Playlist

Recorded

April 10, 2012
Banned Rehearsal 28 (May 1985 - Keith Eisenbrey, Aaron Keyt, Neal Meyer)

Occupying Keith's Living Room - Greenwood 1985

What makes this, at first, sound so composed? A limited instrumental palette, an absence of outside interference, note-y gestures. We build a drone intensity, inviting or demanding ecstatic release, provided vocally by Neal, the post-ecstatic clarity. Followed by distraction. We become a rattle, interplucked with guitar, comments by violin.

April 12, 2012
Banned Rehearsal 236 (November 1990 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt)

Aaron - 1990

pipe pluck scrape
anarchy to sing
tk tttk

Karen & Keith - 1990

We make a loud sound that wakes the baby, who would be my eldest, now 21, then in utero.

Is there a necessary disjuncture between how hearing how this sound sounds and how this going goes?

Psalm 22: 9-10 - Keith Eisenbrey - Karen Eisenbrey voice, Keith Eisenbrey piano

Our first set of recorded takes, from May 10, 2005. A dense piece of neo-modern counterpoint.

In Session at The Tintinabulary

March 26, 2012
Banned Rehearsal 810 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Meyer


Upcoming

Saturday June 23, 2012 concert begins at 8:00 PM
Keith Eisenbrey - piano recital at The Chapel Performance Space, Good Shepherd Center, Seattle
music by Emily Doolittle, Keith Eisenbrey, Aaron Keyt, and J. K. Randall

Saturday October 13, 2012 concert begins at 8:00 PM
Keith Eisenbrey - piano recital at The Chapel Performance Space, Good Shepherd Center, Seattle
Preludes in Seattle Part 4: Preludes by Ken Benshoof, Keith Eisenbrey, Lockrem Johnson, and Greg Short