November 21, 2015
Finnegans Wake Chapter 1 - James Joyce - Neal Kosály-Meyer
Gallery 1412, Seattle
The small performance space allowed a deliciously huge unamplified dynamic range, with the piano's undampered reverberance coloring the whole in intimate detail. I've probably heard Neal perform this in public as many times as anyone he's not married to. With its stepped up pacing and minimal stage business this was easily the most enjoyable time out.
Recorded
November 22, 2015
Downtime [recorded live at SARC] - Benjamin Boretz - Ian Pace
threads of time enter fugally
discontinuities problemetize return
vast darkness
weightless strands float
delicate connections
No. 1 Phantom Killer - Ape City R&B [from The Funhouse Comp Thing]
The voice in the mix is not an instrument to equal guitar or drums or bass. It is just part of the noise generated among the guitar amp fuzz and cymbal hiss.
The voice in the mix is not an instrument to equal guitar or drums or bass. It is just part of the noise generated among the guitar amp fuzz and cymbal hiss.
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| Elizabeth Hoffman |
Wicked open string hoedown music. Hop-up-and-down fantastic. Now that's some noise!
November 24, 2015
Ma tu, cagion (Seconda Parta) - Gesualdo - Consort of Musicke, Anthony Rooley
obscure
through branches
a leaf
descending
mimed by a dancer's hand
in viscous
motion
obscure
through branches
a leaf
descending
mimed by a dancer's hand
in viscous
motion
Konzert in G BWV 1048 - J.S. Bach - Berlin Philharmonic Orchestra, Herbert von Karajan
This production is conceived as an orchestra of groups, not of individuals. It keeps the listener at a remove from the performers. We can hear all the familiar bits going on, but none of it really happens.
This production is conceived as an orchestra of groups, not of individuals. It keeps the listener at a remove from the performers. We can hear all the familiar bits going on, but none of it really happens.
Petites Pieces "La Complaisante" Wq. 117.28 - C.P.E. Bach - Miklos Spanyi
A little caricature for private amusement. The human size of it appeals to the neo-classical mindset. The erstwhile subject is well fitted to the miniature sorts of social events available to music for clavichord.
A little caricature for private amusement. The human size of it appeals to the neo-classical mindset. The erstwhile subject is well fitted to the miniature sorts of social events available to music for clavichord.
Quartet in E-flat op. 17 #3 - Haydn - Tatrai Quartet
Concerto in C K. 503 (#25) - Mozart - English Baroque Soloists, John Eliot Gardiner, Malcolm Bilson
Mozart's imagination, in default mode, is decorative: the aim is to make time lovely, to beguile and delight us. That deeper wonders can be found here is itself a deep wonder.
Mozart's imagination, in default mode, is decorative: the aim is to make time lovely, to beguile and delight us. That deeper wonders can be found here is itself a deep wonder.
In Session at the Tintinabulary
November 22, 2015
Trio 151122 - Keith Eisenbrey
This week's trio was for tam tam, wood drum (like a small conga), and steel string acoustic guitar.
November 23, 2015
Banned Telepath 41 Seattle 151123 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy
We're waiting for Aaron's contribution from Somerville to complete Banned Rehearsal 899.
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