virtual virtual room

Comet Falls Trail, Mt. Rainier National Park
Tet Fro - Chaotic Noise Marching Corps [from Smashed at Smash Putt]

more battle dance
but clowns

Requiem for No Hero - Steve Layton [from No Mind]

motions within a tonal stasis
dim fluctuations pass near to the face of it

Wire Grass Dog - Earl Johnson and His Clodhoppers [from Turn Me Loose White Man]

slippery tune
in a slippery tuning

Whither the Starling - Norman Monath [from Songs of the Pogo]

wavelets of water left over from snowthes

Pat a Pan [from The Life Treasury of Christmas Music]

the melody is made to be cleverly arranged

I'm Gonna Take What He's Got - Etta James [from Tell Mama]

what she tells herself
to keep going

Music and Me - Michael Jackson [from Music and Me]

send 'em out whistling
with warm blankets

Comet Falls Trail, Mt. Rainier National Park
January 8, 2026

BAB KEE 831212 - Benjamin Boretz, Keith Eisenbrey [December 12, 1983]

piano soliloquizing openly
Crumar lights the stage
a character upon it
joined at pitch
impatient to express
imperturbable
in my soliloquizing

Glam Slam - Prince [from Lovesexy]

a music
as a dance
followed by some scribbling

All I Ask of You - King's Singers [from Chanson d'amour]

a song
from a musical theatrical?
niche pop

Track 6 - Students of Joan Schoepflin [recorded live June 9, 1998]

this pedagogy teaches fingers to do things
my memory
of the pedagogy
I was trained with
did that
only
at the service
of teaching the ear
to hear things

Come On - Keith Eisenbrey [from Summer Songs/Winter Mix]

moving from one meaning of the phrase to another
inexplicitly

Stranded in the Echoes - Solvents [from Manresa Castle]

at a residential speed limit tempo

Seattle Party - Chastity Belt [from No Regerts]

heavy mood fog social

Splinters - Choke the Pope [from Who Cares]

the guitar loudness
stands for the intensity
of the emotion mood
being expulsed

Intermezzo 2 - Keith Eisenbrey - Keith Eisenbrey [from Keith Eisenbrey #3: 1982-1983]

a three-body problem to puzzle at
the math is not orbital
but cyclic
math in a closed cycle
constructed upon a spectrum
based
ultimately
on what seems to match what 

this music
is thinking about something 

the pitch choice
is too deliberate
to be random 

each differentiated duration
is a differentiated species
of melodic interval
that is
say
that a whole step
taking in
a short span of time
is
a different manner
of whole step 
than one taking in
a lengthily-held span of time 

deliberation shows 

it is salutary
for a long slow section
to tax ones patience 

patience
is there
to be taxed
why else have it? 

voices emerge from the figures
as they clarify before us 

time to tax our patience yet again 

but
we'll wrap up instead
summarize
and send

Paradise, Mt. Rainier National Park
King Kong Kitchie Kitchie Ki-Me-O - Chubby Parker and His Old Time Banjo [from Anthology of American Folk Music]

sword and pistol by his side
only rhyming matters 

relieves most of the lines
in the poem
from the need to make any sense 

Chubby has an amazing voice

Sh-Boom - Stan Freberg [from The Very Best of Stan Freberg]

you gotta talk unintelligible 

back to nonsense and scat and speaking in tongues 

Tatumy intercuts 

mumble
not mambo 

don't you do gibberish 

Stella!

