October 4, 2016
 |
| Anthony Braxton |
Morse code rhythms and seabirds. Trumpet provocateur, How did that chorus rhythm get signaled, and still sound like it was invented on the spot?
Chihuahua - Bow Wow Wow
Chi Wow Wow :: Bowhuahua
I Wonder As I Wander - London Symphony Orchestra, Placido Domingo [from Hallmark Listen to the Joy]
Secularization by star-power over-dramatization.
Come As You Are - Nirvana [from Nevermind]
An altar call (Just As I Am, Without One Plea)
Banned Rehearsal 417 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer
roll call
pressure cooker
heap bag
agitate pulverize grind chip (at) forge anew (forge(t)) press and squeeze stipple and stroke fiddle and fuss step back cock a head prop up hoist twist whack and flatten let sit let weather look away see from distances pick up shake each which way plug in set to rolling.
Banned Rehearsal 605 - Karen Eisenbrey, Keith Eisenbrey, Isabel K, Neal Kosály-Meyer
gentle bell(y)
|| within this mix recognized improvisational attitudes :: recognized faces though some surprise or perplex as to whom? My own thoughts in particular are obvious to me as my own, others I guess at, as do each we all
||nursery sounds infant babble and cry primitive of improvisation :: bodily, innocent of edits, nearly innocent of language (though are we, ever?)
||transparently lives in the room resonance and baseline noise, the way print lives on the surface of paper
twisted place(s)
In Session at the Tintinabulary
October 3, 2016
Gradus 299 - Neal Kosály-Meyer
As the collection increases in count its thingness, as a whole to be grasped, closes, while its thingness, as a space to explore, opens.
No comments:
Post a Comment