Preface
  "So spoke the wooers,
But wise Odysseus
had the great bow in his
  hands
and, having examined it thoroughly
just as a man
skilled
  in song and the lyre
easily stretches the string about a new lyre-peg,
fastening
  the twisted sheep-gut at both ends,
so did Odysseus without effort
bend
  the great bow.
Holding it in his right hand,
he tested the
  string.
And the string sang sweetly 
under his touch
like the
  voice of a swallow.
Great anguish took hold of the wooers.
The
  complexion of each changed hue.
Zeus thundered, manifesting a mighty
  sign,
and divine Odysseus, who had endured so much,
was happy that
  the Son of Kronos, crooked in counsel,
had sent him an omen,
and he
  took a swift arrow
that lay unsheathed on a table -
the others were
  stashed in a hollow quiver -
precisely those arrows of which
the
  Achaians were soon
to have a direct experience."
Homer - from "The Odyssey", translated by Charles Stein
Texts
Recorded
February 10, 2024
Like a Sick Eagle - Charles Ives - Mary Ann Hart, Dennis Helmrich
trying new gimmicks on for size 
sempre portamentissimo
Confidential to Me - Bob Dylan [from A Tree With Roots]
the piano could use some tuning
The Train is A-Coming - Seeger Family [from American Folk Songs for Children]
  any mundane event can occasion a song 
collect the words that come to
  mind 
string them together until the Gospel message sneaks in
The Shell of the Sky - Steve Layton & Sound-In [from Miracles and Wonders]
  the sense of parallax as a form of far-sightedness 
what is close up
  blurs at speed 
what is far away stays more still 
rushing through
  now and past 
the past toward a new now 
within a differently angled
  past 
these rails are smooth 
they have no clackety clack
I'll Not Complain - Charles Ives - J. J. Penna, Robert Gardner
a complaint in the the form of a resolution to not complain
Odds and Ends (Take 1) - Bob Dylan [from A Tree With Roots]
the guitar has more to do on this one
The Little Black Train - Seeger Family [from American Folk Songs for Children]
  train arrival 
a little newspaper poem to tuck in the tails of columns
Midsummer - Steve Layton [from Excavations 2013-2014]
  all of the recorded music listened to as part of this journal 
is stored
  as information on a hard drive that is not much larger than a pack of cards
December - Charles Ives - Paul Sperry, Irma Vallecillo
stream of quick consciousness
Nothing Was Delivered (Take 3) - Bob Dylan [from A Tree With Roots]
thirty seconds of it
When The Train Comes Along - Seeger Family [from American Folk Songs for Children]
train to the afterlife 
death done summoned me
Bully - Steve Layton [from Lucky You]
lording the hallway 
power walk
The World's Highway - Charles Ives - Paul Sperry, Irma Vallecillo
  we get all the noise of adventure 
and peace of return to home and
  garden 
Odds and Ends (Take 2) - Bob Dylan [from A Tree With Roots]
an accusation 
get out of my face
John Henry - Seeger Family [from American Folk Songs for Children]
  the man who did what he said he would with a hammer in his hand 
hammered
  till he broke his heart
To The Waters and the Wild - Steve Layton [from Colors]
borne on billows
February 11, 2024A Night Song - Charles Ives - Mary Ann Hart, Dennis Helmrich
  word painting as a practice 
leads to choosing texts for their paintable
  words
Get Your Rocks Off - Bob Dylan [from A Tree With Roots]
a song is as long as the story he wants to tell 
the squalor's life
Every Monday Morning - Seeger Family [from American Folk Songs for Children]
  the daily rural life 
as it fell under John Henry's hammer 
so as to
  be connected to the commerce of the continent
Daughters of the Frost Moon - Steve Layton [from Ending to Begin]
burst at intervals begin to release others from their long enchantment an unstable ground
From "The Swimmers" - Charles Ives - Mary Ann Hart, Dennis Helmrich
  I suppose it's a challenge to both paint the words effectively and make an
  independently plausible music of it 
but still
Clothesline Saga (Answer to Ode) - Bob Dylan [from A Tree With Roots]
backyard fences
Going Down to Town - Seeger Family [from American Folk Songs for Children]
two singers two strummers a balanced pair of pairs
Trabant Holiday - Steve Layton & Sound-In [from Miracles and Wonders]
  a machine is doing its doohickey doings 
fascinating and amusing
  
