Showing posts with label Courtney Marie Andrews. Show all posts
Showing posts with label Courtney Marie Andrews. Show all posts

Saturday, April 18, 2020

Playlist

Preface

"And so let us now, with the aid of such wisdom as we may command, return forthwith to the place of our adventure, not dallying overlong in speculative digression lest, in musing the while upon the perils of unscientifically grounded conjecture, we unduly exaggerate the risk that happenings of some considerable moment may pass unobserved before our preoccupied sense."
- Benjamin Boretz "Language, as a Music"

Texts

Recorded

April 11, 2020
War - Bruce Springsteen [from Bruce Springsteen and the E Street Band Live 1975-1985]

lesson and carol
cover of course

As a song it suffers from an irrecoverable opening whammy, much as does Also sprach Zarathustra.

Who Cares About You - Full Toilet [from Full Toilet 7"]

a great trip actually
It has that opening whammy thing down and then stops.

Pledge Allegiance - Robber's Roost [from Live in Minneapolis]



political?
add to the right left margin lists of Boretz's I/O

Winners - Manfriday [a Rescued Record]

manufactured live feel
hey kids
do it yourself
without leaving the house

sampled sound feel
no reason for instrumental intervals
if none are strutting
hey kids
insert your righteous strut solo here

push button for cheering multitude sound sample

When the Darkness Comes Out at Night - Whitney Ballen [from White Feathers/White Linen]



a sweet song sung with joy
playful
down with how unimportant it is to be taking it seriously

a strenuous joy

April 12, 2020
Banned Rehearsal 921 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer [October 2016]



the need:
a place to stand
: could be a score
: could be a habit
: could be a rut or a phone booth or a wood box
: could be a vehicle
: could be a room or the past or our conjointed experience together

? how comfortable do we need to be with our bona fides ?
? our imprimatur ?
? does our place to stand allow adequate liberty to each others' places to stand ?
? does our place to stand disappear in the experience of the moment, become transparent to it ?
? are we now the center of attention ?

The house of Atreus has fallen in the dust. Pastichery has a similar problem.

a magnum mysterium - Boston Camerata [from A Renaissance Christmas]

see?

if you don't mess with it so much it's lovely!

Monkey on a Chain - Courtney Marie Andrews [from No One's Slate Is Clean]

big arrangement of small sounds made bigger in perspective
big voice saying things to you holds its own
plenty big

I'm Set Free - Brian Eno [from The Ship]

slow moving rise of pitch level into choral harmony
like any another choir anthem might do has done

You Can Call Me Al - Paul Simon [from The Essential Paul Simon]

staccato talk-o
urban tales
told quick

Desert Bloom  (underlying electronic track) - Steve Scribner

a chorale underneath the yet dark sky
commendable intonation doing
no fade out on that
no sir just cut it off
yes

lovely understated it-ness

April 14, 2020
Gradus 302 - Neal Kosály-Meyer [November 2016]

we listen for paths to follow and then we have followed
calls into question the tense of listening
a fluid multi-morphing attitude to the sense of experience of what might as well be called now
bending sequential experience to follow the path we have formed to be on

[aside: music is often composed so that sequence matters to its image of comprehensibility. It can't be mixed or shuffled in our experiencing of it and still be recognizably it.]

this
shit
isn't

radical content determinacy writ so large as to be ungraspable as experience

Darlington County - Bruce Springsteen [from Bruce Springsteen and the E Street Band Live 1975-1985]

or Klickitat County
as Karen sings it

the better life elsewhere
the myths of worker migrant america
the allure of the south

whips his big man out
sax, right

Dust and Dirt - Smokestack and the Foothill Fury [from America's Freedom Death March]



a report from the grit road
DIY blues hillbilly perfection
last red cent shiny dime
and time in time

Ocean Ambience Rocky Coastline (Volume 3) - Pete Comley

a list of sounds
arcanely catalogued and sequenced
for real

a drawer of specimens
of such beetle-like things
alike and not the same
a memento of eternity
that will persist beyond and without regard for our time of woe
and even these not eternal
all of it that we can be conscious of is limited to that of which our consciousness is capable
no more

