May 14, 2012
Banned Rehearsal 29 (end) - (May 1985, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Meyer)
Scribble - ca. 1985 |
May 15, 2012 and May 17, 2012
Downtime - Benjamin Boretz - Ian Pace
A recording of Ian Pace's recent committed and sympathetic live performance at SARC. In the midi version on Open Space the piano and the percussion occupy the same sonic dimension. The piano is another percussion sound and the percussion is an extension of the piano sound. In this live performance the space opens dramatically. Now it comes across clearly as a piano concerto - if a vast Calder mobile in a dark room were somehow a piano concerto. I listened twice, on two evenings.
Notes from the 15th:
motion without arrival
repetition spirals paradimensionally
Notes from the 17th:
steps outside
itself at section
breaks to find
itself deep
inside itself
what is a pitch
inverted as to itself?
what is an instance
reversed as to itself?
I understand there is a studio recording planned for release on Open Space.
Upcoming
Thursday May 24, 2012 concert begins at 8:00 PM
Steve Scribner - The Chapel Performance space, Good Shepherd Center, Seattle
I will be playing found objects wood, metal, stone, and plastic, to a score constructed from field guides.
Saturday June 23, 2012 concert begins at 8:00 PM
Keith Eisenbrey - piano recital at The Chapel Performance Space, Good Shepherd Center, Seattle
music by Emily Doolittle, Keith Eisenbrey, Aaron Keyt, and J. K. Randall
Saturday October 20, 2012 concert begins at 8:00 PM - Note the change of date!
Keith Eisenbrey - piano recital at The Chapel Performance Space, Good Shepherd Center, Seattle
Preludes in Seattle Part 4: Preludes by Ken Benshoof, Keith Eisenbrey, Lockrem Johnson, and Greg Short
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