January 21, 2017
Carolina Shout- James P. Johnson [from Smithsonian Collection of Classic Jazz]
|James P. Johnson|
the dancer and the bard
the arms and the legs
earth's bind and weightlessness
Sail Away Lady - "Uncle Bunt" Stephens [from Anthology of American Folk Music]
A fiddle tune doing that check in with the open string thing fiddle tunes do.
I'll Lead a Christian Life - Elder Golden P. Harris [from Goodbye Babylon]
Fiddlevoice: holding it in the mask exactly static, high in the sinuses, even when at the bottom of the tune.
Romeo and Juliet (supplement) - Prokofiev - Orchestre du Theatre Bolchoi de Moscou, Algis Juraitis
I guess these might be the parts of the project that wouldn't fit back in the box. A melody is a piece of magic. How could one not believe in magic, given melody?
Rockin' Chair - Roy Eldridge, Graham Young, Torg Halten, Norman Murphy, Babe Wagner, Jay Kelliher, John Grassi, Mascagni Ruffo, Sam Listengart, Sam Musiker, Walter Bates, Milton Raskin, Ray Biondi, Buddy Bistien, Gene Krupa [from Smithsonian Collection of Classic Jazz]
Snare drum finds a place to sidle in.
(I Wanna Go Where You Go) - Tommy Dorsey and His Orchestra
Clarinet, with a long pointy finger, picking at the spots just after the moments where the realization of a moment occurs.
If one imagines a stepped dynamic universe (pp, p, mp, mf, f, ff) as an even metric, like a steady beat of increase, the dynamics in this are in a syncopated relation to those steps.
Etudes for String Orchestra - Frank Martin - L'Orchestre de la Suisse Romande, Ernest Ansermet
Lights are on all over the house. What is thought but the play of lights on all over the house? Europe's rowdiest orchestra at the top of their form.
Gypsy Woman - The Impressions [collected from Dave Marsh's Heart of Rock & Soul]
Rising repeatedly from narrative to rhapsody.
January 24, 2017
I Can't Turn You Loose - Otis Redding [collected from Dave Marsh's Heart of Rock & Soul]
A slow harmonic rhythm with intricately fiddly internal articulative rhythms. The instrumentals define a solid long sequence, ellipsing around the big motions in orbital metrical flow.
Clarinet Solo - [unknown concert waltz recorded ca. 1971] - Paul Eisenbrey, JoAnne Deacon
From my mom's archives, a tape of my brother playing a solo concert waltz (with cadenza!) in about 1971.
Hambone - The Phillips Wonders [from The Art of Field Recording, volume 1]
that ol' bo' diddly, all done by hand clapping, collapsing in laughter.
Lover's Walk - Elvis Costello [from Trust]
Narrow bounds. Nothing will escape.
Banned Sectional 05 KEE AK 860103 - Keith Eisenbrey, Aaron Keyt, January 1986
Eschewing anything flagrant. Notes played regular, lists spoken as decided. Hanging in there, unflamboyant.
In Session at the Tintinabulary
January 23, 2017
Banned Rehearsal 928 170123 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer
January 26, 2017
Entracte (170126) - Keith Eisenbrey
I wrote this little (17 bars of 4/4) piano duet in about 2000. My idea was that others could write
independent but equally sized duets so that the parts could be mixed and matched. Neal bit, sort of, but playing his "Piano Fore-Heads" with anything else was perversely impossible. Gavin Borchert came through and we played the various combinations toward the latter part of Polestar's presence. The recording of our performance is, alas, not in my collection. I made this dubbed recording yesterday.