Surfin' U.S.A. - The Beach Boys [collected from Dave Marsh's The Heart of Rock & Soul]

if everybody had an ocean
across the USA
shipping would be a breeze
but beaches
rare indeed 

surf across the continent
first person to

Our Love Was, Is - The Who [from Magic Bus]

shooting for the psychedelic ingenue
but couldn't commit to the bit

The Easy Winner - Scott Joplin - E. Power Biggs

were Joplin to be played
on an instrument
devoid
of a system of levers
would be
a travesty 

levers
are its Buddha nature

Bat Out of Hell - Steven Travis Pope

flange-y filters
on a fine enough sequence of percussing sounds
like an improvisation
upon a signal of an improvisation
one suspects a toy piano was involved
at least in spirit

In Session at The Tintinabulary

January 4, 2026

Dundee - Keith Eisenbrey

January 5, 2026

Gradus 426 - Neal Kosály-Meyer

the relation of one to the next
is in relation
to the relation
of the next further next
to that next further next's
next further next 

composing the partitions
of a rung's notes 

if we hear
what is happening
as if
from the standpoint
of adherence to the score 

clearly partitioned
in regions
and combinations of regions 

{NB: alas, my recording failed due (no doubt) to user error}

Postscripts

Drops

Music of Kosály-Meyer, Verrall, Palmer, Baker, Oldham, Osborn, and Cobb

This album is a selection of music by various Seattle-area composers, composed between the 1940s and 2010 or so.

1. Pastoral "The Color of Water" - Neal Kosály-Meyer
2.-5. Four Pieces for Piano - John Verrall
6. Another Sad Song Littering the Highway of Life - Doug Palmer
7. On Off - Tom Baker (with Tom Baker, electronics)
8. F r AgM eNt (s) - Marcus Oldham
9. Theme and Three Variations - Sean Osborn
10. dear s - Brian Cobb

Track 1 recorded live at Bard College in 1982
Tracks 2-5 recorded live at University Temple United Methodist Church, Seattle in 2005
Tracks 6 and 7 recorded live at UTUMC in 2006
Tracks 8-10 recorded at my home in 2007 and 2010.

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream 

Saturday, January 3, 2026

Playlist

Comet Falls Trail, Mt. Rainier National Park
Preface

"Yet, as previously hinted, this omnitooled, open-and-shut carpenter, was, after all, no mere machine of an automaton. If he did not have a common soul in him, he had a subtle something that somehow anomalously did its duty. What that was, whether essence of quicksilver, or a few drops of hartshorn, there is no telling. But there it was; and there it had abided now for some sixty years or more. And this it was, this same unaccountable, cunning life-principle in him; this it was, that kept him a great part of the time soliloquizing; but only like an unreasoning wheel, which also hummingly soliloquizes; or rather, his body was a sentry-box and this soliloquizer on guard there, and talking all the time to keep himself awake."

Herman Melville, from Moby-Dick; or, The Whale.

Texts

Recorded

Comet Falls Trail, Mt. Rainier National Park
December 27, 2025

Adam Raised a Cain - Bruce Springsteen [from Live at The Roxy]

knight of the endless strut
(pelvis leads)

5 Movements: December 1, 1983 - Keith Eisenbrey - Keith Eisenbrey [recorded February 7, 1984]

in this case
making the score
was a way of organizing thoughts graphically
the score
being one thing
and any performance
stemming from it
being quite other things
but also
a way to organize thought
as an episode of experience 

might they be
the same thoughts
but organized
through distinct modalities? 

the organizations
share the property
of being fixed in a location
either on the page
or along a timeflow 

neither organization
as such
is uniquely determinable
from the other 

does the thought
that is so bimodally organized
lurk behind each?
ghostlike? 

by what other modalities
might it be organized? 

these tones appear
in three articulatory types:
poked(separated)
held(separated)
held(joined) 

held notes
are either separated or joined 

separated notes
are either poked or sustained 

missing:
poked(joined) 

adding in the missing articulatory mode
would change the sense of the time's flow
(there would be notes
that follow others immediately
quickly
rather than
the slow contemplative steadiness
as performed here
it would also necessitate
a reconceptualization of the score
and
I think
more pitches) 

another way to think on it
is that the thought
was about quantities
ones twos and threes
(also
the intervals between between pitches
of each registrally distinguished trichord
as measured in half-steps) 

it's a thought
about three 

/a set of numbers
only divisible by X
and that number\ 

for any X
or by
X and 1
and
that number
if X=2
then the set of squares of primes
if X=Y
and if Y
is a prime number
then the set of primes
to the power of Y

