Showing posts with label Jérémy Jolley. Show all posts
Showing posts with label Jérémy Jolley. Show all posts

Saturday, March 14, 2026

Playlist

Preface

Curiosities of Ornithology, George Cruikshank, from The Comick Almanack, First Series 1835-1843

Texts

Live

March 12, 2026

Seattle Modern Orchestra - Relational Spaces: Immersive Sound
Raisbeck Auditorium, Cornish College of the Arts at Seattle University
Rachel Reyes, Rachel Yoder, Bonnie Whiting, Cristina Valdés, Michael Nicolella, Pala Garcia, Jordan Voelker, John Popham, Bryan Kolk, Marcin Paçzkowski

Situation VI - Happenings - Anahita Abbasi

whisper
twisting
metallic
distanced sounds
fragility

extended tech: normativity
the orchestra is for making sounds with
aside from functional hierarchy

Ways of Resisting - Arun Chandra

a world of notes and pitches
and narrative
protest song
from the rear chorus

(Contro-)Clessidra I-IV - Jérémy Jolley

a creatured place
principled antagonism
negotiating peril 

sound
as impact first
street crowd
magma intrusion

might be
undersea

{NB: I'll grossly overstate my impression here, in order to make it clear to myself. Each of the musics presented here is ingredient obsessed, rather than relationally obsessed - as though the idea of composing with pitches related horizontally and vertically (melody and harmony) has been philosophized beyond the pale of immediate attention. It's probably there, but doesn't seem to matter much on any scale. The music becomes a list of sound-events, the more uniquely produced the sounds are the better they frustrate attention as to how their particular qualities construct anything with anything outside of their sounding moment. I'll cop to being a pitch-happy post-Fuxian curmudgeon on this point, so as to out my bias. That said, these pieces were all quite interesting, and Jérémy's piece in particular was ambitious and impressive, clearly a work upon which great pains were taken. And of course everything was played superbly.}

Recorded

Skyline Trail, Mt. Rainier National Park
March 7, 2026

Sonata in F Major, Kk. 316 - Domenico Scarlatti - Pieter-Jan Belder

novelty ex nihilo 

little fancinesses
playfully secreted

Bunte Blätter: Albumblätter, Op. 99 #5 - Robert Schumann - Florian Uhlig

a doodley grotesquery

Album d'un voyageur, S. 156/R. 8, Book I, "Impressions et Poesies": I. Lyon - Franz Liszt - Ashley Wass

grandeur and ceremony
the regiments pass in review
closeups of the faces
of the regimented marchers
furious acclamation
hats and kerchiefs waved aloft
what about Lyon
was so warlike?
or
was it an imagined history
on the flickering ear
from a dreamy age

4 Piéces: III Nuances, Op. 56 #3 - Alexander Scriabin - Dmitri Alexeev

polymetric
within interwoven measures 

polymeter
where the notes all line up
and pulse is clear

Slow and Easy Man - Bessie Smith [from Empty Bed Blues]

unconditional devotion

Rock Island Line - Stan Freberg [from The Very Best of Stan Freberg]

producer character
master heckler 

...it matters to the sheep 

How About Me? - Ella Fitzgerald [from Love Songs: The Best of the Verve Song Book]

she sings with steady strength
through to the end of the last word
of every breath

It Could Happen To You - Bill Evans [from Some Other Time / The Lost Session from the Black Forest]

on a rhythm trip
playful coda

Harmony - Elton John [from Goodbye Yellow Brick Road]

the story doesn't need to make sense
best if it doesn't 

big finish for the big album

Because The Night Belong to Lovers - Bruce Springsteen [from Live at the Roxy]

nothing doing
not worth doing
over and over
up a key

Little Red Corvette - Prince [collected from Dave Marsh's The Heart of Rock & Soul]

sex braggart at heart

Dream of Life - Patti Smith [from Patti Smith]

greeting card poem speaking

Skyline Trail, Mt. Rainier National Park
March 8, 2026

Parts - Fastbacks [from Zucker]

let's pretend
we're
the power
of the sounds we make
and not
the amplifier sales force

To Have And Not To Hold - Madonna [from Ray of Light]

holding her pitches close together
tight groups
narrow ambitus
gets skippy for the second stanza type 

repeat last line
to signal transition
to the third stanza type 

and coda feeling?
fall into the accompaniment to fade

Holdin' On - Aretha Franklin [from So Damn Happy]

introduction
to the regions of her tessitura 

exhortation

Jericho - Peter Fedofsky [from Situtations]

room sound mismatch
seams show
they are holograms to each other

Measures - The Botherations [from The Botherations]

voice
as an attitude mask
through which to speak
from beneath

Chase Music - Tom Swafford [from Violin Improvisations]

theater of the bow
amplifier of gesture 

the plot might be anything
just so
that the gestural theater comes alive

Soundform - S. Eric Scribner [from Adjacencies]

the membrane
between the mechanically made sounds
and the electronically made sounds
and its billows and swells
like
but unlike
that membrane
between the varieties of mechanically made sounds
not just
another kind of instrument
but
another kind of soundboard 

indirect mechanism

The Boy in The Boat - Charlie Johnson's Paradise 10 [from Really The Blues]

