Showing posts with label Steaming Wolf Penis. Show all posts
Showing posts with label Steaming Wolf Penis. Show all posts

Sunday, June 21, 2015

Playlist

Live

June 19, 2015

Gradus (269) for Fux, Tesla, and Milo the Wrestler - Neal Kosály-Meyer
Chapel Performance Space, Good Shepherd Center, Seattle

each ovoid mark was made to memorialize a played note, relative size representing locally perceived dynamic of attack. the vertical marks are the boundaries between rungs. Neal's score for the evening is printed below. Stop by in a week or so and the graphic won't collide with the side bar.



Recorded

June 16, 2015
Guitar Hell - Incredibly Strange Guitar - Pete Comley

Post Fripp, post progpunk (with undertones of Charles Dodge), all mastered with that FarTooClose® digital feel. Picaresque, but complicated by sudden interruptions. Getting his jollies with wrecked up sound.

On September 23, 2002, I wrote: "aside from being generally entertaining, what's fun about this is the flatfooted gadgetry of it. All segues are transparently what they are - no fooling here. It just is garbage."

Invention in C Minor - Billy Joel

Utterly unremarkable.

Vampire Mustache - Steaming Wolf Penis [from The Funhouse Comp Thing]

Its bald assertion of presence is as though it were clinging by fingernail to the edge of a precipice.

Donne III.19 -  Benjamin Boretz

as gently done as begun

an eternal residue suspended in an interior, limitless space.

June 17, 2015
Felicissomo sono - Gesualdo - Consort of Musicke, Anthony Rooley

the commentary seeps in the window opened between D and E-flat.

Konzert in D Major BWV 1050 - Bach - Festival Strings Lucerne, Rudolf Baumgartner, Aurele Nicolete, Josef Suk, Christiane Jaccottet

Processes ripen to states. From states emerge processes.

Keyboard Sonata in C Wq. 48 #5 - CPE Bach - Miklos Spanyi
Keyboard Sonata in D Hob. XIV:5 - Haydn - Christine Schornsheim

In Session at the Tintinabulary

June 14, 2015
Duet 150614 - Keith Eisenbrey
Going into this session I was uncertain what I wanted to pair with clavichord. Among the most intriguing possibilities were washtub bass and tin whistle. In the end I did my best to play both at the same time.

June 15, 2015
Gradus 268 - Neal Kosály-Meyer



June 19, 2015
Chapel Elevator 150619 - Keith Eisenbrey


I had a free moment before Neal's Gradus performance to record the sound of Seattle's most sonorously engaging elevator rides.