String Quartet (midi version) - Boretz
Blood and Fire Hallelujah (first tests) - Eisenbrey
Coincidentally, this first concept test run comes up on the listening list within a few weeks of my performance of the finished work at the Chapel. The original idea for the piece was to record a track of solo piano playing slow big chords that would gradually increase in speed and intensity to a head-banging end. In performance I would try to do essentially the same thing, but squeezing the live chords between the canned ones. I was going for an overtly theatrical image, with an undercurrent of Petroushka. To that end I recorded several takes of the canned bit last January, playing the old Kingsbury upright grand out in the studio. This is not a bad sounding recording, but I ended up being disappointed both with the effect I was getting and with my playing. Before ever getting around to trying again the concept of the piece had developed considerably.
S. Eric Scribner found some interesting things to say about the live performance of the finished work on his blog. Some of his comments surprised me considerably, but thinking it over I can certainly understand what he was reacting to. It proves once again that the most we can hope to do as creative people is stimulate the imaginations of our collaborators. We are powerless to control the image itself. If we wish we can control the facts, the texts, of what we make, but the images awakened by those facts and texts, in the wild, always get the final say. This is, in a nutshell, the dissonance that propels creativity.
Suite in E-flat (Franzosische) - JS Bach - Blandine Verlet
Trio super Herr Jesu Christ, dich zu uns wend, BWV 655 - JS Bach - Michel Chapuis
Andante in C K315 - Mozart - Marriner/Academy of St. Martin-in-the-Fields/Claude Monteux
Symphony in E-flat (Rhenische) - Schumann - Seattle SO/Schwarz