Mickey Mouse sound track
without the Mickey Mouse picture show
Betty Boop pursed lips
visible
in the sound of the horns

Workin' For The Man - Roy Orbison [from For The Lonely]

somewhere in the vicinity of icky peculiar

Karen Tape Track 2 - Karen Meyer, Marilyn Meyer, Neal Meyer, William Meyer, Yvonne Meyer [August, 1963]

Karen is heard having a bath
on the faraway island
nine days old
sister
eating that sugar
off the floor
in her bare feet

Skyline Trail, Mt. Rainier National Park
I Love You Sweetheart Of All My Dreams - Thelonious Monk [from The Complete Columbia Studio Solo Recordings: 1962-1968]

that astonishing touch
dance with firm steps

Take Me To The Mardi Gras - Paul Simon [from The Essential Paul Simon]

twangy and humid
with street band

White Lines (Don't Do It) - Grandmaster and Melle Mel [collected from Dave Marsh's The Heart of Rock & Soul]

it's all drums

If It Ain't Ruff - N.W.A. [from Straight Outta Compton]

syllable drumming

Miracle Goodnight - David Bowie [from Black Tie White Noise]

a little tin toy David Bowie
on a carousel

Love Me One More Time - James King [from Bed By The Window]

begging forgiveness
(a primer on how to do it)

While Shepherds Watched Their Flocks By Night - Keith Eisenbrey - Keith Eisenbrey [recorded August 25-27, 2015]

the process of overdubbing
imparts a time fracture

Skyline Trail, Mt. Rainier National Park
March 9, 2026

Truman - Rachel Harrington [from City of Refuge]

oh
that Truman
the Spirit Lake Truman
of course

Track 3 - Pouch [recorded live at Victory Lounge, Seattle, July 6, 2013]

conforming to
and sticking with
a common beat
is a social activity
an image of agreement and unanimity

The Mother - Brandi Carlyle [from By The Way, I Forgive You]

human interest
feel good story

Windham - Keith Eisenbrey - Keith Eisenbrey [october 22, 2023]

distance and respect

Viola Lee Blues - Cannon's Jug Stompers [from Really The Blues]

sing away at ones troubles
in good company
porch comfort

Looking For A Boy - Sarah Vaughan [from Sarah Vaughan Sings George Gershwin]

introducing herself
to the theater audience
through her predicament
banal
but cleverly spoken

One After 909 (complete) - The Beatles [from Anthology]

part of the fun
is in the economy of the language

Call Me Lightning - The Who [from Magic Bus]

either this was poorly transferred at some point
or the recorded sound was always just atrocious
muddy and unstable and distant

Forever Young - Bob Dylan [from Biograph]

blessings upon

Variations on a Theme of Carter - Ira Taxin - Claudia Stevens

dramatic pianism

Beyond The Wheel - Soundgarden [from Ultramega OK]

camp horror show

Cold Mountain Songs: Dark and Eery - Robert Morris - Margaret Kampmeier, Deborah Norin-Kuehn [from Open Space 30]

nothing adheres here
images all unstuck

Oh Yes - Whitney Houston [from My Love Is Your Love]

counting the ways she flatters him
sultry like and all

Splashing 2 - Greg Sinibaldi [from Nuclear Frog Pond]

a contrapuntal poem
in notes
that suit their instruments

Kill Kill Kill - Antique Scream [from Antique Scream]

on the metal end of things
camp masculinity

Banned From The Fest - Jaguar Shark [from Red Vinyl split w/ Peterman]

must have been recorded live
certainly all at once

Skyline Trail, Mt. Rainier National Park
March 10, 2026

Comin' On/For Bradford - Taylor Ho Bynum, Mark Dresser [from THB Bootlegs Volume 4]

this meter is a gardens
with paths
and arbors
and hills
and arching footbridges
painted red

Lightness and Endearment - Tom Baker Quartet [from Begin Again]

out for a pleasant stroll
congenial companions

Christ, The Teacher - Rev. E. S. (Shy) Moore [from Goodbye, Babylon]

not sung
not spoken
proclamated
cried 

song follows
to bring us
to a celebration
of the proclamation

Chinese Love Poems - Peggy Lee [from Sea Shells]

this album
is like an assortment of books
and knick-knacks
in a guest bedroom
of a summer house

Don't Say Goodnight and Mean Goodbye - The Shirelles [from The Shirelles Anthology]

under the porchlight

New Orleans - The Kingsmen [from The Very Best of The Kingsmen]

surfing the big muddy

Toucher - Vinko Golbukar [from Perishable Structures]

talking with ones drums
a quasi gestural communication

Variation - Joel Chadabe - Claudia Stevens

with each splash
a significant point
to pull
or manipulate it from 

a control handle

I Still Haven't Found What I'm Looking For - U2 [from Rattle and Hum]

self produced triumph album
in service of adulation fantasy
borrowed gospel glory

