Saturday, April 30, 2022

Playlist

Preface

"Through some malign influence, now everyone
demands war's horrors - against omens, against fate."

Vergil - "The Aeneid" (translated by Shadi Bartsch)

Texts

From Recent Arrivals

April 29, 2022

Reflections (Care Enough) - Mariah Carey [from Glitter]

piano solo intro solo
signals sincere ballad anthem 

using compression on her vocal
or something
so that
her small sounds
and her back of the stadium belts
are all at about the same volume

Greatest Show on Earth - Michael Jackson [from Ben]

a part of the world of make believe

Recorded

April 23, 2022

Banned Telepath 11 San Diego - Anna K, Aaron Keyt, Neal Kosály-Meyer [March 24, 1987]

a mutter in the corner
an ingenious combination of natural sounds
and enough syrup
thinking or reading
to oneself
aloud
the peaceful world
begins in the kitchen
a quiet confusion
of sufficient magnitude
high voltages inside
lunchtime longitude
latitude late snack
refer to page 5
minimizing the volume of the amplifier
is recommended
the pursuit of happiness
the best text
of the history of philosophy
the search for happiness
the capture and imprisonment of happiness
your Summer sizzles
I write down the words I hear
as a habit
I hear clarinet and trombone
Stu and Bill ?
on tape
someone sings with guitar
there may be an additional uncredited person in the session
the chalice is in a castle
the entire kingdom is desolate
all the people of the castle vanished
he suddenly remembers
what he had forgotten
the Graal
serves Edward Bear
special today
no ice cream
no fudge sauce
no sprinkle nuts
no cherry
no whipped cream
it's a San Diego Sundae
Super Mario Brothers
you're playing with power
in defensive posture

April 24, 2022

The Dutch Suite - PDQ Bach [from Music for an Awful Lot of Winds and Percussion]

a lighter touch on the humor in this one

not so many broadly ribald anachronisms
plenty of them
just not ribald
nor broad
the movements are ample and largely in character
droll under-humor

Banned Rehearsal 474 (Pete's recording) - Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [November 22, 1997]

tromblatting goose honk flock
stubborn octaves
scalar ascension
whirly winds
drummy shakes
now we're on parade
the land of sixths and cowbells
clownhorns
a chorale on the snoring porch
the past at a distance
meanwhile
at the space port
preps are made
for a delegation of hypersentient pinnipeds
prepare the galumphing grounds ! 

the evening bird calls
the sax does not want to go to bed
nothing settles
make no more sound
sound off

{From my journal entry of October 2, 2005:

loudaspossible bone blats
piano stubbornly
doctrinairely placing dyads
ladderly drums as flooring
holding the latter bells and synths
the wind that blows
piano stubborn ascent
we are climbing through a wilderness
we are beset by this sound
and finally relaxed into
briefly
with little
but some
relaxation
this music is a struggle by main strength
a battle of will
a struggle on failing ground}

Rise Up Shepherd - Mark Hayes - Prospect Choir

old folk gospel
given the Andrew Lloyd Weber treatment

Consider the Birds 37 - Keith Eisenbrey [February 3, 2003]

the shape of the pitched journey
transformed
into sequences of location bits
film frames
projected just a little too slowly

Girl Gone Wild - Madonna [from MDNA]

ironic scorn of moral compunctions

Distracted Driver - Your Mother Should Know [recorded live at Victory Lounge, Seattle, March 27, 2017]

eating marshmallow peeps

Looking for Somewhere to Hide - Star Anna [recorded from a live stream from Fiddler's Inn, March 7, 2022]

all the pre-gig setup
conversation first, tech check

April 25, 2022

Excercise, Fvb 111 - Traditional - Claudio Columbo [from The Fitzwilliam Virginal Book]

rolled homophony in square phrases
forming a larger squareness

Cantabant Sancti - Peter Philips - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocubus]

spilling imitations
spring shoots and buds
a contemplative garden
dedication to a text
garden bed
answers
to garden bed

Sonata in D Major, Kk. 178 - Domenico Scarlatti - Pieter-Jan Belder

pre-galant movements:
moves the ear one way street
galant movements:
moves the ear between single motions

String Quartet in E-flat Major, Op. 20 #1 - Franz Joseph Haydn - The Kodály Quartet

upon what terms
a return to the home key
is negotiated
menuet and trio format
is pre-galant
but allows musics to be compared
within a specific crossbalancing rubric
inner movements in related keys
tonally exploitive

April 26, 2022

Sonata in D minor, Op. 124 - Carl Czerny - Martin Jones

begin your opera
at the moment of maximal cathartic awe
fill in the story behind it
a little at a time
the handsome hero
the buckling swashes
and rescues perilous
the calm resolves
domestic peace
orderly
bourgeois
only as courtly as is pious
every saucer in its place
in the evening
a game of cards
chapel in the morning
so peaceful
such comfort
antique style variations
grumbly bass figures
point forward to growing resolve
doings
one doing
and preparations are made
so much to get done
here's the mechanical contrivance
uh oh!
there's that cathartic thing of awe figure
what's it doing here ?? 

must be time for heroics again
return to the opening of the first movement
new Romantic
big finish