quite charming
Ilmenau - Charles Ives - Eric Trudel, Sumi Kittelberger
why would we think that moods and words (reference) are objects that music needs?
Apple Suckling Tree (Take 1) - Bob Dylan [from A Tree With Roots]
chew the fat song
Sailing In The Boat - Seeger Family [from American Folk Songs for Children]
coastal
Juny - Steve Layton [from Excavations 2013-2014]
this is an urban way to move and walk and hold oneself
February 12, 2024Cradle Song - Charles Ives - William Sharp, Steven Blier
  but ought not the mood of music match the mood of the poem? 
it is
  certainly a possible conceit 
but there are many approaches
Apple Suckling Tree (Take 2) - Bob Dylan [from A Tree With Roots]
  for instance 
this text's mood 
has few apparent doings 
with
  this stomp dance
Blow, Boys, Blow - Seeger Family [from American Folk Songs for Children]
song on the waterfront
Ecstasy in the Overload - Steve Layton [from Lucky You]
  a steady flow 
with waves carried within its column 
tap into it for
  tool applications 
or self maintenance
  adjusting to the motions of the magnetosphere chamber 
our home in
  hostile space
Because of You - Charles Ives - Paul Sperry, Irma Vallecillo
a courting song 
you changed the world for me 
were't not
All You Have To Do Is Dream (Take 1) - Bob Dylan [from A Tree With Roots]
energy builds up to be released at the ends of groups of four
set up 
set up 
set up 
punch line
Fire Down Below - Seeger Family [from American Folk Songs for Children]
fire is general over the ship
Pushers - Steve Layton [from Colors]
  we observe from several stations 
monitor activity and operation
  
factory floor 
robust machinery
At The River - Charles Ives - William Sharp, Steven Blier
  the ideal of it is mired in the mud 
with everything else that comes down
  this way
All You Have To Do Is Dream (Take 2) - Bob Dylan [from A Tree With Roots]
  not only does he not care particularly if we like him 
he also doesn't
  care over much to be understood 
and so we bid adieu to Bob until the next cycle sometime
Sally Go Round the Sunshine - Seeger Family [from American Folk Songs for Children]
didn't even have time to sit down 
trade lines 
pom pom
The Seer of W 36th Street - Steve Layton & Sound-In [from Miracles and Wonders]
  cycles rely on charm 
like cute robots 
not-cycles rely on the
  excitement of curiosity
Immortality - Charles Ives - Douglas Dickson, Tamara Mumford
a moral observation
This Old Man - Seeger Family [from American Folk Songs for Children]
  this song goes like I remember having learned it in elementary school
  
counting practice for forming minds
Hanging - Steve Layton [from Excavations 2013-2014]
  we are a space probe 
out in the lonely 
greet the distant stars one
  by one
In The Alley - Charles Ives - William Sharp, Steven Blier
how I intended to court Sally
Skip-a to My Lou - Seeger Family [from American Folk Songs for Children]
find a rhyme game for dancing to pull them in from anywhere
Òyeme como quien oye llover - Steve Layton [from Ending to Begin]
  eerie sighs 
the image of cyborg consciousness 
echo 
the image
  of dream consciousness 
signal 
without linguistically pertinent
  articulation 
we know it says 
we know not what 
a message
  inscribed need not be translatable 
to be clearly understood 
as
  being an inscribed message
Requiem - Charles Ives - Dora Ohrenstein, Phillip Bush
  not much rest in this Requiem 
short of absolute dissolution 
uses
  dissonance as an effect
When I Was a Young Maid - Seeger Family [from American Folk Songs for Children]
under what social circumstances did songs such as these spread to find themselves here?
Through The Eye of the Needle - Steve Layton & Sound-In [from Miracles and Wonders]
now be a good camel 
through you go 
that-a-boy 
morse rhythms
parallel motions 
chromatic motions
Afterglow - Charles Ives - William Sharp, Steven Blier
observations of a man of infinite leisure
The Closet Key - Seeger Family [from American Folk Songs for Children]
lost and sought and found in that lady's garden
In The Fish Tank - Steve Layton & Sound-In [from Miracles and Wonders]
  a village of sounds 
curious and eager 
interesting characters in
  the more intricately hidden back alleys
General William Booth Enterest Into Heaven - Charles Ives - William Sharp, Steven Blier
this one is magnificently theatrical 
bizarre 
washed in the blood of the lamb 
in a fierce martial tempo 
sound effects 
style effects
Built My Lady a Fine Brick House - Seeger Family [from American Folk Songs for Children]
something to sing 
to keep the time while dancing
Troubled Times - Steve Layton & Sound-In [from Miracles and Wonders]
singing our songs in Babylon far away 
tangled tongues
To Edith - Charles Ives - Dora Ohrenstein, Phillip Bush
  piano acquired a role as default accompanying instrument 
derived from
  its ability to mimic other ensembles
Where Oh Where Is Pretty Little Susie - Seeger Family [from American Folk Songs for Children]
what's a paw paw patch 
that so attracts Susie and Sarah?
Legos - Steve Layton & Sound-In [from Miracles and Wonders]
busy bots
In April-tide - Charles Ives - Eric Trudel, Matthew Plenk
here's Mr. Educated Composer Person being proper
Jingle at the Windows - Seeger Family [from American Folk Songs for Children]
does not bother to word-paint 
nor to make much sentiment
Steam Toys - Steve Layton [from Excavations 2013-2014]
  if the wind-up Nairobi Trio were left to run on and on nonstop 
it might
  have mutated as it broke down 
to this
From 'Perecelsus' - Charles Ives - Paul Sperry, Irma Vallecillo
  American music loved new techniques 
for what they mean 
still
  
