Sunday, September 25, 2011

Playlist

Recorded

September 18, 2011
Banned Rehearsal 569 - Banned Rehearsal

Fungus with Ooze - White River Valley, Mt. Rainier National Park - September 24, 2011

Participating were Karen, Anna K, Aaron Keyt, Neal Meyer, and me. Pete Comley was recording us with a fancy binaural microphone shaped like a human head. We called it Fritz. But this was my recording using our usual setup of two Realistic PZMs taped to opposite walls. Usual, that is, until a couple of months ago when one of them finally failed after 20+ years of trouble-free use. The alto sax makes a valiant effort at a jazzy vibe. The rest of us do not so much resist as see just how far off around the edges of jazzy vibe we can possibly get. At 10 minutes in we begin to collectively rub the greater balloon of noise while the tamtam flanges roomsized waves of threads of jazzy vibe.

September 20, 2011
Sounds of the Underbrush 2/28/2005 Track 6 - hosted by Keith Eisenbrey and Mike Marlin

I think this track was Tom Swafford on violin, Mike's spouse Deb singing, and one other vocalist whose name I can not recall. I apologize for that because this is quite a nice slithery trio.

BF Tongue Drum, Tub Drum, Twang, Wood Drum - Keith Eisenbrey

The last of the percussion sounds collected for what became the canned bit for Blood, Fire, Hallelujah.

September 22, 2011
Why Can't It Be Poor Little Me? - Stomp 6 [from Allen Lowe's That Devilin' Tune]
Dear Old Southland - Louis Armstrong [from Allen Lowe's That Devilin' Tune]

Best I can tell from a quick google, Buck Washington is the pianist for this duet. They seem, for their own amusement, to be trying to outdo each other in rhythmic play.

Down In Honky Tonk Town - Louis Armstrong [from Jazz Heritage Series Vol. 7 on MCA records]

With: Claude Jones, Sidney Bechet, Luis Russell, Bernard Addison, Wellman Braud, and Zutty Singleton.

I'm Left, You're Right, She's Gone (slow version) alternate take - Elvis Presley [from Sunrise]
O Day - Bessie Jones and the Sea Island Singers [from Dust to Digital's Goodbye, Babylon]

Not just a perfectly tuned quartet blend of individuated voices, but also the be-all and end-all of clapping percussion - it isn't just on the offbeat, it creates the offbeat, and composes it's own slap-echo effect to boot.


Who Be Kind To - Allen Ginsberg
Om Namah Shivaya - Benjamin Boretz, Marjorie Tichenor [from Inter/Play]


Crumar and voice discuss mouthshapes and vowels. Barely voiced. Not whispered. Hollow shapes.
Fungus with Ooze - White River Valley, Mt. Rainier National Park - September 24, 2011



In Session at the Tintinabulary

September 19, 2011

Gradus 197 - Neal Meyer

September 21, 2011

Your Mother Should Know - recording Chaotic Heart

Karen Eisenbrey, drums; Neal Meyer, guitars & vocals.

Live

September 17, 2011

Medula Pinata and Pouch at The Josephine, Seattle

The Josephine seems to be a kind of BYO speakeasy. No sign out front that I saw, just a number and a gate. From the outside you can't tell what might be going on inside, which is probably all for the best given the thickness and complexity of the atmosphere.

Jake Thompson of Pouch
Both bands are loud and rhythmically charged, though I was somewhat frustrated by the balance in that (especially with MP) although vocalizing seemed to be a part of what they were doing theatrically it didn't get into the sound with much success. I know I'm a fuddy duddy, but it seems if you are going to all the trouble of learning words and shouting them with all your heart in front of friendly folks it would make sense to work with the sound so that we could at least tell that's what you were doing and that you weren't just making faces - even if we can't understand the words without a script.

Still, it was enjoyable and I was glad I got to hear Pouch again. We couldn't stay for the last two bands because, well, because we're old and we had stuff to do the next morning.

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