Berceuse from The Firebird - Empire Brass Quintet [from Class Brass On The Edge]

the difficulty of arranging this for brass
is calibrating the respective weights of the lines

Hungarianella - Brave Combo [from Box of Ghosts]

music from the exotic near distance

P.R. - Goodness [from Goodness: 1995-1998]

discipline erupts out of preparation
exit by spaceship

While Shepherds Watched Their Flocks By Night (050510 Final) - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded May 10, 2005]

using a systematic relation of vertical intervals to metrical position

Skyline Trail, Mt. Rainier National Park
Poker Face - Lady Gaga [from The Fame]

the attraction of a novel twist
fades upon cyclic repetition
the idea is
to erase any time sense
outside of the time sense
persisting
within the song
the walls are close

Bounton Elks - Peterman [from Red Vinyl split w/ Jaguar Shark]

epistle in rhyme
awakening
scrawl poem

On The Stone Pitch - Josef K [from Found On The Stone Path]

why do I mistrust this magic?
something canned about the chords
why would revelation
sound like something familiar
used familiarly
though spaciously 

Liszt's Gretchen's Apotheosis
on a loop 

one damned enlightenment after another 

light circus

Banned Rehearsal 1086 - Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [October 23, 2023]

music at a hush
as activities individuate orchestrationally
sounds slip through instruments
around the room 

individuation
coalescing
in waves
the rolling orb asks
and answers
without inquiry 

masters of specificity

Weeping Blues - Horsey's Hot 5 [from That Devilin' Tune]

imitates
a performance
of a stage act
blues number
hats and canes and all

Swanny River Rock (Talkin' 'Bout That River) - Ray Charles [from Yes, Indeed!]

great snare drum sound back there

Pigtown Fling - News Tolman [from The Art of Field Recording]

a flute of some sort
fife?

The Ballad of Davy Crocket - Louis Armstrong [from Disney Songs The Satchmo Way]

greatest state in the land, of the free 

{NB
note the comma he sneaks in there} 

hokey hero
for Mouseketeers
shave and a haircut six bits

Suite for Violin and American Gamelan - Lou Harrison - Boston Modern Orchestra Project

its inexorableness catches up to you
no purchased enlightenment in these halls
ascend out of earsight
a dance
garden song
with lute or lyric
another dance
with clomping heels

Skyline Trail, Mt. Rainier National Park
March 11, 2026

Bleed For Me - Dead Kennedys [from Nancy's Mix]

the target aim of vitriol
blunted
by performative attitude

Euromad - T Bone Burnett [from The Talking Animals]

too much track seclusion

Laroque Gailliarde - The Baltimore Consort [from La Rocque'N'Roll]

polyphonic dance

The Children's Garden - Tingstad & Rumbel [from American Acoustic]

wholly idealized village life
from never ever anywherever
Hobbit happiness

Track 7 [from Eisenbrey 2003]

flute and two strings
play variations on a theme by Mozart
violin and viola if I mistake not 

there's the minore obbligatore

Broken-Hearted Girl - Beyoncé [from I Am...Sasha Fierce]

the singer persona
is trapped in a Möbius mood

Hey Yesterday/Love Blackmail - Your Mother Should Know [recorded live at Victory Lounge, July 6, 2013]

thirteen years ago
imagine that!

Skyline Trail, Mt. Rainier National Park
Grindmother - Pity Party [from Are You Happy Yet?]

a performed attitude such as this
is a costume
a put-on character

Selkies - Steve Layton [from No Mind]

an illustrated book of sounds
drawn on the pages made of sounds 

we hear
what
we would see

The Mooche - Duke Ellington [from Ken Burns Jazz]

the extremities
of these swoops down
form a melody of themselves

The Hazy Yon - Norman Monash [from Songs of the Pogo]

a lullabyebye

Hora Decubitus - Charles Mingus [from Smithsonian Collection of Classic Jazz]

groups that breathe as one
a united front of horn blasters

Midnight Hour - ? and The Mysterians [from The Best of ? and The Mysterians]

sex brag to the guys he hangs with

Last 2 Songs - Lockrem Johnson - Keith Eisenbrey, Susan Payne O'Brien [recorded live March 16, 2024]

each includes long stretches of quasi-recitative 

nicely sung Susan!

Porcupine - Echo & The Bunnymen [from Porcupine]

secure
as it waddles through the post industrial wasted lands 

new song vibe
new teaching
or does its insistence
give away the game?

