December 18, 2011
St. Andrews Night Recovered - Benjamin Boretz/Dorota Czerner
This is another file that Ben sent me recently (Thank you!). I'm extracting the title from the computer file, so I am only presuming it is more or less correct.
Spoken text and percussion feeding back into the spoken text through its un-pop-filtered pop. Room reverb cut short as though damped. Page turns to the remains after spoken text.
Sanctus - Faure - UPS Women's Chorus (1985), Sylvia Munsen
|Charles Fulcher & Orchestra|
A master class in tightly measured silences.
I'm Bound For Home - North Canton Quartet [from Dust to Digital's Goodbye, Babylon]
Apparently this vocal quartet recorded exactly two cuts ever, both on the same day. For about a half a second at the beginning of each verse you could believe you are in for some very nice ordinary music. Then you are pitched headlong into a rhythmic and contrapuntal whitewater. Up for air just in time. Back you go.
Lament for Javanette - Barney Bigard [from Allen Lowe's That Devilin' Tune]
I love the way the low clarinet occupies a border between vamping for time and being the main melody, and how the piano just melts a few notes into the sound.
Mannish Boy - Muddy Waters [collected from Dave Marsh's The Heart of Rock & Soul]
Georgia On My Mind - Ray Charles [collected from Dave Marsh's The Heart of Rock & Soul]
Bourree For Bach - Bach/Williams UPS Women's Chorus (1985), Sylvia Munsen
Bring The Boys Home - Freda Payne [collected from Dave Marsh's The Heart of Rock & Soul]
It's the backup singers and arrangement that make this one for me, how they pile up.
Bad Luck - Harold Melvin and the Bluenotes [collected from Dave Marsh's The Heart of Rock & Soul]
What a rhythm section is about: a multitude of specificities within the beat.
Cold Love - Donna Summer [collected from Dave Marsh's The Heart of Rock & Soul]
Ev'ry Time I Feel The Spirit - UPS Chorale (1985), Thomas Goleeke
December 20, 2011
Banned Rehearsal 227 - Banned Rehearsal
Karen, Aaron, and me in July of 1990. Transparent but mis-balanced in a fine way.
December 22, 2011
Banned Rehearsal 574 - Banned Rehearsal
Karen, Anna, Aaron, Neal, and me in June of 2000.
Two Pomes Play (two midi versions) - Keith Eisenbrey
In the late '90s I was starting to play with the possibilities of composing using a mod-17 pitch-class system, i.e. treating pitches that are 17 semi-tones apart as being "the same note". As part of this project I wrote several pieces of music-like music in order to find out what music-like music would sound like in the synthetic system. Two Pomes Play was originally written as a duet for clarinet and bassoon, but having midi easily available I was tempted to tinker with it. These versions are from 2005 and end up sounding like computer or video game music of an earlier era. Not bad, and not so long as to cloy - kind of fun actually.
Sonata Liebeslied - Keith Eisenbrey
This was the recording from my recital of June 2010, at the Chapel. I still groove on how it spreads immovably from the ordinary into oddly warped planes. Here's the score. And here's a home recording with more right notes.
In Session at the Tintinabulary
December 19, 2011
Gradus 203 - Neal Meyer