Comet Falls Trail, Mt. Rainier National Park
December 29, 2025

Second Part - Electric Guitar - Derek Bailey, Cecil Taylor [from Pleistozaen mit Wasser]

this music doesn't go
it stays
digs in
entrenches 

listening bunker 

to hear it
one must enter willfully 

the faster the notes fly
the less room to maneuver 

gets a bit noodley in the latter third

Une m'avoit promis - The Baltimore Consort [from Le Rocque'N'Roll]

tavern music hasn't changed much over the centuries

Every Ghetto/Every City - Lauryn Hill [from The Miseducation of Lauryn Hill]

a memoir

I Drank - Keith Eisenbrey - Keith Eisenbrey [from Summer Songs/Winter Mix]

cramming a machined pulse
into a mass of soft clay

Cruise Control (Feat. Damian Jr.) - Mariah Carey [from E-Mc2]

the pop artist
enacts industry's concept
of an acceptable sexual persona

Rainier Weather - Peterman [form Red Vinyl]

the culture of bar bands
provides a set of frameworks
in which to say things
while hiding behind a song

Realms of Memory and Voidness - Joey Largent [from Earth Drones]

hinting at subaudible pitch resonance
a roar from the basement

Comet Falls Trail, Mt. Rainier National Park
December 30, 2025

Assembly Rechoired 62 - Karen Eisenbrey, Keith Eisenbrey [September 11, 2023]

under the Anarchaedian sky
plied by planes
taut strings are plucked
somebody's car alarms
at a distance 

as we move from instrument to instrument
does the quantity of virtual soundmakers increase?
do we read a new instrument
as a new person?
do the persons (re)coalesce?

Madrigals, Book IX: Non voglio amare - Claudio Monteverdi - Concerto Italiano, Rinaldo Alessandrini

each combination of voices
is a different character 

lots of no no no emphatically no
in this one

Komm, heiliger Geist, Herre Gott, BuxWV 199 - Dieterich Buxtehude - Simone Stella

the explanation is thorough and lengthy

Ich habe meine Zuversicht, BWV 188 - Johann Sebastian Bach - Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman

fleet flute stops
tootle cheerfully
opens with a concerto
avuncular baritone

Sonata in E-flat Major, Kk. 306 - Domenico Scarlatti - Pieter-Jan Belder

a repeated figure
amended by a stepwise sequence
as it peels off 

the distance
the stepwise sequence has travelled
is embodied
in its relationship
to the repeating figure
atop it

Kinderszenen: Glückes genug, Op. 15 #5 - Robert Schumann - Florian Uhlig

this music is a comfy chair and delightful companion

Buch der Lieder I: Mignon's Lied, S531/3 - Franz Liszt - Alexandre Dossin

supporting figures
body and breath
the singer has been subsumed into the music
language and all 

a silent film
of a song
as a music 

magic of the first order

Comet Falls Trail, Mt. Rainier National Park
Etude in E-flat Major, Op. 42 #8 - Alexander Scriabin - Dmitri Alexeev

flinging petals
of pink pleasure
naiadly 

a gloomy mood
approaches 

naiadly pink
the petals
flinging

D'un soir triste - Lili Boulanger - BBC Philharmonic, Yan Pascal Tortelier

the stage is dimly lit
and misty
noir shadows rise
against the backdrop
heart pounds 

weary sorrow lingers

Sugar Foot Strut - Louis Armstrong's Hot Five [from Hot Fives and Sevens]

tap dance percussion

It's Only a Paper Moon - Morgana King [from Sings The Blues]

over the course of the stanza
she turns to whisper
in your ear

There's A Place - The Beatles [from Please Please Me]

they had practiced this

Alfie - Bill Evans [from Another Time: The Hilversam Concert]

held just aside from the key

Shapes of Things - David Bowie [from Pin-Ups]

song singer
as a clown type
circus barker
to the darker tents

CF Anderson Memorial Service - William Meyer [September 17, 1978]

my father-in-law
speaking
for his father-in-law's
service

Ain't No Acid Burn Out - Nelson Bragg [from Bard Sampler 82-83]

early home studio sound (pre-digital)