You're A Customer - EPMD [from Strictly Business]

rhythm of echoed word bits 

meter splash

Concerto in D Major - Erich Wolfgang Korngold - Itzhak Perlman [from The Art of Itzhak Perlman]

peak nostalgia
wishes it were in the back when
with every moment of its being 

Tunebird
in his Tunebird paradise 

look Ma
its a cadenza I'm doing
see
I'm doing it 

dramatic sweep of moor and sky 

ah domestic bliss 

begs for tears
we'll finish with a vigorous country dance
shall we?
like we did
back in the village 

and
a triumphal entry
of Tunebird
tweetering away
in his gilded cage

Skyline Trail, Mt. Rainier National Park
Track 12 - Richard Rorex, Reid Merryman [from Mood for Richelle]

comes on like its telling us a story
must be a ballad

While Shepherds Watched Their Flocks By Night (050510B) - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded May 10, 2005]

this little invention
began with a pattern of coupled fourths
on the title words
spun a tune out from it
and amused myself
with making a bass line
out of a two-voiced accompaniment

Ring of Fire - Vince Mira [from The Cash Cabin Sessions]

such a focused voice
there is no waste to it

Track 2 - Old Man Williamson [recorded live at the Victory Lounge, July 6, 2013]

going for the grizzled

Turn Up The Thermostat - The Bombpops [from Dear Beer]

growing up in suburbia
minor domestic power play

Sinfonia 9 (midi) -  Keith Eisenbrey [October 26, 2023]

taking pains with simultaneities
and their intervals
two allowed: 0 and 4

I Heard The Voice Of Jesus Say - Biddleville Quintet [from Really The Blues]

rope strong
tune
of voices
in harmonies
that pull taut
and support
their brethren

Outta My Mind - Dean Martin [a Rescued Record]

latter day crooner on vinyl

Alabama - John Coltrane [from Smithsonian Collection of Classic Jazz]

solemn words
over a thrumming seethe
we turn back to each other
but our thoughts are drawn back 

1983...(A Merman I Should Turn To Be) - The Jimi Hendrix Experience [from Electric Ladyland]

were Pink Floyd's Syd and Jimi listening to each other?

Skyline Trail, Mt. Rainier National Park
March 12, 2026

Liebeslied - Benjamin Boretz - Keith Eisenbrey [recorded October 3, 2024]

study in the relation
between sonorous continuity
and rhetorical continuity
that is
the connections of sound to sound
and sense to sense

Symphony #5 - "Mt. Saint Helens" - Alan Hovhannes - Seattle Symphony Orchestra, Gerard Schwarz

formerly admired
for its elegant symmetry
so
we'll have ten minutes of stepwise glow
best to recall what is depicted
rather than the qualities of its depiction 

and here's Spirit Lake
all done up
like a calligraphied and illustrated poem
moodism
the problematics
of a depicted mood
are
in how to escape 

and now
the moment we've all been waiting
for the big bang itself
martial kettle drums
and billows of ashen tam tams
exhausting iteself 

and we view the picturesque aftermath
new life dancing wigglingly
then we'll sing a dull hymn

Just Rhymin' With Biz (feat. Biz Markle) - Big Daddy Kane [from Long Live The Kane]

and playing with an echo
turn on the beta (max?)

Ride On, King Jesus - Robert Shaw Festival Singers [from Amazing Grace]

closely canoned

Liberation - Outkast [from Aquemini]

sung not rapped
choral harmonies
followed by a prose poem

Skyline Trail, Mt. Rainier National Park
March 13, 2026

Construction 4 - Christian Asplund [from Brainstun]

a spell
on softly bowed strings

bass and viola?

Raga Kirwani - Keharwa/Cha Cha Cha To Ny Mozambique - Anjuman [from Rumba Meets Raga]

pitch set cyclic
position within the cycle
is the sine qua non of intelligibility
the cycle
ever circles 

a decorated cup rim
an ornamented border
articulating a boundary

Grown Up Things - Shelby Earl [from Swift Arrows]

heart to heart
big cycles of little cycles

In My Mouth - Black Dresses [from Wasteisolation]

file corruption
not all there

Long Ago And Oh So Far Away - Star Anna [from Love Shades, streamed February 14, 2023]

the dogs sing in the background

In Session at The Tintinabulary

March 8, 2026

China - Keith Eisenbrey

March 9, 2026

Banned Rehearsal 1146 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy

Drops

Music of Aaron Keyt - Part 2

This collection is composed of two large sets of short pieces: 40 Hymn Arrangements (2019) and Joshua Tree Preludes (2021). I recorded the hymn arrangements on clavichord in 2024, and the preludes on piano in 2022.

recordings of my compositions (and more!) can be found at keitheisenbrey.bandcamp.com - free to download or stream

Saturday, November 20, 2021

Playlist

Lake Louise - Mt. Rainier National Park
Preface

"If I am irrevocably immured in some mindset, be it historical cultural or genetic, what use is the consciousness that this is so to me? Since - if it is indeed the case - the supposed self-awareness consequent on this consciousness must also be irrevocably, indiscernibly - and hence unsusceptibly to sentient self-reconstruction - so psychically imprisoned. So my freedom and my unfreedom are experientially indistinguishable, both experienceable purely as freedom and reality. 

Such consciousness must itself be similarly immured and therefore disqualified as an external perspective."

