Chapel Performance Space - Good Shepherd Center - 4649 Sunnyside Avenue North, Seattle, WA
Keith Eisenbrey, Aaron Keyt, and Neal Meyer have been conversing, collaborating and engaging in creative discussion for nearly three decades. This program represents the current state of the discussion through four new compositions.
Blood and Fire Hallelujah by Keith Eisenbrey is a large-scale concerto for piano and canned sound. The canned portion is the latest entry in Keith's Music as Film project, and is constructed as a collage of sequences of thousands of sound-frames of various durations. The piano solo will be improvised.
Foliage by Aaron Keyt was composed in 2009 as a recorded piece for simple electronics (e.g. feedback loops of piezo disks), small percussion, and assorted other sounds.
Keyt's Bagatelles were composed in 1999 for solo piano. This will be their first performance.
Gradus: for Fux, Tesla and Milo the Wrestler is Neal Meyer's work-in-progress for solo piano. Since January 2002, Neal has been devoting extended sessions of improvised exploration to each single tone and each possible combination of tones on the piano. The November 18 performance will explore three different combinations of the pitch class A, in a performance lasting about an hour.
Sliding admission: $5 to $15
Foliage by Aaron Keyt was composed in 2009 as a recorded piece for simple electronics (e.g. feedback loops of piezo disks), small percussion, and assorted other sounds.
Keyt's Bagatelles were composed in 1999 for solo piano. This will be their first performance.
Gradus: for Fux, Tesla and Milo the Wrestler is Neal Meyer's work-in-progress for solo piano. Since January 2002, Neal has been devoting extended sessions of improvised exploration to each single tone and each possible combination of tones on the piano. The November 18 performance will explore three different combinations of the pitch class A, in a performance lasting about an hour.
Sliding admission: $5 to $15
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