Banned Rehearsal 157 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [October 27, 1988]

released from the hum
we wonder at the stillness 

Aaron reads a statement
in Whitman
lists of sounds
ah
this indeed
is music 

the committee comments
upon the effect
of Whitman's puzzle of puzzles 

piano guitar and dulcimer 

we commit a music
before finding a way out
via a rubbed drum head

thumb piano
and toy piano
tine to tine

we collapse into a heap under the piano 

alarm bells clang 

Aaron sneezes 

what kinds of partitioning
ought to be available
direct repetition of an element
accelerando
anything conceivable
as a music under scrutiny
can be an element 

Aaron reads from notes
I had apparently made
to write an algorithm
to analyze musical meter
from inside
the experience of listening

Comet Falls Trail, Mt. Rainier National Park
December 31, 2025

Violin Concerto in F-sharp minor, Op. 14 - Henryk Wieniawski - Itzhak Perlman [from The Art of Itzhak Perlman]

1
{in my limited experience
Wieniawski only comes up
in the context of violin soloing
when I was in school
accompanying fellow students
who were violinists
he was a staple
elsewhere
never} 

this opening orchestral introduction
functions like the symphony
or overture
to an opera
highlights of coming attractions 

and here's our hero
as the curtain rises
they recount their tale of woe and struggle
against the forces arrayed around
wit and decisiveness
to win friends 

a brilliant star
among a throng
and kind to their mother to boot 

2
spends quiet time in prayer
a model human of their era 

3
and can dance
en pointe
and can fence
admirably
such a romantic face

will tell you all about it
in case you forgot

Comet Falls Trail, Mt. Rainier National Park
Electric Light - PJ Harvey [from Is This Desire?]

great imaginative care has been taken
to make an astoundingly powerful context
for her poem
of short
slow
lines
of portent

Three for solo clarinet: Breathe - Jesse Canterbury, Bradley Hawkins

there are sets of pieces
that can be thought of
as
of a kind
and sets of pieces
that can be thought of
as
intercooperative parts
of a whole

Zither Film Mix 01 - Keith Eisenbrey [November 30, 2008]

sequential collapse into equilibrium
mountain to plain
points below a curve toward a zero point

Pretending I'm Well - Your Mother Should Know [recorded live at Victory Lounge, Seattle, July 6, 2013]

coping mechanism

Comet Falls Trail, Mt. Rainier National Park
January 1, 2026

Gradus 340 - Neal Kosály-Meyer - Neal Kosály-Meyer [October 1, 2018]

quite the crowds of notes
for these two rungs
but widely separated
at the start
we take them individually
or in twos and threes
what makes them
part of anything rung-like?
assertion

a rung (or any piece)
is a creature of assertion 

the second rung begins
in a new figuration scheme
but
is it necessary
to change gears each rung
or
do we do that more
for our immediate amusement?

Snohomish Piece IV: A Small Mammal Forages Somewhere in the Vicinity of the Blues - Keith Eisenbrey, Neal Kosály-Meyer, S. Eric Scribner [from Four]

I remember this show
as being lots of fun
a bit long
and a long drive
in the dark 

my page is obscured
by a large orange cat

Comet Falls, Mt. Rainier National Park
Murillo's Lesson - Charles Butts Sacred Harp Singers [from Goodbye, Babylon]

the vowels of solfeggio
when sung to their pitches
gives each chord
a unique
combined vowel sound 

a completely different thing
than when
they all
sing the same words
together

A Brown Bird Singing - Peggy Lee [from Sea Shells]

her vocal technique is flawless
the demonstration of which
may be the point of this album 

Here We Come A-wassailing [from The Life Christmas Treasury]

happy new year

You Make Me Feel- Aretha Franklin [from Lady Soul]

there is a specific pressure of pitch inflection
on the O vowel of woman
and A vowel of woman
such that
they match not with nothin'