Waltz in A-flat Major, Op. 64 #3 - Frédéric Chopin - Alfred Cortot (1943)

weightless on the dance floor
that fellow looks clumsy at first
but an old fashioned grace comes through

Cannon Ball Blues (take 2) - Jelly Roll Morton and His Red Hot Peppers [from Jelly Roll Morton and His Red Hot Peppers, Chicago Days]

no chord sees past its change
no change sees past its cycle
music within a room

Where Is the Sun - Billie Holiday [from Lady Day, The Complete Billie Holiday on Columbia]

tunes follow the rhyme
and rhyme follows the tune
her phrasing is done
so that
neither the rhyme
nor the tune
clunk

This Is Always - Charlie Parker [from The Complete Savoy and Dial Master Takes]

thinking about the art of arranging a song
so that it sings itself and never flags
it floats all the way out to the end

Partitions - Milton Babbitt - Robert Taub

what is its size
small enough to pick up and carry
though some parts
may swing around and pinch
so be careful
if you try

She's Got You - Patsy Cline [collected from Dave Marsh's The Heart of Rock & Soul]

keep the conceit simple
repeat
sell

Purple Haze - Jimi Hendrix [collected from Dave Marsh's The Heart of Rock & Soul]

blues from the gut
where the beat hits with psychedelic mosquitos

Country Wine - Paul Revere and the Raiders [from The Legend of Paul Revere]

trying for Creedence Clearwater?
rock & roll tries for country music
irony free good times
but with a big band sound

Three Girl Rhumba - Wire [from Pink Flag ]

hangs in there just exactly long enough
to make its image completely clear
then stops
a composition made of song parts
but neither a song nor a dance really
its own thing

A la memoire d'un ami - Ira Mowitz

modeled on choral music
so an architecture is illuminated
voice by voice
some of this space is huge
some is small
even the huge spaces
aren't stable in their locations
the residue here is tiny
fit for a hand to hold

The River Between (excerpt) - Benjamin Boretz, Richard Teitelbaum [from Open Space 33]

wrestling it to the ground
so it can be discussed
or passed through
moves
or has moved
to a gravity free area
on the other side of the brush pile
a solid surface emerges
rolling slowly
hugely
passing by
fading off

April 27, 2022

Canzone Prima a 5 - Giovani Gabrieli - The Canadian Brass [from The Essential Canadian Brass]

a composition exercise
presented as such
or
an internally derived
(demonstrably)
coherence generator

Winter Cranes - Mary Lee Roberts [from Open Space 9]

vertical immensity
frozen throughout
and lift
and chatter

Gradus 8 - Neal Kosály-Meyer [March 19, 2002]

two lowest As
enclosure of tone within tone
negotiated
by means of register 
dynamic
sequence
proximity
dampers
some parts of tones
can be disenclosed
or
that and also
joined back
within
at that time
our conversation
post session
tended toward
strictly pianistic technical matters
hand position
wrist tension etc.
consequently
there is a certain amount of straight up practicing involved
in these early sessions
soon to be replaced
by more intentional improvisation/composition

Late Morning Lullaby - Brandi Carlile [from The Story]

accent and attitude
interesting yodel catch in her lines
now and then
the song projects
a range of distance
as to her
like a zoom lens

One7 - John Cage - Neal Kosály-Meyer [recorded live at the Chapel Performance Space, Good Shepherd Center, Seattle, May 25, 2012]

attaching a name to an object
attaching a name to a response to an object
attaching a name to the experience of a response to an object
attaching a name to a person experiencing the experience of a response to an object 

attaching an object to a name
attaching an object to a response to a name
attaching an object to the experience of a response to a name
attaching an object to a person experiencing the experience of a name

attaching an experience to an object
attaching an experience to a response to an object
attaching an experience to a person

experiencing a response to an object attached to a name

attaching
object
response
experience
person
to a name

Tarantula Man - Mud on My Bra [from Demo #2 (Manger Studio Mixes)]

controlled acceleration
heavy sigh

Banned Telepath 83 Magnuson Park - Jennifer Chung [ca. March 14, 2022]

many frogs croaking
many croaks
in the distance
sport
traffic
engines
and apes
also some birds
jets devour the sky
frogs croak
dense cold soup

Daphne, Fvb 112 - Giles Farnaby - Claudio Columbo [from The Fitzwilliam Virginal Book]

imitations of melody
overspill
our immediate memory of melody
as it overspills
its imitations
music
as memory
thinking
in its own time

Red Onion Drag - Louis Domaine's Jazzola 8 [from Allen Lowe's Turn Me Loose White Man]

two melody instruments
clarinet and trumpet
over a rhythmic continuo
drums piano and sax
they get their turn
to be the show

Outlaw John Dillinger - Frank Luther Trio [from Evans 78s]

a short history
of Public Enemy Numero Uno
as a  foolish outlaw
stay on the straight and narrow
and stay away from sin

Let It Shine On Me - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy, Volume 1]

they'd take it slow and easy
shine non me
a history of song
from days of enslavement forward
nowr I see
Baptists
Methodists
Holy Ghosts
the acceleration of hymnody

True, Fine Mama - Little Richard [from Here's Little Richard]

high lick in the tinkly keys to open
was the sax recorded on the same microphone as his vocal?
I'd believe it
early fade out ending

Novara - Earle Brown - Harro Ruijsenaars, Harry Sparnaay, Earle Brown, Govert Jurriaanse, Ton Hartsuiker, Emile Elsen, John Floore, Gerrit Oldeman, Jaring Walta, Roelof van Driesten

episodes of contrived cooperation
exactly
expression
exactly
here
a lovely recording
affect liberation
with an expressionist palette

Prelude in F Major - Lockrem Johnson - Keith Eisenbrey [recorded April 8, 2022]

could it be done more lightly?

In Session at the Tintinabulary

April 25, 2022

Banned Telepath 86 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey

Banned Telepath 86 Pan - Steve Kennedy

April 27, 2022

Banned Telepath 86 Toad Hall and Irvine - Jennifer Chung, Aaron Keyt

Banned Rehearsal 1050 - Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt

as has often been the case in Banned Rehearsals past, sounds of the present moment intrude via radio

Postscripts

Skaldmud's Doodle Gallery 

more listening journal doodles from 1988






Saturday, April 23, 2022

Playlist

Preface

"Rumor flew. Right away the same strong urge
to find new homes drove all the raving mothers.
They left home wearing fawn-skins, their heads bared
to wind, or filled the air with warbling howls,
holding vine-branches as spears."

Vergil - "The Aeneid" (translated by Shadi Bartsch)

Texts

From Recent Arrivals

April 16, 2022

Junkyard - Craig Pepples [from Open Space 51]

higgledy piggledy
thrown in a heap
glittered with light
dripping critters that creep

April 17, 2022

SightLightning - David Hicks [from Open Space 51]

moves
at squirrel
or wren
quickness
full alert
stop 

if hunger can't catch you
you won't be lunch
or
we can split into two

might be a magic hocket
never being where it is we are at
at any sample moment
that
that cat might bite

April 22, 2022

Just a Little While - Janet Jackson [from Damita Jo]

in one voice
a rhythmic breath is audible
in some of the voices
no breath is heard

Tin Angel - Joni Mitchell [from Clouds]

learned Anglofolkpop
within which strictures
she sings with unmistakably skilled eloquence

Combination of the Two - Big Brother & The Holding Company, with Janis Joplin [from Cheap Thrills]

live somewhere
complete with entrance announcement
get the party started song 

a surf band
in the sense that
the singers
and whatever solo guitar stuff
gets thrown in
are all surfing
in the rhythm section's tubular wave

This Is It - Judy Garland [from Judy in Love]

this is dance routine music
in the sense that
the singer is singing on stage
or soundstage
surrounded by a dance routine
supplied by the orchestra

Recorded

April 16, 2022

Fantasia, Fvb 108 - John Bull - Claudio Columbo [from The Fitzwilliam Virginal Book]

the solo melody that opens
is a careful composition of pitches
in two different guises
those with
and those without
the mordent
or inverted mordent
two separate compositions
within the same melody
and the rhythm
with which they project themselves 

a composers' composition

Ave Gratia Plena - Peter Philips - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocubus]

a grandly beating heart
deep breaths
a living being
being living

Sonata in D Major, Kk. 177 - Domenico Scarlatti - Pieter-Jan Belder

mazemaker

Sonata in B minor, Op. 145 - Carl Czerny - Martin Jones

melodrama
jump cut
story teller
in purple prose
music 

his melodies would sing real well
his voice leading is chaste
in comparison to Beethoven's (say)
but it isn't without a lyric clarity of note 

the inner movements
there are six movements total
allow Carl to indulge in phrase balance games
upset by sweeping melodies in minor modes
and a fugue
would Busoni behave any differently?

opening figure
thumbs nose
dramatically
as the curtain falls

April 17, 2022

Waltz in C-sharp minor, Op. 64 #2 - Frédéric Chopin - Alfred Cortot [1943]

the rubato is an expressive stand-in
for the grace of a dancer

Klavierübung in 5 Parts, Part III - Feruccio Busoni - Wolf Harden

be singing at all moments

Cannon Ball Blues (take 1) - Jelly Roll Morton and His Red Hot Peppers [from Jelly Roll Morton and His Red Hot Peppers, Chicago Days]

they take turns strutting
you will be accepted
based on the qualities of your strut

Moanin' Low - Billie Holiday [from Lady Day, The Complete Billie Holiday on Columbia]

I love the piano flourish
to prelude in the tune proper
Billie comes in
and takes over the entirety of all that had happened 

that was in the beforetimes

Bebop A - Charlie Parker [from the Complete Savoy and Dial Master Takes]

as impossible to follow completely as Bach can be
but
where in Bach
the essentially gridlike rigidity
of the times each voice is in
provides
an illusion
of orderly sequence
here
there is no such notion

Jeru - Miles Davis [from Birth of the Cool]

his saxophone choir is a treat all on its own

April 18, 2022

You've Really Got A Hold On Me - The Miracles [collected from Dave Marsh's The Heart of Rock & Soul]

mixed message
among the lyrics
not exactly mirrored
in the call & response
which rounds it bodily

Prelude in D minor - Lockrem Johnson - Keith Eisenbrey [recorded March 18, 2022]

weary with a heavy load
we succumb to submerge

Black Country Rock - David Bowie [from The Man Who Sold The World]

not among his strongest
doesn't seem to have a firm grasp on his character

Disco Inferno - The Trammps [collected from Dave Marsh's The Heart of Rock & Soul]

not the sort of party I was ever invited to
celebratory hedonism

Melismata - Milton Babbitt - Curtis Macomber

connective tissue
taut
sprung
anatomy of Berg's Violin Concerto opening gambit
twisted
pulled

Banned Rehearsal 116 - Anna K, Aaron Keyt, Neal Kosály-Meyer [March 23, 1987]

could almost be standard practice organ prelude stuff
until the piano groans in
big stick clack enters
to turn yet another corner
the temptation
to not cease
what just goes on
lost in continuous wandering
the space is so big
once filled with sound
letting go is hard work
the stick is the star
the only sound
that transforms the space of the sound
dreary
lets go
floats free in emptied space
organ returns
but as sound
not figure
much stronger
figuration
a deflection from sound toward pattern
pattern
is a delicate art
whose purpose is clarity
not simplicity
now
we are afraid to move
lest we be misunderstood of ourselves
runs afoul
of our internalized conception
of what music can be

Soldiers' Chorus from Faust - Charles Gounod [from Worlds' Greatest Choruses]

drinking song type
beer sloshes and all

Banned Rehearsal 473 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [November 15, 1997]

almost like tuning up
a limited quantity of delimited personae in play
most of them all the time
sound in room sound
on tape
not same
not always
not in conflict
recording quality is pretty good
amplification is a temptation
best indulged infrequently
and judiciously
rattles are less problematic

as our sounds invade each other
our distinct personae transmorph
intersociate
into a session specific persona
or sets of personae
freely venning
in newly discovered geometries 

we enter our rattle room
shake steadily
into the ether
we have expanded the size of our space
its walls
have dissipated
alarms
are raised
the corner
sounds
and the piano
pounds tones 

ring the jingly bells
regroup

{from my journal entry of September 28, 2005:

focus and transparency
in what do these consist
when all are on their own kick
bellrattle
playing a steady drum
deep comment
piano
a background
like a careful waterfeature
guitar
making just between comment
between piano
back and sax talk
and sax talking
enough contrast
between the kicks
and enough space
within the kick
so that
if something drops out
there is always something
deeper
quieter
behind and thinning

thinning into the 20 minute mark
a tiny
quiet
private music
begins
in an attractive space
and moves
into a well heard space

a layered composition
transparent and constant
at the same time
stagnant
and pushing 

an exerted
constant pressure
what will give 

built
on a spine
of midrange piano noodles
then
turns inside out
with the guitar
providing the spine
and the piano
the forward speaking role}

April 19, 2022

Stripped Intro - Christina Aguilera [from Stripped]

no hype
no glam
no pretense
huh? 

then
what was all that
coming on like Tony Stark?

Consider the Birds 2 - Keith Eisenbrey [February 3, 2007]

groups of bursts
approach
recede
which puts us
in a location
with respect to their movements

Wax and Feathers - Shannon Stephens [from Pull It Together]

writerly
mythic references
and similes

68 Chevelle - Your Mother Should Know [recorded live at Victory Lounge, Seattle, March 27, 2017]

a stream of words goes by
of which
only
68 Chevelle
comes through
until
it calms down in the middle
at the end of which middle
we hear
69 Chevelle
then
68 Chevelle
it's supposed to make sense
if I knew what the words were
but I can't make them out
so
I'm left
with a puzzling juxtaposition
of a 69
and a 68

Controlled Burn - Kaley Lane Eaton [from Cedar]

1988 fire Yellowstone
I was there 

interesting disjuncture
in my ears
between the prosody of her text
and the lyricism of her singing it

Felix namque, Fvb 109 - Thomas Tallis - Claudio Columbo [from The Fitzwilliam Virginal Book]

such patience
this is not pre-tonal
this is fully formed
such thoroughness
a British Academic through and through
explained in full
every possibility gets full say
a lecture
in search of a conclusion

Honey in the Rock - Blind Mamie Forehand [from Goodbye, Babylon]

orchestration
tempo
ringy bell
ringy voice 

perfection
awesome

Old Bill Jackson Brown - Log Cabin Boys [from Evans 78s]

whoever he was
he played some thing upside down
pling plang plung

Green Corn - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy Volume 1]

saying a thing fast
for the factory manufacturing age

Little Girl Blue - Judy Garland [from Alone]

sit there
in character
in plot
a story
in a sung song

Talkin' New York - Bob Dylan [from Bob Dylan]

he has done
gots
his Woody duds on

Siebengesang - Heinz Holliger - Basler Sinfonie-Orchester, Schola Cantorum Stuttgart, Francis Travis, Heinz Holliger

oboe harp and percussion
so far
nope
there's some basses and winds
violins now
drifting toward the high end
an oboe tours the orchestra
making the rounds
what is the harp doing down in the basement?
it sounds like some sort of electronic enhancement on his oboe
makes it a bit kazooish
in a not silly way
Punch voice
now you woke up the choral spirits
from the back stairwell
great
everybody wandered back stage