- Benjamin Boretz - "3: (A Train of Thoughts)"  

from "inside in . . . / . . . outside out" Open Space Publications, 2020

Texts

Tatoosh Range - Mt. Rainier National Park
From Recent Arrivals

November 19, 2021

Booty in da Pants - Dawn Angeliqué (Dawn Richard) [from Been A While]

a novelty song
along the lines of Party Lights
but with wholly salacious lyrical content

quite clever and amusing.

Symphony in C minor (#3) - Florence Price - The Philadelphia Orchestra, Yannick Nézet-Séquin

first blush
bouncing between Wagner and early Ives
fragmented like Sibelius
so
I suppose
in the Post-Romantic National Prestige school of symphonists 

veers off into Americana
though a different one
than Ives' or Copland's 

full of strange disjunctures 

the American-Music-is-what-Dvorak-dictated-it-should-be camp
a dead end
but it was something
for those who indulged 

and a good bit of Gershwin
in how it goes together
from tune to tune
(not a happily chosen model, honestly) 

one imagines
that any kind of prestige
for a black woman
in this field
was a delicate accommodation

Composition No. 6F - Anthony Braxton - Anthony Braxton, George Lewis

trombone and baritone sax
have a lively tussle 

vocabularies of performance practices
detail level
ground up 
not
structure level
filled in

AB switches to clarinet
Stu and Bill?
then to soprano
(I think)
sax 

I suppose
if you put a trombone on stage
there will be clowning

Tatoosh Range - Mt. Rainier National Park
Streamed

November 19, 2021

The Seattle Modern Orchestra - Dissociation

Julia Tai, conductor and co-artistic director; Jérémy Jolley, co-artistic director

WANG LU - Ryan and Dan (2017)

MARISOL JIMÉNEZ - Yiríya aiteiya (2017)

KALEY LANE EATON - Dissociation, or Self-Portrait (2020)

MARISOL JIMÉNEZ - Bestiario Onírico III – Ciudadela – (2009)

FAUSTO ROMITELLI - Professor Bad Trip, Lesson I (1998)

make your hair grow backwards
it is lit
but it is low
so cool
so low
so hip
across the pond
from scratch 

relation theater
between
the conductor pattern beat
and the beat
that one hears 

seven lights visible
at top of image screen 

have performers
ever
felt so vulnerable 

music is not the universal language,
rather,
like language,
it has sects 

we are in the midst
of a music-linguistic insurrection
I find myself
on the old side
willy nilly
this music went around the long way
there is a new music
a new language
I speak old
the old
beast sounds
the stage floor is purple

Great job folks! Another Seattle win.

Castle Peak and Pinnacle Peak - Mt. Rainier National Park
Recorded

November 13, 2021

Spagnioletta, Fvb 54 - Giles Farnaby - Claudio Columbo [from The Fitzwilliam Virginal Book]

counterpoint the cantus firmus
with elegance and style
also
play pattern games
with the figurations
with those counterpoints

Die Wohltemperierte Clavier, Prelude and Fugue in F Major - Johann Sebastian Bach - Sviatoslav Richter

the fat piano sound
doesn't do the Prelude any great favors
we'll do the fugue
for a bit
with this face
then with this face
nope just kidding

Sonata in F-sharp minor, Kk. 142 - Domenico Scarlatti - Pieter-Jan Belder

a quirky place to live
dark and winding
but with a lovely garden
out back
with sunshine
good luck
finding it again

Kurze und Leichte Klavierstücke, Presto in C minor, Wq. 114/3 - Carl Philipp Emanuel Bach -  Miklós Spányi

a water feature
flows across
varied rockscape textures
makes ripple rhythms

Sonata in C minor, Op. 10 #1 - Ludwig van Beethoven - Stephen Kovacevich

1
the drama on stage moves along quickly
after the impatient part
that opens each segment
the mood shifts
suddenly peaceful
(never lasts)
but the difference
between the keys
feels different
each time 

2
echoing
that sudden peacefulness
we are now in the land of calm
oh WHY!???
(the music cries)
will it not last? 

(in jazz a soloist
might drift free of the beat
of the swing
but will suddenly find themselves
back to it
like-wise
here
but metrical)

3
here the meter is a major character
in what happens
and now
starring as 

The Meter

is that ever playful star
of stage and screen: 

Cut Time

Mt. Rainier National Park
Sonata in G Major, Op. 1 #3 - Friedrich Wilhelm Kalkbrenner - Luigi Gerosa

makes a clear distinction
between the fancy part
right hand mostly
and the workaday support part
it's a policy
mischiefless
a melody to remember in your heart

Etude in A-flat Major, Op. 10 #10 - Frédéric Chopin - Alfred Cortot [1933]

the motion
between the quick alternation
high and low
in the figuration
makes an effect
like an old peepshow animation
as though one can glimpse
a rounded image
within it

November 14, 2021

I Wish I Could Shimmy Like My Sister - Cotton Pickers [from Allen Lowe's That Devilin' Tune]

the melody sits in parts
on each of its chords
the motion
from chord to chord
is clear and square
occasionally negotiated
with what would be formulaic cadential figures
if these were cadences
which they aren't