5:15 - The Who [from Quadrophenia]

the keyboard writing offends me
the waste of a perfectly fine instrument
The Who
is a brand of manliness 

out of brain
on a train
I would eat them
Sam I am

Fix Me - Black Flag [from The First Four Years]

defiant manliness posture
middle finger forward

Comet Falls Trail, Mt. Rainier National Park
5 Movements: December 8, 1983 - Keith Eisenbrey - Keith Eisenbrey [recorded February 8, 1984]

the crux of the matter
two equidistant pitches
but only equidistant
at a certain logical abstraction
or
but only so
with a culturally twisted perception
(but there is no other kind)
equidistant
if and only if
we assert a cyclic binding of pitches
across spectrum space
as deduced
from our propensity
to match pitches 

pitch matching
is not only a relation
it is an activity
we
do
it 

when do it we not
it is not done 

I believe I spelled it A-sharp on the top
and E-natural 18 semitones below {Yes!} 

the extra octave between
places each note
into a clearly differentiated resonance space 

room within which to explore 

I have no one to blame for this
than myself 

Comet Falls, Mt. Rainier National Park
a helicopter dopplered by
in 1984
it's on the tape 

and yet
a note can be so composed
as to come as a surprise
by means
of clever sequencing 

the shape of the score
is a diagram of separation

one note
on a staff-bit
in the top left corner 

one note
on a staff-bit
in the lower right corner 

and 

a clef sign
on a staff-bit
in the center 

the note on the left
is slurred (joined)
to an empty space
on the right 

and 

the note on the right
is slurred (joined)
from an empty space
on the left 

round and round
like a weighted orb 

an attempt
to narrow the mind's focus
upon the problem
of pitch
and what we mean by it 

I remember Ben commenting
that the order of the movements
didn't matter
as long as this one was the last
and
that it was important
to end on the A-sharp 

do I agree
and why? 

1st point:
yes
if "final"
is a metaphor
for our experienced end points 

this movement
has eschewed all extranea
in order to hear
a bare distinction
properly 

2nd point:
undecided
too much like rock paper scissors
with just two positions
a literal either-or
may as well toss a coin
as triple think it
and yet
I lean toward the A-sharp end
on the upside
to signify
potential resolution
further upward
better to end on the sharp four
than the tonic
(so tired)
the tape ran out
on E

When the 2 is on the Mic - Audio Two [from What More Can I Say]

smooth
rhymes
with silky 

rhymes about rhyming
rhyme brag

Comet Falls Trail, Mt. Rainier National Park
January 2, 2026

His Voice as the Sound - Robert Shaw Festival Singers [from Amazing Grace]

for a spiritual culture
that prides itself
on beauty
balance
and good taste

Christ for President - Billy Bragg & Wilco [from Mermaid Avenue]

I doubt he would accept the post 

prosperity bound?
misguided theology

One Two Three - Keith Eisenbrey [from Summer Songs/Winter Mix]

calisthenical

Give it 2 Me - Madonna [from Hard Candy]

for dancing on a packed floor
industrially designed social tool

Track 1 - Peterman [recorded live at Victory Lounge, Seattle, July 6, 2013]

recounting a life episode
to explain something
to an absent person

Blatty - Bret Hart [from Double Thud]

an acoustic instrument space
and an amplified instrument space
noninterreverberant 

if one plays
what one knows 
one is limited
to playing
as one knows

Stonefield - Keith Eisenbrey - Keith Eisenbrey [September 17, 2023]

disguised key or disclosed key

In Session at The Tintinabulary

December 28, 2025

Honiton - Keith Eisenbrey

December 29, 2025

Banned Rehearsal 1141 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt

January 2, 2026

Seedlings 4 - Peter Nelson-King

I'm not sure I'll get it much closer 

Postscripts

Drops

Keith Eisenbrey 29:
Figure Studies 2015-2018
Autoheterophony 2016

In this volume is collected the latest in a series of solo piano improvisations made between 2015 and 2018, as well as a 2016 hymnody project in which I engaged with four hymns that have been familiar to my ear before I knew what music was. 

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream