Preface
"But I inhabit that world with you together. And my output, if it has genuine
ontological energy, is probably implicitly aggressive - in principle, just
because it's mine, not yours - in relation to you. So we have a problem; a
mutual problem if mutual survival is what we both want. And we'd better come
up with some social structures within which we can try to build a solution. I
don't think that the intensely competitive, skill-oriented structures for
doing and learning music which have mostly been institutionalized in our
culture are going to help us deal with the problem of mutually wasting each
other, because the problem arises precisely in a competitive form: each of us
seems to need all the psychic world-space there is; and, therefore, we need to
devour and subsume everyone else's space within our own."
- Benjamin
Boretz "The Inner Studio (strategies for retrieving reality in music
experience and practice)" from "Being About Music Textworks 1960-2003 J. K.
Randall Benjamin Boretz Volume 2: 1978-2003"
Texts
Streamed
"With the Chapel closed indefinitely due to the COVID-19 pandemic, the Wayward
Music Series now moves from the concert hall to the living room. In place of
our usual ten monthly concerts, Nonsequitur is curating and commissioning ten
Seattle artists each month to create a series of streaming audio sessions of
exclusive material. Many of these will be essentially 'live' performances
recorded at home for this occasion. Others may create a mix of pre-recorded
material that has not been previously released elsewhere."
- from the
Wayward Music Series website at https://www.waywardmusic.org/.
August 8, 2020
Nordra (Monika Khot) - Just over the hills, from the city
held under events discernably indistinguishable permanently impersistent
signal
voidward
single word void
roto-pter phantom moves in no direction
but moves direction the less
would be angels of mercy antisepticizing too
utterly scanning dark with dark
abandoned beacon echo back unanswered
decrepit entropy insatiate
the squeaky toy at the end of earthly
August 9, 2020
Michaud Savage - ACAB
with Lori Goldston, cello; Christopher Lee,
poem; Jesse Miller and Roxanne White, speakers
White Bodies to the Front
This Was Peaceful Until You Came
This
Shit Is Real Pain
Every Day
Peace Isn't Passive, It Is Active
Dear
Black Man - Christopher Lee
The Peoples Assembly
agency sympathy spontaneous gathering to out the pain of the grievance
pain
meets terror
violence
verbal occupational poisoned ranged
sure
do like to make the bang bang
processing refining meaning and purpose
August 11, 2020
Evan Flory-Barnes
Doe, Oh So Very Dear
The Way Out
Nah
I'm Out
Memory
Lane
what carefully counted syllables measure
sense accumulation and sense
modulation
bass part leads metrical modulation (like those 16th Century
virginal dudes)
sense and time intermodulate upon each other
Recorded
August 8, 2020
Quartet in 1 Movement (#2) - Milton Babbitt - Composers Quartet
every imaged glimpse of it returns, scattered but tautly held retrievable instantly
School Day - Chuck Berry [collected from Dave Marsh's The Heart of Rock & Soul]
list of daily facts in need of no modifiers
that slant is more than
supplied by the metrical delivery
followed by a prayer
Like Dreamers Do - The Beatles [from Anthology Volume 1]
imitating an imitator
into it, though
Run Run Run - The Who [from A Quick One (Happy Jack)/Sell Out]
the happy glow is gone
this one is not for the ladies
cut off fade
out
Selections from The Style Show - Lake Washington Singers, Betty Eisenbrey, JoAnne Deacon [from a private tape - April 1972]
possibly Eve had the proper idea (never caught on)
I'm sure we all know
the words
the eruptions of applause and mess of the recording: we are
pulled in to glimpse the signal of the trace of the performance like as if we
got stuck behind several tall people at the movies
Solsbury Hill - Peter Gabriel [collected from Dave Marsh's
The Heart of Rock & Soul]
industrialization complete
ape chatter
Largo - Aaron Keyt - Seattle Symphony
Fafner Park
in the dark
not in order
can't be
order does not pertain here
August 9, 2020
Things Songs Are Made Of - Bonnie Guitar [from
Blue Moon & Other Country Favorites]
kodak moment sentimental
Banned Rehearsal 281 - John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [January 1992]
events can be classified but that does not bind them together
even if
they are bound together
it isn't classification that does it
"My
Lips Are Chapped"
a late sudden song
direct to cassette mastering
reduction
to countable quantities of voices
where voice might be some thing some
one does at some time and or another
microcosmoid contemporaneity
social
polyphony expressed as sound
bells are a recurring source
Banned
Rehearsal is a ritual gathering of an ideolectic tribe
I got glue
(bundler)
for bundling and binding
Commingled Containers - Stan Brakhage
"a photography of the essence of life itself as the interaction of pulsating
and commingled containers"
this is your brain listening to music
F r AgM e Nt(s) - L. Marcus Oldham - Keith Eisenbrey [from my recital Preludes in Seattle, March 2007]
devestatement
{I don't think Marcus liked my performance, appreciated
collegially, but not liked so much
I hit too close to the core of it
its
exact durations of things
my opinion: one my best performances of
anything in the sense of hitting it exactly}
miles down from the impact
zone
Concerto for Clarinet & Orchestra - Michael Weiss - Octava Chamber
Orchesta, Michael Weiss, Jeffery Brooks
Newsreel Presentation
silent film with diegetic music
re-enactment
like Ren Faire
some long ago von Weberesque premiere
Sonata - Aaron Keyt - Keith Eisenbrey [recorded September 2014]
imperturbed times making parody of repetition
an analysis of another
music that could be the analysand of that other music
which preserves
what of which?