The Wold Shadow - Stan Brakhage

it is not clear that the camera moves
the light
penetrates both ways here
the forest
and us

Airplane Tonight - The Rumour [from Max]

the situation
is too explicit
too poetic
too sincere
that is
too poetic
to be believably sincere
wants to be a kind of blues
but forgot to write the song

The Message - Grandmaster Flash and the Furious 5 [collected from Dave Marsh's The Heart of Rock & Soul]

verse chorus structure
clearly underlying
just sounds better than most
speech pitch

Toccata in D minor - Johann Sebastian Bach - Jane Parker Smith [from 100 Greatest Classics]

but without the fugue
(that's not the famous greatest part)

April 20, 2022

Local Hero - Bruce Springsteen [from Lucky Town]

parade balloon for anyone
it clearly wasn't about the songs anymore

Messe de Saint Marcel - Ensemble Organum, Marcel Pérès [from Portrait]

prior to the tyranny of the barline
the text guided everything
composed church music
was composed
to amplify
and clarify
the text
inadvertently aestheticizing it

Gradus 7 - Neal Kosály-Meyer [March 11, 2002]

:two tone figures:
learning outpaces process
person permeates learning
process
a tool
learning:growth
learning:transformation
(personal)

Fiction of Light - Evan Chapman - Pathos Trio

augmentation of cyclicity transformations
double back
reinforce
so from a cyclicity norm
is what might be possible
outside of more of same
is there an escape hatch
or do we loop forever
cycle A
replaced
by cycle B
and
into infinity

where
are the open ended repetitions
of the yesteryears

Sonata for Clarinet - John Cage - William O. Smith [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, May 25, 2012]

a theater piece conceited
as a set of single sides
of several conversations

Tightwire - David Hicks [from Open Space 51]

a body's stances
circum
in
retro
proto 

stability is negotiated
momentarily unforeseen expectations

now where are we
lights out
segments are events
episodes uncontained within rationalizing balances

felt
with foot's
sole's
inner ears

Banned Telepath 83 Echoland - Steve Kennedy [March 14, 2022]

announce and scribble
scribble with vigor
sounds have terroir
if it is not bleached out in studio
Steve
does not use bleach 

uniformity of apparent location
is so not this

sound set free
intent scribble continues
outcome immaterial
intent total
medium irrecoverable
film and destroy 

side bar
I am now realizing why
it was never a good idea
for me
to select outtakes
from Banned Rehearsal
Steve is so much better at it 

otherside bar
if that's what this is 

it's all there
spirit and everything
fed back into itself 

flipside bar
than I could ever have imagined 

obsessive scribbling
oh the glorious noise
banshees howling for the moon 

go ahead kids
try this at home 

time to turn it down now

April 21, 2022

Felix namque #2, Fvb 110 - Thomas Tallis - Claudio Columbo [from The Fitzwilliam Virginal Book]

he gets hung up on figures he likes
loath to let them go
gives a free breathing spaciousness to it
always ample time for a cup of tea

Oh Daddy - Jonny Dodds, Tiny Perham [from Allen Lowe's That Devilin' Tune]

having a good time
before industry standards
rigidified popular expression
clarinet and piano

From Four Until Late - Robert Johnson [from The Complete Recordings]

he sings this one lightly
not quite so high and pinched
but relaxed
quite sweet
truth be told

I'm Confessin' - Louis Armstrong [from Allen Lowe's That Devilin' Tune]

studied lingering tempo
so many places to land
so many places to be aloft 

works the microphone

What's New - Peggy Lee [from Dream Street]

when she's on top of her game
the phrasing she uses
makes absolute musical sense
but
still sounds completely conversational
imagine if opera singers could do that 

Wild Weekend - The Rockin' Rebels [collected from Dave Marsh's The Heart of Rock & Soul]

fun with echo bass
they take it off when the sax comes in though
too much confusing
no doubt
they barely hold it together as it is

Rounds - Luciano Berio - Klára Körmendi

focused on a single pitch
dead center
but not in a cadential way
all the other pitches
are other than it
including its octaves
they
are other than it
too

So Long, It's Been Good to Know Yuh - The Weavers [from The Greatest Songs of Woody Guthrie]

the whole Seeger Dylan squabble
from the Seeger
side was about whether the words could be heard or not
a question of what the point of music is
subservient to the word
or equal partner
or enabler
or avenging angel

No Feelings - The Sex Pistols [from Never Mind The Bollocks, Here's the Sex Pistols]

the guitar's volume is reduced
when the vocal comes in
I wonder if they did that live
so that the words could be heard
if not understood
Seeger's revenge
has trouble dismounting

I Love Rock 'N' Roll - Joan Jett & the Blackhearts [collected from Dave Marsh's The Heart of Rock & Soul]

were there such things as record machines
in 1982
to be standing beside
where?
for a dime?
even has a virtual record skip rhythm built into it

In Session at the Tintinabulary

April 20, 2022

Joshua Tree Prelude 11 - Aaron Keyt

April 22, 2022

Joshua Tree Prelude 12 - Aaron Keyt

Anybody's Fingerbook 5x5 (transpositional) A B C D - Keith Eisenbrey

Postscripts

Skaldmud's Doodle Gallery 

more listening journal doodles from 1988






Saturday, April 16, 2022

Playlist

Preface

"'Oh no! That hated race, those Phrygian fates opposed
to mine! Why didn't they perish on Sigeum's fields?
Why won't these losers lose? Why didn't they burn
in burning Troy?'"

Vergil - "The Aeneid" (translated by Shadi Bartsch)

Texts

Streaming

April 15, 2022

Seattle Modern Orchestra - Darius Jones in Seattle

co-Artistic Directors, Jérémy Jolley and Julia Tai

Julia Tai, conductor

grey angel - Christopher DeLaurenti - Michael Nicolella, electric guitar; Marcin Pączkowski, electronics

one
an expansion
of the other
in
an other space

Cyclic Complement - Angelique Poteat - Angelique Poteat, bass clarinet; Marcin Pączkowski, electronics

create the space
step right in

find - Anne Leilehua Lanzilotti - Erin Wight, viola; Marcin Pączkowski, electronics

another space setting song
is the setting
the sun's
or setting sun 

live echoes the past
we follow instructions

Inference Engines - Yiğit Kolat - Darius Jones, alto saxophone; Jordan Voelker, viola; Michael Nicolella, electric guitar; Bonnie Whiting, percussion; Yiğit Kolat, electronics; Marcin Pączkowski, electronics

Chekov's thunder sheet
long long breathing
each iteration an intertransformation

echo fantasia V - Maria-Eva Houben - Eric Rynes, violin; Jordan Voelker, violin; Erin Wight, viola; Ha-Yang Kim, cello; Ross Gilliland, bass; Leanna Keith, flute; Angelique Poteat, clarinet; Anna Barbee, horn; Raymond Larson, trumpet; Grant Reed, trombone; Michael Nicolella, guitar; Cristina Valdés, piano; Bonnie Whiting, percussion

each carefully different note
is the same
carefully
different
note
returned

WAR - Darius Jones - Eric Rynes, violin; Jordan Voelker, violin; Erin Wight, viola; Ha-Yang Kim, cello; Ross Gilliland, bass; Leanna Keith, flute; Angelique Poteat, clarinet; Anna Barbee, horn; Raymond Larson, trumpet; Grant Reed, trombone; Michael Nicolella, guitar; Cristina Valdés, piano; Bonnie Whiting, percussion

conducted by swatches
battle instructions

shadows on the floor

From Recent Arrivals

April 15, 2022

Motet: Laetatus sum - Marc-Antoine Charpentier - Le Concert Spirituel, Hervé Niquet [from Vespres à la Vierge]

tripping right along
the few broader measures
very few
have a big impact 

many sectioned
by tempo and meter
Schütz
might have called this
among his Symphoniae sacrae

Get Mine, Get Yours - Christina Aguilera [from Stripped]

about?
about production composition
how its overlays mix the verbal message 

she says she won't bite
but her vocal is recorded with a sharp edge

Baby Sister - Dolly Parton [from Just Because I'm a Woman]

filled with people
higher than a steeple
I curse the man
who made you what you are today

Trust in Me - Etta James [from At Last!]

motherly devotion
to the daddy son

Recorded

April 9, 2022

Praeludium, Fvb 106 - John Bull - Claudio Columbo [from The Fitzwilliam Virginal Book]

step by step accumulation
of decorative abundance
held in place
by long tones

O Nomen Jesu - Peter Philips - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocubus]

the text is held tenderly
turned slowly
next line
new game
each next line
new game
the phrases
must be regarded
closely
each alone

Sonata in D minor, Kk. 176 - Domenico Scarlatti - Pieter-Jan Belder

differing figures
joined by their metrical placement
these figures all begin on the upbeat
or
joined by their subsequence
to a common supersequent figure
points in the past
do not recede
at any kind of even rate
our analysis of time's continuous passage
is at variance
with our experience
of music's past moments

Sonata in C minor, Op. 111 - Ludwig van Beethoven - Stephen Kovacevich

he really grunts and growls along with it
yuck
underneath the Sturm und Drang
it keeps coming back
to a quiet shelter
then hurls itself back in

the more often a pitch returns
the less tenable it seems to be

Waltz in D-flat Major, Op. 64 #1 - Frédéric Chopin - Alfred Cortot (1943)

the rash tempo leaves the ceiling
to turn graceful bends of heads
upon Balzacianly slender necks
floating in their moments

Trascrizione di concerto sopra motivi dell'opera Merlin - Feruccio Busoni - Wolf Harden

endlessly entertaining us
with feats of musical legerdemain
a theatrical pianism
entertaining
if what music does
to make itself
is entertaining to you 

it is to me

April 10, 2022

Doctor Jazz - Jelly Roll Morton and His Red Hot Peppers [from Jelly Roll Morton and His Red Hot Peppers, Chicago Days]

early big band
clown car orchestra
beneath the slapstick
the embryo
of Sun Ra's Arkestra
in costume

Nobody's Darling - Cumberland Ridge Runners [from Evans 78s]

