Recorded
June 11, 2014
Symphony in F K75(75) - Mozart - Academy of Ancient Music, Jaap Schroder, Christopher Hogwood
Schnabel |
Sonata in C-sharp minor Op. 27 #2 - Beethoven - Arthur Schnabel
Measuring extreme distance and temporal offsets - bass / treble - stillness / frenzy
Trio in B-flat Major D. 471 - Schubert - Vienna Philharmonic Quartet
Symphony in E-flat Major (String Symphony #6) - Mendelssohn - English Bach Festival Orchestra, William Boughton
The many manners of how things come to the surface.
In Session at the Tintinabulary
June 9, 2014
Gradus 244 - Neal Kosály-Meyer
Among many other things, the Gradus project allows a particular and detailed mapping of the relations between tonal resources and the availability of higher-order compositional tools. In this session the number of available notes and the ratio of A-naturals to E-naturals is at the threshold of a critical mass. Suddenly interval inversion has become a major force of compositional design. It is as though the sun had just risen.
Upcoming
poster by Darick Chamberlin |
Friday, June 27, 2014 - 8
PM
Banned Rehearsal Celebrates 30 Years of
Noise
Chapel Performance
Space, Good Shepherd Center, Seattle
On June 24, 1984, Keith Eisenbrey,
Aaron Keyt, and Neal Meyer gathered together to make a tape, improvising on
instruments we didn't know how to play. Thinking we might do this 3 or 4 times
and because it seemed right to think of our project as a band - and because none
of us could resist the pun - we called ourselves and the project Banned Rehearsal. Our personnel
has changed somewhat over time, surviving several lengthy geographic
separations, but the project has continued and as of this writing we have
recorded 860 numbered sessions. For our eighth public event, we invite you to
celebrate with us 30 years of noise, 30 years of exploration, 30 years of trying
to figure out what we're doing, 30 years of argument in creative musical
expression.
Banned Rehearsal is: Karen Eisenbrey,
Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer.
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