word/mood painting 
so what's my beef? 
are we doing it in
  service of the poem or to gild it? 
is the poem primarily about its
  surface sentiment?
Adam Had Seven Sons - Seeger Family [from American Folk Songs for Children]
fatherhood and authority
Locomotive - Steve Layton [from Lucky You]
  a name might be a placeholder 
within language 
for what might not
  be a possible thing 
within word world 
  language 
music 
mathematics 
evaporate 
if their
  confluence is contrived away
Romanzo di Central Park - Charles Ives - Dora Ohrenstein, Phillip Bush
  sequence by half-step increment 
loosens scale degree functionality
  
order-determination's toe-in-the-door
Here Sits a Monkey - Seeger Family [from American Folk Songs for Children]
mixer game from another time
             
           | 
        
| The Long Embrace | 
My Lou Jennine - Charles Ives - Paul Sperry, Irma Vallecillo
  to amuse ourselves 
we decorate poetry in song 
something for the
  visitors' notebook when 
we go out in the evenings to make our calls
Go To Sleepy - Seeger Family [from American Folk Songs for Children]
mama and papa are going to the mail boat
Nordland - Steve Layton [from Ending to Begin]
  a showcase of sounds 
curated sets 
clues to what lies within
  
tales 
potions 
fertilizers
Religion - Charles Ives - Dora Ohrenstein, Phillip Bush
ambiguities tamed in Concord Sweet
Monday Morning Go To School - Seeger Family [from American Folk Songs for Children]
sings Monday Evening
Squall Line - Steve Layton & Sound-In [from Miracles and Wonders]
the church bells ring out 
news 
alarum 
in jocund rhythm
The New River - Charles Ives - Paul Sperry, Irma Vallecillo
special effects spectacular
Hush 'N' Bye - Seeger Family [from American Folk Songs for Children]
promising ponies after slumber 
and sweet cake
Weave of Rings - Steve Layton & Sound-In [from Miracles and Wonders]
  stepping out of mundane time 
into sempiternal cyclings 
a
  manufactured timelessness
Down East - Charles Ives - Paul Sperry, Irma Vallecillo
  so I ask myself: 
Ives, Seegers, Layton 
- New England, Americana
  Museum, The Great Northwest? 
- Closet Royalists, Cataloguists, Citizen
  Putterer 
Turtle Dove - Seeger Family [from American Folk Songs for Children]
  the past had its regional musics 
as do we 
though the present's way
  of being 
is clearly not like the past's
Widow of the Pines - Steve Layton & Sound-In [from Miracles and Wonders]
  a list is ordered language 
or 
a list is language objects ordered
  
a sentence is a list of words 
a list of letters 
a list of
  shapes 
a list of sounds 
  is language the list of sounds 
or is it our parsing of it? 
is
  music the sounds we hear 
or our parsing of it?
  yes 
one hopes 
without one the whole vanishes 
without the
  whole there is naught to parse
The Things Our Fathers Loved - Charles Ives - Mary Ann Hart, Dennis Helmrich
whiskers from kittens 
formed into mittens
Mary Had a Baby - Seeger Family [from American Folk Songs for Children]
  catechism in a nonsense song 
the people keep a coming and the train done
  gone 
definitely an autoharp
Shine On Beast - Steve Layton & Sound-In [from Miracles and Wonders]
  this music arises in a world in which the isolated sounds go wandering out
  