not half bad performance, past Keith!
Kaavaan Kaavaan - Divya Kumar [from Bollygood Volume 2]
after the fact decoration
decoration of duration rather than of
impetus
activates later parts of the duration
fades the structure
out with general accelerando
August 11, 2020
Fantasia "Faire Wether" Fvb 3 - John Mundy -
Claudio Columba [from The Fitzwilliam Virginal Book]
a garden with gates and vistas green
a moment dream
Bransles Simples - Michael Praetorius - New London Consort, Philip Pickett [from Dances from Terpsichore]
some sort of harp? lute perhaps? sounds more harpy
simply done like
playing for singalong or dancealong why be fancy?
I love this, Wikipedia offers: "A branle —also bransle, brangle, brawl, brawle, brall, braul, brando, bran, or brantle —is a type of French dance popular from the early 16th century to the present, danced by couples in either a line or a circle. The term also refers to the music and the characteristic step of the dance"
August 12, 2020
Suite in A minor, BuxWV 244 - Dieterich Buxtehude
- Simone Stella
close attention to the extremities of his harmony
outlining figures,
timing and movement, and to how the innards moving among them
the voice
leading is quivering with energy
Ben's rhythm genius Stravinsky argument
could be applied here
Sonata in G minor - George Frideric Handel - Michala Petri, Keith Jarrett
entertaining with gracious manners
for polite applause deserved
but
not over deserved
Sixieme Ordre (si bemoll majeur) - François Couperin - Kenneth Gilbert
It's the Masterpiece Theater Theme
strange how such an English show would
pick so French a music
tonality hangs like Calder plates
fixed within each period
but
related to each other by attitude in space
Die Wohltemperierte Klavier, Band I, Prelude and Fugue in C minor - Johann Sebastian Bach - Christiane Jaccottet
when played on piano, with its dynamic potential, the impulse is to accentuate
the outside of the figure
on harpsichord it comes across differently
the
extremities tint and suggest
they don't lead
the whole is brief and
to the point
Sonata in D Minor - Georg Philipp Telemann - Michala Petri, Elisabeth Selin
voice confusion (or just fusion)
who is which of the bodies with flutes
person of performer as though projected into the sound
virtual body hocket
August 13, 2020
Magnificat - Franceso Durante - University Temple
Chancel Choir, Chris Vincent, Howard Wolvington, organ continuo; Candice Chin
& Cecilia Archuleta, violins; Joseph Bichsel, cello [December 2017]
music of this period: adequacy was essential, originality only counted in so far as necessary to keep up with fashion (not Eve's proper idea) and to display the particular splendor of this court or chapel.
Sonata in F Major, Wq. 65/21 - Carl Philipp Emanuel Bach - Miklos Spanyi
One wonders sometimes if he could pen a straight sequence ever, even if he
tried. hard.
He is trying here, but his bass line has different ideas
about the harmonic path than the rest of it
A structure of toothpick
twigs, thin and brittle
In Session at the Tintinabulary
August 10, 2020
Banned Rehearsal 1007 - Karen Eisenbrey, Keith
Eisenbrey, Aaron Keyt, Neal Kosály-Meyer
once again Karen and Keith are on the porch, Aaron is in the yard, and Neal is on the phone.
August 11, 2020
Hedgehogs 1-3 (to be edited later) - Aaron Keyt - Keith Eisenbrey
August 12, 2020
Hedgehogs 4-8 (to be edited later) - Aaron Keyt -
Keith Eisenbrey
August 13, 2020
Music For Wallace Book 1 (to be edited later) -
Aaron Keyt - Keith Eisenbrey
August 14, 2020
Chorale 1 (to be edited later) - Keith Eisenbrey -
Keith Eisenbrey
in a past time I had scheduled a recital at the Chapel this October. Since that doesn't seem likely I decided to put the program together as a recording to share. I have begun to collect tracks for later editing.
Postscripts
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