November 17, 2012
Chapel Performance Space, Good Shepherd Center, Seattle
Any Ensemble (Greg Campbell, Jacob Zimmerman, John Teske, Natalie Mai Hall, Neil Welch, Paul Kikuchi)
get up
pre-be-bop saxes
jungle high
def slow
scan texture up
down texture back
forth texture in
out at
precisely bare
limb limned
Recorded
November 20, 2012
Birdbrain - Ginsberg - The Gluons
 |
| Ginsberg |
Casting aspersions widely, hoping something will stick. A list of random social atrocities all attributed to a stand-in bad guy, a them. Not among his strongest work.
Chain 2- Lutoslawski - BBC Symphony Orchestra, Witold Lutoslawski, Anne-Sophie-Mutter
So what is wrong with putting on a good show? Easy to follow, completely entertaining, brightly colored. Here: no new ground is broken, nothing explored that wasn't known. The given task was fulfilled, music was made, business was duly transacted, we depart unmoved.
Banned Rehearsal 242 - (December 1990, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt)
Smallish sounds closely regarded. Room roar present. Becoming slow and sleepy to the breathing harmony of harmonica breathing sleepy slow. (PP - drumroll!). A study in singularities. Snare buzz roll interrupted by funmaker percussion. Big Crescendo up to A Big Moment: Grand Pause: Loud! Radio sound smeared with slathered sonic paint.
Banned Rehearsal 587 (recording by Pete Comley) - (October 2000, Peter Comley, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Isabel Kosály-Meyer, Neal Meyer)
Slow bell noodles glued with sax. Tub bass in particular.
November 21, 2012
Gradus 84 - Neal Meyer
An airplane dopplers over between events.
BF Vocals and Percussion Chorus - Eisenbrey
The density of the percussion chorus begins to produce a hint of an image of a choral sound, so that the ear is beguiled into thinking there is a touch of the vocal in the mix even when there isn't.
In Session at The Tintinabulary
November 19, 2012
Banned Rehearsal 825 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt
Upcoming
Saturday May 4, 2013 at 8:00 PM
Keith Eisenbrey and Neal Meyer at The Chapel Performance Space, Good Shepherd Center, Seattle
Music for solo piano
Eisenbrey: Welcome to my planet. I come in peace.
Meyer: Cage - Solo for Piano
Banned Rehearsal 242 - (December 1990, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt)
Smallish sounds closely regarded. Room roar present. Becoming slow and sleepy to the breathing harmony of harmonica breathing sleepy slow. (PP - drumroll!). A study in singularities. Snare buzz roll interrupted by funmaker percussion. Big Crescendo up to A Big Moment: Grand Pause: Loud! Radio sound smeared with slathered sonic paint.
Banned Rehearsal 587 (recording by Pete Comley) - (October 2000, Peter Comley, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Isabel Kosály-Meyer, Neal Meyer)
Slow bell noodles glued with sax. Tub bass in particular.
November 21, 2012
Gradus 84 - Neal Meyer
An airplane dopplers over between events.
BF Vocals and Percussion Chorus - Eisenbrey
The density of the percussion chorus begins to produce a hint of an image of a choral sound, so that the ear is beguiled into thinking there is a touch of the vocal in the mix even when there isn't.
In Session at The Tintinabulary
November 19, 2012
Banned Rehearsal 825 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt
Upcoming
Saturday May 4, 2013 at 8:00 PM
Keith Eisenbrey and Neal Meyer at The Chapel Performance Space, Good Shepherd Center, Seattle
Music for solo piano
Eisenbrey: Welcome to my planet. I come in peace.
Meyer: Cage - Solo for Piano
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