April 15, 2020
Singet und klinget, ihr Kindelein - Boston Camerata [from A Renaissance Christmas]

instrumental parts and vocal parts of essentially identical, interchangeable, double-able

does it mean that they were intended to be infinitely arrangeable,
or that these were the sorts of lines composers knew how to work with and were acceptable in polite paying company
and that they intended these pieces for the particular forces available to the instant occasion for which it was written
nor to be ever after considered

I Will - High Class Wreckage [from High Class Wreckage]



your evil ways
yeah I like 'em

the increments are extraordinarily narrow
but carefully prepared to inhabit the package they are packed in
with only just the bare necessity of protrusion

Banned Rehearsal 922 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer [November 2016]



"Bickleton Burger" for Aaron's birthday
shades of Aaronsbundler wheezing on the pump organ
trigger alert: metal on metal squeaking

out loud
reading from a score
of any kind
is
to some extent
a cop-out
a dis-engagement
a breach of social contract

or

success at engagement involves disappearance as a clearly independent activity agent
one's part comes apart
joins collectivity

the undigested past
disgorged
use fresh water

April 16, 2020
You Make My Tremolo - Sun Sect [a Rescued Record]

The band plays in another room, early DIY? Demo-ish frog croak
record me! I wanna be a paperback writer
bluesy bland guitar hook

What Love Will Provide - Yuni [formerly in Taxco?] [from Sanpaku]



late surf pop in a big can

Austin - SeaStar [from Never Go Back]



the power of a melody sung alone
still does it for me
all one ever really needs

Working On The Highway - Bruce Springsteen [from Bruce Springsteen and the E Street Band Live 1975-1985]

all he really needed here
was a set of spoons

Smoke Goes Clearing - Shelby Earl [from Burn The Boats]



teaching one's self's mirror's you

who comfort
him or her

me you I

Gradus 303 - Neal Kosály-Meyer [November 2016]

rung one:
the nearly replete
rung two:
the replete
{of the collection so far}

this is not counting in the sequential manner, i.e.

0 - 0
1 - 1
10 - 2
11 - 3
100 - 4
101 - 5
110 - 6
111 - 7
1000 - 8
1001 - 9
1010 - 10
1100 - 12
1011 - 11
1101 - 13
1110 - 14
1111 - 15

it is out of order as counting
and will continue to scatter as time goes on
that is, taken as an expression of quantity in base 2
increment becomes confused or refracted
and that refraction is a figure
writ upon time

any segment of a rung might express a number in base 2
and any number can be placed in a hypothetical time point
so that composition can be time travel

{{having grown old with tape bleed it is easy for me to hear a PPP pitch instance followed by a the same pitch played F as just that: tape bleed
though here, that's just how he plunked it}}

and partitions of rungs played together
(think Babbitt's arrays)
are different quantities or quantity numbers nobbing hob together in a counterpoint of time travelings
extending beyond the universe

like tapes played together
as tape bleed made big

Bransle de poictou - La bona novella - Boston Camerata [from A Renaissance Christmas]

The Renaissancy in all its jingle bell hoary glory
so quaint

--- Warning - Operation ID [from Legs]



a ringtone to riff under
push it around if you can
holds together under pressure
not immovable
but moves as a thing

Go Fast - Crystal Beth and the Boom Boom Band [from Yugen 3]



create a rhythmic environment
like a room to be in
of one's own
as it were

decorative impulse
in a non bull-shit way
throw some posters on the wall
what you might want to see
to reflect memory and aspiration and attitude

Postscripts

(-)ture he has labored at this and to be
complete monicker means a year at harvard
without music the only reward he

hung there from another mind
dyes dray violet
blows on the bass drum

Saturday, February 29, 2020

Playlist

Live


February 28, 2020
Seattle Composers' Salon
Chapel Performance Space, Good Shepherd Center, Seattle
Jeremiah Lawson
Mariza Costa-Cabral
Keith Eisenbrey
Sheila Bristow
Doug Palmer

Jeremiah Lawson - Sonata in D minor
Mariza Costa-Cabral - Piano Pieces (selections)
Keith Eisenbrey - Anybody's Fingerbook (selections)
Sheila Bristow - Piano Pieces (selections)
Doug Palmer - 3 songs from an opera (Farewell My Lovely) - Barbara Hume, voice; David Paul Mesler, piano

It was a distinct pleasure to be the substitute host for this event. I didn't want to be distracted from my Tom Baker impersonation duties by taking notes, but (my own entry possibly excepted) the presentations were all distinctly engaging, the Q&A was lively and supportive, and we all left smiling. I look forward to hearing more from everybody.

