Showing posts with label Eve Beglarian. Show all posts
Showing posts with label Eve Beglarian. Show all posts

Saturday, September 22, 2018

Playlist

Preface

"The words we choose to address our musical thoughts and concerns are moral actions. It's not that, by choosing, we have acted in a moral way; nor is it that, by choosing, we act in a way that is good or bad. It is, words are actions, actions that are subject, subject-able, to moral considerations. By choosing words to address our musical thoughts and concerns, we choose verbal language; by choosing verbal language, we choose, willingly or un-willingly, wittingly or un-wittingly, many words, many actions, many moral acts."
Jon Forshee "If Music, as a Music: Three Notions Around the Thoughts of Benjamin Boretz" Open Space Magazine issue 21 spring 2018

Texts

Recorded

September 16, 2018
Forever - Screaming Trees [from Clairvoyance]

twice the tune
twists away from its starting
neenerneenerness
instrumental bit

then twists away again
just to the point of losing
grip

Banned Rehearsal 271 - John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [October 1991]

old ice cream
at Toad Hall
advice for adult living
baby talk
inane conversation with sound effects
distraction of infant in the room

lots of pistons

Aaron proclaims that when J became 27 years of age Bruce Springsteen would be president.
that would be strange
opined Karen
not as strange as who is president
now that J is 27 years of age

Sonata in D minor - Jean-Marie Leclair - Philharmonia Virtuosi [from Evenings With The Captain Vol. 1]

contrapuntal weaves were all the rage still
so everything copied it as a model
as later the operatic scene

civilized grace (what else would one expect from a Jean-Marie?)
some instrumental showing off

September 18, 2018
Drifting - Wes Weddell [from My Northwest Home]

free reed harp as one-man horn section
shukashukashukashukashukashu
song of where we landed

Making Hey - Eve Beglarian - Eve Beglarian, Matt Fieldes, Damien Bassman [from Open Space 21]

or was
as in
at as
an or
even was
when that
as in

Night Signals Journey To The Sea - S. Eric Scribner [from Stormsound Cycle, May 2011, private recording]

doing next to nothing for a stretch inflates doing anything from both sides of the performance doing divide
turning in sleep

. . . crickets . . .

woke up the birds

abide next to nothing
doing

abstract literal
(fact as though image)

September 20, 2018
Finnegans Wake Chapter 8 - James Joyce - Mary Lorson and Brian Hall [from Waywords and Meansigns]

on a bed of tones and crickets ALP told all about as a comic dialogue
from the Ginsbergian Beat Voice Sound notion
i.e. music sound upon which to sit
to lie
8 bit hip hop

what men say about women
never the other way

witness we are to conversants' conversant converse

a pause as to shift
point of view

done

In Session at the Tintinabulary

September 17, 2018
Gradus 339 - Neal Kosály-Meyer

6th B up then a 4th above