I wonder
in the isolated rural West
as in other isolated areas of the Americas
the people were forced to entertain themselves
to a greater extent
and into more recent times
than in the larger towns and cities
was it here
that Country Music arose
as the recorded residue of that tradition
as it came to an end
in the train wreck of modern culture

Me, Myself and I (take 1) - Billie Holiday [from Lady Day, The Complete Billie Holiday on Columbia]

clever grammatical word play was in fashion
from Broadway days
we blame Cole Ira and Irving

The G_____ - Charlie Parker [from The Complete Savoy and Dial Master Takes]

when the changes come back around to the top
it might be analogous to a tonal cadence
and it does enter into
how the structure of the song is perceived
a kind of reset button
what is different
is the sense of journeying to get there
that is
specifically dramatic potentiation

Isn't This a Lovely Day - Billie Eckstein, Sarah Vaughan [from The Irving Berlin Songbook]

a romantic
caught in the rain song

Driving Guitars (Ventures Twist) - The Ventures [from Walk Don't Run]

dance music
going down
the dance craze road

The Look of Love - Nina Simone [from Silk & Soul]

such a soft touch on the glottals
she pays close attention to the words she's saying
and making a personally coherent statement
long long o
on go
and so
a new game for the coda

I Wanna Be Where You Are - Michael Jackson [from Got To Be There]

in our desire to project ourselves onto our children
we turn them adult without consent 

flipside of eternal youth culture

Smash It Up - The Damned [collected from Nancy's Mix]

poetic guitar solo
part 1
then the drums are applied
tempo change
the song proper
part 2
psychedelic fade on an acapi
{NB that's what's in the journal folks clear as day. I have no idea what I might have meant}

Cooks County - The Who [from It's Hard]

it'sa mighta gonna break apart at any moment
or get in a fist fight

April 11, 2022

Banned Rehearsal 115 - Anna K, Aaron Keyt, Neal Kosály-Meyer [March 22, 1987]

tongue drum starts it
then a flute of some kind
then a guitar string being rubbed
distant gales
far outside
behind walls and shutters
vocals on a liquid
vowels droning and swooping
settling into a steadiness
the word window is used
then picked up in imitation
the drone expands and rhythmifies
take the elevator not the stairs
becomes a song
and difficult to step off
spins off
stops
all stop
the sunlight in the middle of the night
a basketball
not the court
or
a device was activated
flute
and doing some
my serious business with pots and pans
some thing may be sizzling on the stove
back to our muddles and daddies
a device is activated
where the light goes out
tongue drum and click stick percolate and tap
subdued throughout
echoed on devices
windows in muddles

{from my journal entry of June 25, 1988:
slow a song gathers
take the elevator by Neal
then echoes
window by Aaron
on a chant-tone
some cookin' by Anna
why do things get in a muddle, Daddy?}

April 12, 2022

Buggin' Out - A Tribe Called Quest [from Low End Theory]

metabrag
a brag about the qualities of their bragging

Banned Rehearsal 472 - Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [November 8, 1997]

we jump right in
torpedoes be damned
forte eruptions from the piano
fill the keyboard with pounding
ever stalwart Uncle W
ever steady on the tiller
electric guitar taking potshots from all sides
bring out the big drums
ring the bell
ring the bell
hostile waters
partially subdued
we bang on stuff

Aaron growls and barks German words
we come to a safer harbor
we sing at the moon in canine polyphony
a calmer Aaron emerges amid the jingly bells
oh dear Isaac's a fuss
we do trend noisy
fingery tuniness wanders through the din
overtalking
outshouting
Keith sermonizes against wine
party drums pounding now
inciting a temperance riot
with harsh whistles unpent
synthesizer or guitar hard to say
might just be Neal singing
solo voluntary
is it time for a rousing hymn?
not yet a tape
a march
by land it is then
ring the bell incessantly
now for the hymn to rouse
A Thousand Years of Prohibition
everybody's favorite drinking song
lift up your eyes
behold the Dawn
the kazoos are a nicely unhinged touch
and the yelping dog honks
dreams of yesterday
and Schubert
somewhat the worse for wear

{from my journal entry of September 27, 2005:
a slowish spine of a chorale
bristling with drumming on drums and piano
and else
a list of shouted German words
battling texts
gets silly
some sound glitches
not like the usual ones
hard to say from whence they arise
certainly a noisy
succumbs to cleverness}

Praying Mantis - Curve - Jarrad Powell [from Natural Selection]

an increasing population
of regularly irregular pulse generators
a pitched rain
now abates
a swarm emerges
drips from twigs and leaves

Consider the Birds 14 - Keith Eisenbrey [February 3, 2007]

a sparse population
of shy hoots and toots
patience may be rewarded
with a slightly more vehement hoot
and even some clicks here and there

96 Rocks Promo Mistress Bridget - Specyphyi [from Nine Songs]

a 30 second radio spot in which the band Specyphi makes sounds briefly

Real Sick Maniac - Your Mother Should Know [recorded live at Victory Lounge, March 27, 2017]

the urge to shout and scream in public or private
has always been a strange one to me
one of those male bonding things
none of which ever felt like a thing I needed