Recorded


February 22, 2020
Rusalka op. 114 Act I (selection) - Antonín Leopold Dvořák [from Naxos The Very Best of Dvorak]

Oh silver moon

Every few moments I got a whiff of one of his near contemporaries. Franck! Wagner! Mussorgsky! Puccini! Verdi! This little aria gets through a bunch of stuff.

Bumper in the Hail - Courtney Marie Andrews [from No One's Slate is Clean]



affect calibration
(Dvořák was doing the same thing)
often effectively
though the power immersion wash at the end may be a bit much

Corollaries (Down's Down) 160924 - Keith Eisenbrey - Keith Eisenbrey

so that each note fades to nothing
how low will it go (just that low) (that time)
the notes allow super-ample time to get to thinking so that each note appears !!bang!! mid thought
like a rock through a window
wait for it
the fact that it has a beginning and an ending may not be a proper part of its itness

(Trio) Sonata in G minor, K 88 - Domenico Scarlatti - Pieter-Jan Belder, Rémy Baudet & Frank Wakelkamp

dynamics
discretely, politely, stable
so as not to disturb

each movement a step more ritmato and varied

Sleeping Angel (from "Fast Times") - Stevie Nicks [from Bella Donna]

center stage spotlight glory
spinny stars

Badlands - Bruce Springsteen [from Bruce Springsteen and the E Street Band Live 1975-1985]

inhabits the persona of his song's fictive voice
you could, almost, believe it is him saying it
a bit of a method over-actor
break the furniture

Japanese Lanterns - Whiting Tennis [from Three Leaf Clover]



effective use of found or pre-recorded sounds, structurally psychedelic

Chaotic Heart - Your Mother Should Know [live at SkyChurch November 2011]

I recorded this from an elevated booth/cage in the back of the venue.

The drums sound great!
a call to arms
a come on in

The Little Western - SeaStar [from Never Go Back]



co-memory
commemoration
heroic journey
and its heroic heroes

February 23, 2020
(Trio) Sonata in D minor, K. 89 - Domenico Scarlatti - Pieter-Jan Belder, Rémy Baudet & Frank Wakelkamp

muscular 3rd movement
for the enjoyment of the participants

Machine - Black Flag [from The First Four Years]

same remit as Throbbing Gristle
but without the synths

Maniac Rockers From Hell - Sun Sect [a Rescued Record]

(in their dreams)
or so they say

The Noon Witch - Antonín Leopold Dvořák [from Naxos The Very Best of Dvorak]

baseline balance with high alarm to hinge into other dramas, other scenes.
spends a lot of time transitioning and hearkening back or forth
happy to get outdoors

uh oh
(spooky woods)

Song From the Voices on Earth (underlying electronic track) - Steve Scribner

layers of doings filtered by precipitation through a dense gaseous shadow
outlived cellular husks easing through the seafloor
and beyond
whistling into the dark void

Corollaries (Up's Down) 160924 - Keith Eisenbrey

so that each note fades to nothing

That this would be a shorter piece if the damper pedal wasn't pressed the whole time is certain. So: instrument and tempo correlate (a corollary with correlations). tee hee.

Polyphony is a compression algorithm
Melody determines duration shapes
Immediate repetition (at the zero interval) startles and sticks out as does no other interval as it comes about: a unique noticing in this context :due to: the interval as such is underlined. Sameness shouts.

inquiry
enquiry
anquiry
onquiry
unquiry

we take it apart
we smash its atoms
we are those who stare at beans

(Trio) Sonata in D minor, K. 90 - Domenico Scarlatti - Pieter-Jan Belder, Rémy Baudet & Frank Wakelkamp

evoking a much larger ensemble than just these three by judicious use of articulation and counterpoint
(back to compression algorithms)

Gold Dust Woman - Stevie Nicks [from Bella Donna]

dance and song
how to be seen :: own it
high fantasy (dragons, witches, etc.)

