Symphonie in E-flat "Rhenische" - Schumann - Berlin SO/Karajan
Quintet in G op. 111 - Brahms - Budapest Quartet with Walter Trampler
Symphony in c op. 43 "Le Divin Poeme" - Scriabin - RSO Frankfurt/Inbal
Promethee - Le Poeme du Feu op. 60 - Scriabin - RSO Frankfurt/Inbal/Saschawa
Songs - Rachmoninov - Tourel/Kahn
When Shadows Fall I Hear You Calling - Isham Jones
Suite op. 25 - Schoenberg - Jacobs
Quartet op. 22 - Webern - Tashi
Prelude for Piano - Nancarrow
Lundu da Marqueza de Santos - Villa Lobos - Seattle SO/Schwarz/Bonfiglio
Rifftide - Coleman Hawkins/H. McGhee
Poet's Gold - various - Helen Hayes, Raymond Massey, Thomas Mitchell
Study #30 - Nancarrow
Karen & I wandered around Ballard from the middle of the afternoon until we got tired.
Eric Reimnitz - Hattie's Hat
A pleasant baritone with an attractive glint in his eye accompanied himself on guitar. I was on his side as soon as he sang Woody Guthrie's Take Me Riding in the Car Car. We stayed for the whole set.
John Ramberg and Tripwire - Hattie's Hat
An excellent guitar strummer that reminded me of T-Bone Burnett. He was joined by another guitarist (whose name I didn't catch) for most of his set, and then by Kurt Bloch of The Young Fresh Fellows (and numerous other local bands) for one number. These guys knew what they were doing. Wonderful set.
At this point we walked down to Bad Albert's with Neal and had dinner.
Yuni in Taxco - The Tractor Tavern
I wasn't that excited by this band, so we only stayed for their first two numbers.
Dawn Clement & Jeffrey Harper (sp?) - Volterra
A reasonably sophisticated lounge singer with a nimble soprano voice accompanied herself on an electric keyboard and shared the stage with a bass player. We caught the last four or five numbers in their set.
The Low Hums - Sunset Tavern
We caught just the end of this trippy band's set.
Massy Ferguson - The Tractor Tavern
These guys were pretty good, but I kept wishing they'd pick up the tempo. I wasn't entirely convinced they were in it to have fun.
Nettle Honey - Conor Byrne
Fiddle, Bass, and Guitar playing hoedown. They were a blast though sometimes hard to hear over the audience. We were sitting just a few feet from the stage and people were up dancing and stomping. I think some were trying to punch holes through the wood floor with their heels.
Pastoral: The Color of Water - Meyer
Neal came over again and ran through this piece to rehearse for the concert in Snohomish on the 14th.
The Day I Heard Shelby Sing - Meyer
And then he played a new song he wrote.
An evening of ambient and experimental music with Wayne Lovegrove, Neal Meyer, S. Eric Scribner, and myself - Thumbnail Theater, Snohomish
N - Eisenbrey - performed by me
High and Inside - Eisenbrey - performed by me
Snohomish Piece #1 - Eisenbrey/Scribner - live portion performed by Neal Meyer and me
Pastoral: The Color of Water - Meyer - performed by Neal
Snohomish Piece #2 - Eisenbrey/Scribner - live portion performed by Neal and S. Eric Scribner
Oceanic Music - Scribner - live portion performed by Wayne Lovegrove and S. Eric
Zigzag - Lovegrove - performed by Wayne
Chamber - Lovegrove - performed by Wayne
Here and There - Lovegrove - performed by Wayne and S. Eric
Snohomish Piece #3 - Eisenbrey/Scribner live portion performed by S. Eric and me
Song from Deep Silence - Scribner - live portion performed by S. Eric
Snohomish Piece #4 - Eisenbrey/Scribner live portion performed by Neal, S. Eric, and me
This was a friendly and pleasant concert to be associated with. Thank you Steve for inviting me to participate!
The performance space is small and has a warm almost living-room-like ambiance. The piano is older and not in perfect condition, but serviceable. I was pleased that it had more upper-end sound than I was expecting. It doesn't allow for a great deal of subtlety, and I think Neal struggled with that a bit in Pastoral: The Color of Water, but it wasn't so much a problem that the piece got lost. The sound-system was perfectly adequate for the space. Next time we do the Snohomish Pieces (if we do) I think we could turn up the canned portions some more. These contain some fun sounds and it was too easy to drown it out. Wayne's guitar sounded scrumptious.
Our audience was tiny and unfamiliar with the sorts of music we performed, but they were not afraid to speak right up and ask perceptive questions. In general the mix of pieces was good though I think there was nearly enough for two concerts, especially given the amount of chatter between the audience and the performers. The talking as such wasn't a problem, but it did lengthen the evening out longer than planned.