to tax our powers of making discretions of particulars 
that is
  
it isn't meant to blend 
because 'meant' is not in its
  make-up 
motor impulse music 
quasi-autonomic
In Flanders Fields - Charles Ives - William Sharp, Steven Blier
  sucked (back){?} into Europe's mirefields 
nothing so patriotic as
  fighting for auld England 
war-mongering mutters
Jesus Born in Bethelea - Seeger Family [from American Folk Songs for Children]
simple chords to strum 
for learning strumming
Conversations With Moonlight - Steve Layton & Sound-In [from Miracles and Wonders]
phenomena in dance 
converse across languages 
  lists can be subjected to functions 
output recycles input 
input
  coopts recycling 
to distribute itself 
controlling output of input
  
cooption 
choose the process 
craft the process
Tom Sails Away - Charles Ives - William Sharp, Steve Blier
troubled
  its a whole little film 
here's this 
here's that 
too much
  detail jumped all over by the music 
O Boy let's paint some words!
The Cherry Tree Carol - Seeger Family [from American Folk Songs for Children]
indigenous midrash 
Gospel according to the least of these
The White Wind - Steve Layton & Sound-In [from Miracles and Wonders]
  a caldron of spaces 
those that come as parts of sounds 
the melody
  is slow 
sensitive to the length of time each note needs 
to speak
  
its "this is me"
They Are There - Charles Ives - Paul Sperry, Irma Vallecillo
  here's the Ra Ra Hip Hip Hoo Ray 
a rouser speech spouting applause lines
Little Birdie - Seeger Family [from Animal Folk Songs for Children]
  picking rhythms and tempo 
time poetry 
the old proportional meters
  
where they got it from 
Two Point Five Minute War - Steve Layton & Sound-In [from Miracles and Wonders]
  a profoundly obscured text 
ink on permanently scrolled scroll
  
clutching secrets 
mundanities 
dust and dust
In Autumn - Charles Ives - Douglas Dickson, Michael Cavalieri
suitable for any polite company
The Sea Fowl - Seeger Family [from Animal Folk Songs for Children]
  melody traces the movements of beasts 
an admission of awe 
shockin'
  to me 
a strange song altogether
A Voice Came - Steve Layton & Sound-In [from Miracles and Wonders]
  alchemy of music into words 
words into music 
words within music
  
therefore 
music within words?
In Flanders Fields - Charles Ives - J. J. Penna, Patrick Carfizzi
there are the marching drums 
row on row 
stuck
Old Bangum - Seeger Family [from Animal Folk Songs for Children]
  the song that stuck in my head 
until I'd composed it out 
here
  
as a kind of adventure lullaby 
dream hero myth
Stomped Box - Steve Layton & Sound-In [from Miracles and Wonders]
  deeply disgruntled worker beasts 
making Orcs and Orcs 
always with
  the Orcs 
why are we making Orcs?! 
let's scour our brain pans
In My Beloved's Eyes - Charles Ives - Douglas Dickson, Michael Cavalieri
talking oneself into an exalted state
The Swapping Song - Seeger Family [from Animal Folk Songs for Children]
climb back up by nonsense rhyme games
Morning Ferry - Steve Layton & Sound-In [from Miracles and Wonders]
  gathering the scattered folk 
to catch their drifts into a funnel
  
