Showing posts with label Little Richard. Show all posts
Showing posts with label Little Richard. Show all posts

Saturday, August 8, 2015

Playlist

Recorded

August 5, 2015
Webern
2 Songs op. 19 - Webern - London Symphony Orchestra, Pierre Boulez, John Alldis Choir

A crime scene as perceived by Holmes - that is, like a chessboard as perceived by a GM.

Violin Concerto in D - Stravinsky - Philharmonia Orchestra, Paul Sacher, Anne-Sophie Mutter

It gets down to the most disregardable detail of oom-pah, effecting an image of a complex contrapuntal texture by allowing just a few voices to make repeated stuttering do-overs to emerge from the still very clearly delineated actual on-going contrapuntal texture.

Symphony No. 1 - Barber - St. Louis Symphony Orchestra, Leonard Slatkin

Having missed the boat for Sehnsucht we embark for fond regrets and reluctant resolve.

Georgia On My Mind - Delta Rhythm Boys [from Alan Lowe's That Devilin' Tune]
Romans Ten and Nine - Bailey Brothers [from Goodbye Babylon]

August 6, 2015
Aviary - Charlie Mariano [from Alan Lowe's That Devilin' Tune]

After the head, solos descend until nothing is left but piano and rhythm.

Tutti Frutti - Little Richard - [collected from Dave Marsh's Heart of Rock and Soul]
Little Richard

Mostly just a quick tempo nonsense blues riding on a dynamite cult-of-personality delivery, until it ends with a devastating, final, lonely, solo "boom" that vanishes into the hollow room.

Confidential - The Fleetwoods [from The Very Best of the Fleetwoods, Come Softly To Me]

Mass market intimacy.

Let's Go Get Stoned - Ray Charles [collected from Dave Marsh's Heart of Rock and Soul]

If memory serves, one never sees a cigarette touch lips in the film Thank You for Smoking. Likewise, one never hears Ray himself sing or speak the line "Let's go get stoned." His way is to duck and weave.

Symphony in A (#15) - Shostakovich - Moscow Radio and Television Symphony Orchestra, Maksim Shostakovich

One could read the musical quotations, from Guillaume Tell and Die Walküre, as a skeleton key to DS's arsenal of symphonic affects and their possible respective political derivations: from public and private revolt.

In Session at the Tintinabulary

August 3, 2015
Banned Rehearsal 891 - Jenny Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt

On the porch again, we begin almost to approach being indistinguishable from the neighborhood of sounds. Neal decided to go home and get some sleep before we started, but Jenny joins us part way through.

Sunday, July 13, 2014

Playlist

Recorded

July 6, 2014
Honegger
Symphony #2 - Honegger - Seattle Symphony Orchestra, Gerard Schwarz

first: in lockdown crouching
second: stately, dense, unadorned
third: frantic, with rescue?

Improvisation for the March of Time - Wild Bill Davison [from Allen Lowe's That Devilin' Tune]

turn the wheel and up comes the next. trumpet piano clarinet. cookin' party

Polka Dot  - George Wallington [from Allen Lowe's That Devilin' Tune]

a chunky chord rhythm moving around the beat with the precision of hyper-partchian intonation

Long Tall Sally - Little Richard [collected from Dave Marsh's The Heart of Rock & Soul]

skates along like a hockey puck

The Fleetwoods
Lavender Blues - The Fleetwoods [from The Very Best of The Fleetwoods - Come Softly To Me]

how it cycles back to the start, angelic smooth envelopment

Just Like Tom Thumb's Blues (live) - Bob Dylan - [collected from Dave Marsh's The Heart of Rock & Soul]

building up a rolling to leap over the beat and land at the next measure

Slippin' Into Darkness- War - [collected from Dave Marsh's The Heart of Rock & Soul]

discrete elements . clear demarcations

July 9, 2014
The Modern Lovers - The Modern Lovers

In the song I'm Straight Jonathan Richman manages a three level conceit:a transcription of a telephone message, a message he wished he had left if he'd had the courage, and (most interestingly) a rehearsal in thought of what to say with all the back-tracking self-conviction of a will working out a decision. Other standouts on the album are Hospital and Government Center. All in all a strong showing, but there is often a tension between a song and its arrangement, as though it was uncomfortable in its clothes.

In Session in the Tintinabulary

July 7, 2014
Gradus 246 - Neal Kosály-Meyer

A new note :: tempo slower than breathing thinner than spill of thought's words

audible resonance :: cognitive resonance

a geography of parsed layers :: trace of tectonic action.

July 13, 2014
Sad Girl - Keith Eisenbrey
track 1 - kick drum and snare
track 2 - vocal
track 3 - hollow body electric guitar
track 4 - suspended lids