Esprits divin - Boston Camerata [from A Renaissance Christmas]

certainly attractive enough

One True Love - Whiting Tennis [from Three Leaf Clover]




bitter edge recrimination song

Ask Your Question - Your Mother Should Know [live at SkyChurch November 2011]

Neal's deVille (the guitar amp, courtesy of High Class Wreckage, see below)
comfort sound transitional object

Flesh - Crystal Beth & The Boom Boom Band [from Yugen 3]




heterophony reed to strum
took a long wild run at that loop
witchprog

February 25, 2020
(Trio) Sonata in G Major, K. 91 - Domenico Scarlatti - Pieter-Jan Belder, Rémy Baudet & Frank Wakelkamp

decorum maintained
at all times

at least in this room

when we get outside we can let loose into outdoors decorum
{interesting use of empty beats there Domenico!}
back indoors again
on the way home among familiars

Six Pack - Black Flag [from The First Four Years]

establish a rhythm then goose it
mirror of their song "TV Party"
but smaller

Because The Night - Bruce Springsteen [from Bruce Springsteen and the E Street Band Live 1975-1985]

verses thrown away for a hook heavy chorus
modulation won't help
nor will an unearned noodly nowhere instrumental thingy
this just sounds tired

Slavonic Dances op. 46 (selection) - Antonín Leopold Dvořák [from Naxos The Very Best of Dvorak]

music you can do for yourself for sale here
no time to finesse nothin'!

Over - High Class Wreckage [from High Class Wreckage]

rhythm differentials
are a crucial braille
within the energy beam

February 27, 2020
Corollaries (Up's Down) 161008 - Keith Eisenbrey - Keith Eisenbrey

assembled
hairpin envelopes
an illusion of distance and speed
in a doppler-bereft universe

image: arriving then leaving
not staying

and,
unlike
unmessed-with
piano notes:
no clear beginning
or time point
as such
at all

at least in the sense that
we ontologize the note as happening

→→→→→→here←←←←←←

then going away

it is always itself throughout
across expanse
a spatial now

Sonata in D minor, K. 92 - Pieter-Jan Belder

a nod to France as nods to France were done back then.

The strong rhythmic profile allows the substance of the structure to play surreptitiously, hid. Led blindfolded.

Gold and Braid (Live 1982) - Stevie Nicks [from Bella Donna]

rides the band surfer-like

pop music in general often has a difficult time with the ends of things
fades and raves and other cop outs

Nothing In Common - Thompson Twins [a Rescued Record]

Stingy Julian Lennon vibe
empty professionalismus
can't fade out quite quickly enough

In Session at the Tintinabulary

February 24, 2020
Banned Rehearsal 1002 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer





Postscripts

here is polenka tell in french well brought-up
punch yes sing you keep standing get money
that will be much for that's quite a lullaby

** ** **

the snow had disappeared
but the weight of it had not
lighted windows

Saturday, October 12, 2013

Playlist

Live

October 5, 2013
Macefield Music Festival
Macefield hold-out house

Seattle, Washington

Sage - at Conor Byrne

Redolent of Pink Floyd (early).

Kara Hesse - at Conor Byrne

Soul straight up Boulder proud.

Young Fresh Fellows - at The Tractor

One Tad Down and topsy turvy, or The Three Fellows Three, tres bien ensemble.

Princess - at The Tractor

Not the sort of preaching I cotton to much.

The Learning Team - at Conor Byrne

Old school by the new school.

Lures - at Conor Byrne

Kid's got some nice ping in the lower pipes.

Courtney Marie Andrews - at Conor Byrne

Can sophistication simply served survive the venue?

October 11, 2013
Dead Bars, Bigfoot Wallace and his Wicked Sons, Charms
Skylark Cafe, Seattle, Washington

For our anniversary we hied ourselves down to this little café in the Delridge Hole of highway and pillars and river and bridges, and all these lovely young folks were hanging out collecting themselves at the bar just casual and chilling but you could tell there was a building of readiness for something and after a few hours of this building of readiness for something a bunch of them would wander onstage and be a band for a bit to release the readiness and then they'd stop and after another bit of readiness building another bunch of guys would up to the stage and be another band for a crackle and we were digging it. Thanks guys for the great party!

DB - We heard them a while back when they were little more than a lark and a pickup band, full of high energy and sloppy good feeling. They've been practicing. Ladies and gentlemen, the spirit of the Shirelles is in the building. BWahWS - eminently danceable blues hardened grunge abraded song-smithing. C - must admit I'm beginning to catch their drift. Psychedelic wash to scrub the cobwebs.

The guy who ran the sound board is top notch. Perfectly balanced both bands to the room and parts to parts to the whole. Credit that guy with a major assist.

