November 4, 2016
Seattle Composers' Salon
Chapel Performance Space, Good Shepherd Center, Seattle
Jeremy Shaskus - Who's Who Cues - Porter Jones, trombone; Jim Knodle, trumpet; Jeremy Shaskus, tenor sax
statements
comments
bare statements
bare comments
comments bare
statements bare
statements bare comments
comments bare statements
right down the middle for a beautiful strike
Neil Welch - Exit Cycles - Danielle Sampson, voice; Neil Welch, tenor sax
A dance on perilous glass
a dancer on each side (up/down) of the perilous glass
leaping landing sliding stopping
just so
against each other's
stopping sliding landing leaping
to quiver the plane of the perilous glass
Daniel Webbon - St. Helena - Daniel Webbon, drums and electronics
a chorale goaded by drums, its notes shoved into place
a chorale goaded by drums, its notes shoved into place
Keith Eisenbrey - Corollaries - Keith Eisenbrey, piano
four telemetry readouts from a probe launched through a twisted conceptual void.
four telemetry readouts from a probe launched through a twisted conceptual void.
Recorded
November 1, 2016
2 Nocturnes op. 62 - Chopin - Claudio Arrau
staring down stillness
the center holds
tonality here is an image of how the body shifts its center haunch to haunch
Poor Mourner - Fisk University Jubilee Quartet [from Alan Lowe's Really The Blues]
This music is older than the blues,
like psalm tone singing, or as though Gregorian chant or pre-Gregorian chant had been passed down separately from euroculture, received from an older source.
This music is older than the blues,
like psalm tone singing, or as though Gregorian chant or pre-Gregorian chant had been passed down separately from euroculture, received from an older source.
There'll Be Some Changes Made - Ethel Waters [from Alan Lowe's That Devilin' Tune]
Big soft beats, ictus cushioned in warm felt.
Big soft beats, ictus cushioned in warm felt.
November 3, 2016
Comet Chop Suey - Louis Armstrong and his Hot Five - Louis Armstrong, Kid Ory, Johnny Dodds, Lil Armstrong, Johnny St. Cyr
Where is it exactly that LA's cornet playing lives?
In the fraction of time between when the embouchure forms the pitch and the valve forms the pitch.
Where is it exactly that LA's cornet playing lives?
In the fraction of time between when the embouchure forms the pitch and the valve forms the pitch.
Jesus is a Mighty Good Leader - Skip Johnson [from Goodbye Babylon]
Sings on three levels: first, the center tone; second, several subsidiary centers that are pulled back into the center tone; third, the slithery scoops decorating each center tone.
Sings on three levels: first, the center tone; second, several subsidiary centers that are pulled back into the center tone; third, the slithery scoops decorating each center tone.
In Session at the Tintinabulary
October 31, 2016
Banned Rehearsal 921 161031 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer
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