for statistical analysis
Disclosure - Charles Ives - Dora Ohrenstein, Phillip Bush
a song full of discrete stylistic episodes
Great Big Dog - Seeger Family [from Animal Folk Songs for Children]
wagged his tail and shook the meadow
Soar Somore - Steve Layton [from Excavations 2013-2014]
  figures in a cyclic groove 
displaying a seperate larger pattern on its
  surface 
leave what is constant 
to play out at the end
Because Thou Art - Charles Ives - Mary Ann Hart, Dennis Helmrich
a very proper attitude toward one's lord and husband
Saw a Sow - Seeger Family [from Animal Folk Songs for Children]
tell a tall tale 
t'amuse tots
Hymn of The Lost - Steve Layton [from Lucky You]
  the boom of the drum 
activates the motes into images 
from which
  they settle through the layers 
to the bottom 
to be re-activated
William Will - Charles Ives - William Sharp, Steve Blier
hoorah for Will McKinley and his bill! 
newsreel stump speech
Turkey In The Straw - Seeger Family [from Animal Folk Songs for Children]
whoopin' up a tune called Turkey in the Straw
Stop - Steve Layton [from Ending to Begin]
  permeated 
inundated 
engulfed 
absorbed 
acculturated
In Summer Fields (Feldseinsamkeit) - Charles Ives - Douglas Dickson, Michael Cavallieri
  important that the harmony be understood in groups of four 
a modest
  tinge of Brahmsian polyrhythm 
a quite modest tinge
Once I Had an Old Gray Mare - Seeger Family [from Animal Folk Songs for Children]
  sings 'once'd I had' 
a conversation with a turkey buzzard 
found
  her in a mudhole flat on her back 
the whole skinning story 
frosted
  toes
Humming Bumper Cupcombs - Steve Layton & Sound-In [from Miracles and Wonders]
shuttle travel 
warp and woof across city streets
In The Alley - Charles Ives - Douglas Dickson, Robert Gardner
here's that Sally of the alley again 
it will end in tears for sure
Little Rooster - Seeger Family [from Animal Folk Songs for Children]
  animal sounds game 
with a green bay tree 
to fill the answering
  phrase 
old Mcdonald type
The Nighthawks - Steve Layton & Sound-In [from Miracles and Wonders]
  our aperture is narrow and unchanging 
it sees what it can see 
we
  make of it what we are capable of making of it 
is there a reason to
  think 
that our conceptions are not limited 
by our conceptual
  apparatus?
In The Mornin' - Charles Ives - Douglas Dickson, Tamara Mumford
  The repetition of clauses is an underscoring 
instructions on how the
  line is to be emphasized
Who Killed Poor Robin? - Seeger Family [from Animal Folk Songs for Children]
  sparrow with the arrow 
beetle with little thread and needle 
those
  sound like gut strings on that guitar
Wandelwonderland - Steve Layton & Sound-In [from Miracles and Wonders]
at night they launch the invasion force into the interstellar void
The Incantation - Charles Ives - J. J. Penna, Patrick Carlizzi
when the shooting stars are hooting
Lost Gander - Seeger Family [from Animal Folk Songs for Children]
banjo time 
alternating straight pluck tune and harmonic pluck tune
The Rose Window - Steve Layton & Sound-In [from Miracles and Wonders]
  so what's the difference between a recorded acoustic sound 
and a
  recorded synthetic sound 
less noise in the latter 
or just a
  simpler signal 
a signal designed as such 
not simply recorded as
  such 
it lacks the chamber 
that included both microphone and sound
The Indians - Charles Ives - Eric Trudel, Robert Gardner
a premature funeral oration 
they're still very much here
The Leatherwing Bat - Seeger Family [from Animal Folk Songs for Children]
  internal rhyme play 
to swing the melody into a long lined metrical
  pattern
Hermit Crabs - Steve Layton & Sound-In [from Miracles and Wonders]
subaqueous buoyance and inertial resistance
February 15, 2024The Innate - Charles Ives - J. J. Penna, Robert Gardner
  these notes are curled up into a tight wad 
resisting disentanglement
  