Damage in Your Wake - Daniel Husser [from 1 Month Challenge]

starts in an inchoate mood
focuses into a song lyric for a verse
then is snuffed out

Veni, Fvb 107 - Traditional - Claudio Columbo [from The Fitzwilliam Virginal Book]

a cascading fountain
just long enough
for a few sips of tea

Memphis Frolic - Rag Williamsons' Beale Street Frolic Orchestra [from Allen Lowe's Turn Me Loose White Man]

loose jointed
good time
music
for loose joints

I'm a Steady Rollin' Man - Robert Johnson [from The Complete Recordings]

the opening salvo
nearly identical in every song he does that's a blues
is like announcing
I'm getting on the blues train for this one
and a like riff gets him out
it's like a door

Y_____ Gal - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy Volume 1]

I don't know
whether the term is considered derogatory or offensive
but it isn't mine to use anyway 

he builds the whole song on repeating it like a taunt
wagging tongues

Five - Bill Evans [from New Jazz Conceptions]

a study pianistic
the way the metrical sense shifts
is almost baroque
Schützian

April 13, 2022

Concerto - Samuel Barber - Saint Louis Symphony Orchestra, Leonard Slatkin, John Browning

1
in a great hurry to get ahead of itself
promptly finding itself isolated and harassed
climbs heights
but awkward on the way back
did the soloist wander off
there they are
sad in their surroundings
works hard to make noise
out of its time by about 50 years
too many recognizable figures
echoing back through the orchestra
an untransformative echo chamber 

2
a dreary day

3
time to run
energy must be expended
or there will be no applause
everything within narrow bounds
can't be loosed
a constrained life

Peace of Mind - Paul Revere and The Raiders [from The Legend of Paul Revere]

the title is underlined in the song
with a choral setting
then a call and response
a preaching type number

Attica State - John Lennon, Yoko Ono [from Some Time In New York City]

topical support songs don't age well
empty gesture at this pass
possibly different at the time
though one wonders who would listen that wasn't already on board

Plein Chant - Elaine Barkin - Harvey Sollberger [from Open Space 12]

this is a place a human can be at
each moment
along each reach
in every corner

Genesis - Walt Wagner [from The Evening Muse]

not the bible story

William Tell Overture (Closing Section) -  Gioachino Rossini [from 100 Greatest Classics]

starting with the JP Patches opening oboe solo
then the Lone Ranger
only the parts that pop culture has deafened us to

Fever - Madonna [from Erotica]

industrial strength cover
she barely lets the tune out from inside its smallest possible ambitus

Battle for Britain (the Letter) - David Bowie [from Earthling]

oblique narrative fault lines
slip the whole into a part
drummer is having a vigorous workout

April 14, 2022

PCKEE 020310 - Pete Comley, Keith Eisenbrey [ca. March 10, 2002]

with Pete's magic
I seem to be doing things on the guitar
that I am not capable of accomplishing
swarms of signal creatures
nibble at the edges of the surface of this and that
and at the distinctions between that and this
signal is ultimate homogeneity
guitar has been sucked into radioland
the space of outer chatter
robots make industrial adjustments
the guitar chatters on and on
a constant nuisance
wreaking a terrifying vengeance
on those who disbelieve
it's unnatural
swarms of disembodifying sounds
roam the land 

California Quail

When Birds Fly South - Back Burner [from Simmer On]

bluegrass adjacent
some rhythmic strumming
fancy picking
come in anywhere
have some pie

Four Places on Planet Earth - S. Eric Scribner - Keith Eisenbrey, Matt Kocmierowsky [recorded live at the Chapel Performance Space, Good Shepherd Center, Seattle, May 24, 2012]

prerecorded sounds
birds frogs water running
those sorts of sounds
and Matt and I improvising from a thin script at stations
there were probably four of them
gongs may have marked the time
or their sounds
we moved from station to station
according to the thin script
there were noisemakers at each station
and possibly instructions
immersive discourse
synthetic wilderness
places determined by configuration
they're all here
but re-composed

Birds - Porn Bloopers [from Blooper Reel]

the vocals are shouted
but aren't much more than a thin film of sound on top of the cymbal sheen

Banned Telepath 83 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey [March 14, 2022]

if we don't have toddler fuss
we will need to make do with Otamatone
Karen scribbles on the xylophone
I mess around in the southeast corner
with a little amplifier
amplifying the washtub bass
works pretty well
and the Otamatone
there are many little toys on the table in the southeast corner
the Otamatone has three settings
pipsqueak duck and goose
we are doing nothing fancier
than banging on stuff to hear it make its noise

In Session at the Tintinabulary

April 11, 2022

Banned Telepath 85 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer

April 12, 2022

Banned Telepath 85 Back Yard Morning Rush Hour - Steve Kennedy

April 13, 2022

Banned Telepath 85 Hair - Pete Comley

2 minutes of slomo guitar thrash

Banned Rehearsal 1049 - Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer

Joshua Tree Prelude 10 - Aaron Keyt

Lonely [from Minute Etudes (Book One)] - Emily Doolittle

I'll be giving this one another try
I'm excited about where it's headed

Postscripts

Skaldmud's Doodle Gallery 

more listening journal doodles from 1988