August 23, 2011
Sounds of Silence - Simon & Garfunkel
We were so earnest! But I like the fancy guitar work here and there and the arrangements hit pretty well about half the time. For me the strongest cuts are Blessed (if for nothing other than the line "blessed is the church service / makes me nervous"), Kathy's Song, Anji, April Come She Will, and We've Got a Groovey Thing Goin'. Who spells 'groovy' that way?
Get Back to Toronto - The Beatles
August 24, 2011
In Under, Not Toward - Benjamin Boretz [from Inter/Play]
In the '80s at Bard the synth of choice was the Crumar, which in my head for some reason is always spelled with a K. This 20 minute solo session trots out the sound in all its shaggy glory.
Corinthian Perspectives on Ukelele, Doritos, and 8 Resonant Pipes - Banned Rehearsal
Participants: Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Meyer. A short exquisitely gentle session from early in 1985. After our first live performance we experimented with forms of framing other than our usual practice of playing until the tape ran out. I'm guessing we were thinking that if we were to play again in public it might behoove us to do shorter bits.
A Cat's Life Act I - Keith Eisenbrey
August 25, 2011
Assembly Rechoired 44 - Assembly Rechoired
When Banned Rehearsal was at its most geographically diffuse, Karen and I would often make tapes together as Assembly Rechoired. The name and sequence of numbers continued and now constitutes all those sessions in which Karen & I participated but in which neither Aaron nor Neal was present. This session was from April of 2000. Karen & I are joined by our son John (who was 9 at the time) and our frequent guest and neighbor Pete Comley. The session increases like a huge leaky silk balloon slowly failing to be filling from supine quiet.
Sounds of the Underbrush 2/28/2005 Track 3 - Keith Eisenbrey, Mike Marlin
Recorded live at Gallery 1412, five minutes of scrapy twangy.
Gradus 175 - Neal Meyer
A lovely session. Thinking about aspects of John Cage as attempts to abstract the concrete out from within the rhetorics of musical abstraction. Never have the several A-naturals felt so alien to each other.