Recorded

October 6, 2013
Brothers In Arms - Dire Straits

Antiseptic engineering.

The Woods - Sleater-Kinney

October 8, 2013
Snohomish Piece 1 - Keith Eisenbrey, Steve Scribner
Campaign and Comedy Songs - The Gregg Smith Singers - (from The Great Sentimental Age)
Folsom Prison Blues - Johnny Cash - (from Sun Records Definitive Hits)

bare bones naked dust

Songs Summer '85 (first part) - Keith Eisenbrey

October 10, 2013
Songs Summer '85 (second part) - Keith Eisenbrey

It has been a while since I listened to all these songs as a set. For my own creative life they represent less a new avenue for possible development than a limit of stretch. However, I can also think of them as an attempt to get near an axis, jettisoning such skills as I have, all the trappings and comforts of the acceptable, to find the that about which creative impulse turns.

The Abyss (draft) - Keith Eisenbrey

I spent the latter part of the '90s working on a chamber cantata based on stanzas from Childe Harold's Pilgrimage. The finished product, though interesting (to me) and useful as a thing (for me) to have done, is a lost-cause as to being performable. But I kept thinking about that particular selection of stanzas, and in 2005 I made a completely new computer produced setting. This draft was the first go at the first stanza. Here is the finished piece.

Zigzag - Wayne Lovegrove

Secured shipshape to the lower strings allows foamy sea splash trickery in the yardarms. This was a recording made in Snohomish at a concert produced by Steve Scribner.

In Session at the Tintinabulary

October 7, 2013
Gradus 234 - Neal Meyer
Just enough tonal abundance for simian leaps, brachial propagation.

Sunday, July 21, 2013

Playlist - dateline Prosser, WA

Live

July 13, 2013
Courtney Marie Andrews
Mikey and Mattie
Shelby Earl - CD release party for Swift Arrows
Columbia City Theater, Seattle

And Are We Yet Alive?, the hymn sung every year at annual conference by the assembled United Methodist clergyfolk, speaks to those times in life when you realize that an ordeal has been survived and that you are wounded but healing, stronger and aware. For many, their 20s are such an ordeal, and finding yourself at the other end more completely adult is a grace and a glory. The stage this night was crowded with superb musicians, sharing with each other and with us their triumphs and tales.
Courtney Marie Andrews

I'm a sucker for finger-picking she-minstrels, and Courtney delivers all the musts of the type: wise, ingenuous, vulnerable, shy but comfortable enough in her own skin and voice to rival the presence of her awfully pretty guitar.

Mike and Matt Gervais are well known as the manic-happy front men of Curtains For You, and in previous guise as the engine behind True Bugs. It isn't surprising that they have now ventured off on their own with a superbly able crew lifted partly from the Seattle Rock Orchestra, and held in place by Faustine Hudson, perhaps the most melodically capable of Seattle rock drummers. One band is just not enough to hold this volume of creative energy.

Shelby pulls out all the stops - a perfectly attuned band, a wonderful venue, charismatic charm - and tries every trick in the book - songwriting chops beyond comparison and a jazz chanteuse's knack for hanging off unsuspected corners and lingering in newly discovered crannies of the beat - but there is really no hope. That voice will win.

Recorded

July 15, 2013
Banned Rehearsal 42 - (July 1985, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Meyer)

A rehearsal for that very evening's concert. Opacity of a howling blizzard. Neal's sister Karen was our test audience, before she and I became an item.

July 16, 2013
Banned Rehearsal 43A Short and Simple Concert - (July 1985, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Meyer)

Our second live performance, at Brechemin Auditorium, School of Music, University of Washington, Seattle. Neal was a TA at the time, and the audience was beefed up with students from his theory classes.

July 17, 2013
Banned Seminar 1 - Banned Rehearsal

Eight tapes combined. A texture of textures shifting at a texture of shifting rates.

July 18, 2013
Banned Seminar 2 - Banned Rehearsal

An overabundant overlay of Funmaker fills the nooks and clogs the crannies. Un-poke-able.

In Session at the TintinabularyJuly 15, 2013
Fox Spit 1 - Keith Eisenbrey

Neal couldn't come over for Gradus, so I decided to practice tuning the guitar that my brother gave me - his first successful hand-made Fox Spit. Then I made this recording.