Honey in the Rock - Blind Mamie Forehand - [from Allen Lowe's Really The Blues]

the changes are understood
at depth
it can be flexible
and still clear
the melody and lyrics
are tethered with an elastic leash

Down in Arkansas - Pickard Family [from Evans 78s]

chord-change construction
useful for oral transmission of songs
and for establishing
a shareable culture of music
plain to both performers
and audience
this track has some awesome noise to it

Mt. Rainier National Park
If I Didn't Love You - Lil Green [from Allen Lowe's That Devilin' Tune]

the sense of the song
is negotiated
between the lyrical rhetoric
and
the chord change/melodic rhetoric
here
song
is a different mode of saying
and the poetry
is designed
with singing
as an essential part
of what it is

I'll Always Love You Just the Same - Charlie Parker (Charlie Parker (as); Clyde Hart (p); Lloyd "Tiny" Grimes (g & vocal); Jimmy Butts (b); Harold "Doc" West (d)) [from The complete Savoy and Dial Masters]

who's the singer?
{NB I found out, see above}
the pianist and Mr. Parker
are conversing with each other
and commenting on the song in progress
Mozartean

Please Say You Want Me - The Schoolboys [collected from Dave Marsh's The Heart of Rock & Soul]

the backups
finish the singer's thoughts
slow dance
at the sock hop

Party Lights - Claudine Clark [collected from Dave Marsh's The Heart of Rock & Soul]

teen life drama
incandescing
mashed potato
too
I wanna go

Road Runner - The Ventures [from Walk Don't Run]

professional industrial musicians
making a valiant stand
for guitar playing prowess

Sgt. Pepper's Lonely Hearts Club Band - The Beatles [from Sgt. Pepper's Lonely Hearts Club Band]

and of course
it cuts
out
right after
Billy Shears 

little joke there

Space Oddity - David Bowie [from Space Oddity]

scifi
becomes rock and roll
very much
a post-Beatles composition
and production
London
comes to visit
comes
unwound

Glad to See You Go - The Ramones [from Leave Home]

stripping down
spitting back
a rootwardseeking
retrenchment

The New World - X [from More Fun in the New World]

country punk
or semi-urban punk
different roots
than the Ramones sought

November 15, 2021

Assembly Rechoired 13 - Karen Eisenbrey, Keith Eisenbrey [January 17, 1987]

artificial legs kalimba
reading from some Beat thing or other
timid on the highway
at smalltown
from the lunchcart
with a frayed rope
home through America
the kalimba
continues
text:
only partially intelligible
not declaimed
nor lifted
into public expression mode
no stage
just the tape
kalimba ritornell
sounds like Ginsberg
free space for causeless bliss
little bell
not sure how I was getting the reverb
on the kalimba
some amplified resonator
or other
lost to memory
perhaps
played through the Speaker of the House

Capriccio - Berthold Goldschmidt - Kolja Lessing

a duet for solo violin?
quite lovely

November 16, 2021

Banned Rehearsal 456 - Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [June 14, 1997]

Pete came over
probably with Fritz the Binaural Microphone
to record us
on DAT 

Mt. Rainier National Park
Isaac is fussy 

it may have been about this time
that we considered the possibility
of making a CD
the first step
was to switch
to digital recording
these early tests
whetted my appetite
for a DAT of my own
with the transparence of their sound
twiddling radio dials
an early source
of fragmented electronica
also needed
a computer
with an optical ready sound card
which was a whole other adventure
and probably not worth the trouble
for our modest purposes

{from my journal entry of February 24, 2005:

as it settles down
a sense of delicate
almost magical
faerie
interplay among sounds
from different universes
an intimate gathering
of inter-galactic comrades
one can't help but wish
that the balance were better
too much piano
probably too much guitar
the topic has become a disturbance
requiring action
a night street scene
not unfriendly
just quite a different population
sound in here
has a luscious warm richness about it
after serious action
the fog rolls in
and we descend
to the harbor
with its quiet tide
end

Ainu 2 - Benjamin Boretz - Benjamin Boretz [from Open Space 47]

we are here
| now |
with this
and
this is here
| now |
with us

Mt. Rainier National Park
Consider the Birds 10 - Keith Eisenbrey [February 3, 2007]

the smallest moments of sound files
fragmented past the point of recognition
of source device
for all
but a few sounds
the xylophone attacks
get through
it doesn't take much for them

Saints - St. Paul de Vence [from St. Paul de Vence]

concerning war
as a moral disaster
that falls upon us
agency-less

Distracted Driver - Your Mother Should Know (St. Rage) [Demo of February 23, 2017]

running a zoom meeting . . . ?