a sermon from a stern pulpit
Jane, Jane - Seeger Family [from Animal Folk Songs for Children]
a song upon a rhythm groove
socially organized cooperation
At Play in a Crooked House - Steve Layton & Sound-In [from Miracles and Wonders]
card sharks spying out tells
Maple Leaves - Charles Ives - Mary Ann Hart, Dennis Helmrich
no firm foundation found
Old Bell Cow - Seeger Family [from Animal Folk Songs for Children]
trash talk the livestock
Unsteady in Moonlight - Steve Layton [from Excavations 2013-2014]
  adding spices and herbs to an instrument's sounds 
the object with the
  strings and soundbox is the main course 
the various filters and effects
  are embellishments 
do they enhance or alter or obscure the instruments
  naked virtues
I Know and Loved a Maid - Charles Ives - William Sharp, Steve Blier
parlor-ready
Animal Song - Seeger Family [from Animal Folk Songs for Children]
  and so we leave the Seeger Family Museum for the nonce 
I'll skip the
  gift shop 
they probably have instruments for sale
Not Your World Anymore - Steve Layton [from Lucky You]
these are patient to nibble away at the last increments
From 'Amphio' - Charles Ives - Mary Ann Hart, Dennis Helmrich
from bourgeois heaven family dream life
Ending To Begin - Steve Layton [from Ending to Begin]
what if the filters talk back 
a living resonance chamber
Karen - Charles Ives - Douglas Dickson, Kenneth Tarver
the scene changes with each line
Blowhard - Steve Layton & Sound-In [from Miracles and Wonders]
  Hosehorn Caverns National Sound Monument: 
Hall of the Bellows of Beasts
The Last Reader - Charles Ives - Douglas Dickson, Michael Cavalieri
  prolongs a tone that might have passed away 
escapist fantasy sentiment
The Angle of Afternoon Light - Steve Layton & Sound-In [from Miracles and Wonders]
figures echoed in altered states
The Light That Is Felt - Charles Ives - Douglas Dickson, Tamara Mumford
the age of bourgeois sentiment 
the trash romances of the era
Stresses - Steve Layton [from Excavations 2013-2014]
  a style is a doing in multiple iterations 
languages within a community
  of styles 
languages of languages
Like a Sick Eagle - Charles Ives - Eric Trudel, Robert Gardner
a woe's me drama
Centering - Steve Layton [from Lucky You]
  a photograph 
again with menace 
but happy birds 
or angry
  
amid the menace
  the presence of a musical idea 
is not subject to search or seizure
  
nor to the presence or absence of any element
Lincoln The Great Commoner - Charles Ives - Eric Trudel, Robert Gardner
  trying on the emancipator's hat and coat 
the very type of manly heroism
  
mighty as a continent
             
           | 
        
| Orison | 
Die Lotosblume - Charles Ives - Eric Trudel, Kenneth Tarver
a school exercise 
Schreiben Sie ein Lied auf Deutsch
27 Voices - Steve Layton [from Lucky You]
I'm not counting 
but I'll take his word for it 
cubes of cubes
The Love Song of Har Dyal - Charles Ives - Douglas Dickson, Jennifer Casey
embedded voices 
sticky matrix
High Plains - Steve Layton [from Lucky You]
in an early light 
proto dawn
Luck and Work - Charles Ives - Douglas Dickson, Janna Baty
adventure and industry
I Remember To Forget - Steve Layton [from Lucky You]
  add it in 
stir it constantly 
add cream periodically 
show the
  base
La Fède - Charles Ives - William Sharp, Steve Blier
  we are stern 
we are tender 
we are the patriarch in our own minds
The Sky a Blanket of Fire - Steve Layton [from Lucky You]
  Summer in the brush and forest 
sci-fi mag cover art 
it has
  
the flavor of a distant world 
distance and alienation suffuse the
  tongue
The Indians - Charles Ives - Paul Sperry, Irma Vallecillo
the past was 
in the past 
reduced to a misty recollection
Motel Rooms - Steve Layton [from Lucky You]
anonymous places 
anywhere America
In Session at The Tintinabulary
February 11, 2024
Park Street - Keith Eisenbrey
shape-note tunes are shapely patterns of notes
February 12, 2024
Banned Telepath 101 South - Steve Kennedy
Banned Telepath 101 Tintinabulary - Hayley, Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer
Banend Rehearsal 1094 - Hayley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer
February 15, 2024
Sinfonia 11 (midi) - Keith Eisenbrey
I think I like it now
February 16, 2024
Aus tiefer Not Lasst uns zu Gott - Aaron Keyt
these are deceptively tricky
Sinfonia 11 (clavichord) - Keith Eisenbrey
Serial Diatonicism - Carson "Carsonics" Farley
I'll need to listen to this in the coming week to confirm that I've got something interesting to send to Carson
Postscripts
Drops
Keith Eisenbrey 13: Music as Film (part 2) 2008 - 2009
Volume 13 completes my Music as Film project, in which I built up textures from snippets of sound. "Zither Film" is just that process and nothing else. "Improvising a Framework for Composition so as to Compose My Thoughts about Improvisation" uses layers from the earlier "Lids Film" in conjunction with texts both original and found. "Torch Song" is all about its found texts. It may not properly belong in the project's remit but it tagged along anyway. It certainly doesn't belong anywhere else.
Volumes 1 through 12 are available at keitheisenbrey.bandcamp.com
All are free for download.
Skaldmud's Doodle Gallery
listening journal doodles from 2020
















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