For Two Virginals, Fvb 55 - Giles Farnaby - Claudio Columbo

I'm not sure who plays the other virginal
there is little sense of needing to round things off
phrases end with the cadence
it's a point of organization
the piece is over
so it stops
what you are left with
is what it was

Die Wohltemperierte Clavier, Prelude and Fugue in E-flat Major - Johann Sebastian Bach - Sviatoslav Richter

the Prelude is itself
of course
an abstract
of the Prelude and Fugue project
as a whole:
a flourish
followed by a contrapuntal web
and then
the two combined
to show how free the preludes are
they can contain anything
including fuguey bits

Sonata in C Major, Kk. 143 - Domenico Scarlatti - Jan-Pieter Belder

obsessed
with how the pieces fit together
more than
with what
they might fit together
as:
a true inventor

Kurze und Leichte Klavierstücke, Minuet in G Major, Wq. 114/4 - Carl Philipp Emanuel Bach -  Miklós Spányi

balance and taste
and elegantly hosieried calves

Sonata in D Major, Op. 28 (Pastorale) - Ludwig van Beethoven - HJ Lim

where thoughts have room to breathe
last movement is quite Scarlattic

Etude in F minor, Op. 10 #9 - Frédéric Chopin - Cecile Licad

discusses itself
with itself
full of admonishments

Mt. Rainier National Park
November 17, 2021

My Soul Is A Witness - Florida Normal and Industrial Institute Quartet [from Allen Lowe's Really The Blues]

word witness
and song
evidence of a root
of many branches
blues
I presume
included

Muddy Water - Bing Crosby, Paul Whiteman [from Allen Lowe's Turn Me Loose White Man]

money went into this
amazing sound for 1927

After You've Gone - Art Tatum [from Classic Early Solos]

glittered with crystal and light

Mound Bayou - Helen Humes, P. Brown [from Allen Lowe's That Devilin' Tune]

waitin' for the tide to take it home
once more
she pronounces bayou
near to bah'oo

Keep Me In Mind- Peggy Lee [from The Complete Recordings 1941 - 1947]

Peggy Lee was presumably hired to give Benny Goodman a break
now and then
love the little uptempo
phone ringing
in the orchestra
non-literal
could also be
Berlioz's beating heart motif
thubba thubba

Holsten Valley Breakdown - Ronnie Knittel and the Holsten Valley Ramblers [from Allen Lowe's Turn Me Loose White Man]

clarity of the chord changes
in tight control
anybody can sit in
banjo and fiddle
with rhythm strings

Violin Concerto - Benjamin Boretz - The Eastman Composers' Orchestra, Geoff Pope, Charles Castleman [from Open Space 27]

1
negotiating a dark world
un-prefiguring
violin exists
orchestra
as such
probably not
unlikely
every corner alien-odd
the orchestra
is not a character
it is a devious world
the violin
is confronted
by a noir-shadow house
of costumed chamber ensembles

Mt. Rainier National Park
2
now it is night
||
solo is a thread within
not a character
any more than
the orchestra is
||
no special status
is afforded the solo
within
any particular stretch
||
it isn't an equal
of the orchestra
it is an equal
of each instrument
in the orchestra
which
itself
is never a whole
but always
a corporate endeavor
||
that is not a hero
||
certainly not the singer
||
the Mink Snopes role?
||
i.e. structurally not poetically

3
it is
possibly
now
morning
un-personifiable
beyond the moment
the "actor"
in Holy Motors
chameleonic?
crucially
there is not plot
only event
and repurcussion

November 18, 2021

Koolan Du - The Lake Washington Singers, Betty Eisenbrey, Joanne Deacon [April 10, 1962]

something from South Pacific
or like provenance?

Magical Mystery Tour - The Beatles [from Magical Mystery Tour]

self-advertisement
a clever play
television theme song
putters off

Crocodile Rock - Elton John [from the single b/w Elderberry Wine]

this one stuck with me
from when I first started listening
to top hundred AM radio
at the age of 13 or 14
already being inculcated
with the notion
that the music
had some sort of history
pre-60s
pre-me

Uh-Oh, Love Comes to Town - Talking Heads [from Talking Heads: 1977]

clean
bright
unvaryingly so
both hiply cognizant of history
and pushing out of the common tropes
on the common tropes
I been to college
smartest man around
the non-stick decade

Mt. Rainier National Park
Music in a Room - Aaron Keyt, Neal Kosály-Meyer [from A Cassette Player]

a Christmas gift
from the proto-band
in Seattle
to me
at Bard
though
it may have been sent to find me
in Malabar, Florida,
where I was
visiting AW for the holidays
and January. 

raw material
we were all
before we had a project of focus
we tended to noodle
and then decide
to rock and roll
which fizzles
several times
Aaron is the first to read
from Finnegans Wake
sort of
folded into
language ,as a music
and other texts
Eliot for one
and Campion
(Tom , Tom)
a jumble

Where The Streets Have No Name - U2 [from Joshua Tree]

but
where first tracks
on self-important albums
sound like
they were designed
by the book
running roughshod
over any hope
the song might
actually
get to grow
to be a real song
his insufferableness
basking in his own sincerity

Psalm 23 takes - Keith Eisenbrey, Neal Kosály-Meyer

I was working on a setting of Psalm 23
in which the Psalm
would be read simply
and somehow
be mixed
with some clavichord variations/bits
the plainer the better
between takes
a bit of A Cat's Life snuck in
I was under the mistaken impression
that the microphones
were picking up conversation
from the next room

Sonata in D Major - Johann Christian Bach - Philharmonia Virtuosi [from Musical Evenings with The Captain]

fashion was the thing
style and taste
above all
music
to be successful
then
was required to reflect well
upon its patrons
any novelty
must be
in good taste
or risk
dismissal
flattery
is the be all
and end all
of patron music

Do The Weedy Weedy at the Bop - Keith Eisenbrey

a drollery I made up in the late 90s
to amuse the kids in the car
now in glorious midi
worth the whole 30 seconds it takes.
the words were

Do the Weedy Weedy at the Bop /
Bop! /
Do the Weedy Weedy at the Bop /
Bop! /
Do the Weedy Weedy at the Bop /
Bop! /
Do the Weedy Weedy at the Bop /
Bop! /
Do the Weedy Weedy /
Do the Weedy Weedy /
Do the Weedy Weedy at the Bop /
Bop!  

you can sing along

Ravenna Park, Seattle
Sunshine Girl - Rachel Harrington [from The Bootlegger's Daughter]

now that
there
is how to open an album
make a song
a song
and sing it
as a song

You Don't Miss Your Water - Your Mother Should Know [live at The High Dive, Seattle, April 6, 2012]

the cover
starts with a lecture

No Sense in a Slow Death - The Maldives [from Mad Lives]

metrical differentiation
down strum
up strum
weary defeat tempo
at least
it doesn't try to make it
an #album #opener

In Session at the Tintinabulary

November 15, 2021

Gradus 375 - Neal Kosály-Meyer

registers and realms
orbital paths
packetwaves of gravitatronal pitch speak
change of rung
change of lens
change of filter
we look here
we peer there
we observe
the pitch scape
as though frozen
prior to music's appearance

November 17, 2021

Ravenna Park - Keith ‪Eisenbrey

I took a walk in the park
to record the stream.
I also caught a Parks Department vehicle going by and,
under the 20th Avenue foot bridge,
a young man with long hair
and a blonde ukulele
singing a song
to the birds
and to me
quite nicely too
a friendly baritone voice
that reminded me of Ian Grunfeld's
of The Humidiflyers
one of those Seattle magic moments

November 19, 2021

Two-Part Invention in B-flat - Gavin Borchert

Another one.
Hope to post these last two soon.

Special Mention

My Dinner with Wallace

Much of my musical energy during the first year of the Pandemic went into producing this virtual recital of recent solo piano music by my long-time collaborator, Aaron Keyt, and by me. There are 9 reels total in the playlist, ranging from 10 to 20 minutes or so each, the whole stretching for just under 2 hours. I am quite pleased with the results, especially with how well I manage to illuminate the extraordinary "in-your-presence-alone" intimacy of Aaron's compositional voice.

Postscripts

::Consult the Oracle

conductor that after I suppose well

don't know which by the bye what I naturally

inquired but if perhaps nor yet but

Reality Check::

(today is not it)

no rules apply

just sit there

Saturday, October 24, 2020

Playlist

 Preface

"Academe has two equal and opposite problems, both life-threatening, and together virtually terminal: academe cannot survive into the contemporary world and its contemporary predicaments without coming up with genuinely new ways of thinking; equally, academe (at least in its liberal-arts/humanities aspects) is structurally incapable of either engendering or supporting or even tolerating truly new ways of thinking."

- Benjamin Boretz "The Responsibility of the Arts in the Dialogue About Educational Reform" from "Being About Music Textworks 1960-2003 J. K. Randall Benjamin Boretz Volume 2: 1978-2003"

Texts

Streaming

October 23, 2020

Seattle Modern Orchestra - Julia Tai and Jérémy Jolley, Co-Artistic Directors

Clarinet Sonata - Edison Denisov - Deanna Briggs, clarinet

Air in G minor - Lou Harrison - Paul Taub, flute

The Moon and Sun Are Eternal Powers - Jarrad Powell - Paul Taub, flute

Simultaneously Solitary (Shendos No. 14) - Tom Baker - James Falzone, clarinet; Raymond Larsen, trumpet; Maria Ritzenthaler, viola; Abbey Blackwell, bass; Bonnie Whiting, percussion

In Memoriam Muhal Richard Abrams for Violin and Glockenspiel - Tyshawn Sorey - Eric Rynes, violin; Bonnie Whiting, percussion

Julia and Jérémy assembled a handful of Seattle's finest performers and presented an hour of flawless magic both in spite of and in recognition of these horrid times, secluded as we are from the simplest pleasures of playing music together. As always, the local composers, represented here by Tom Baker and Jarrad Powell, held their own just fine with their peers from elsewhere.

These are strange times indeed, when many of us, myself included, find ourselves suffering from emotional stresses of which we are often only dimly aware. Even in the past these can find sudden and unwitting outlet - music might move us to tears or leave us flabbergast and waste in a heap. One never really knows the whens or the hows nor the whats nor the whys. Last night I was moved - and I hesitate, here, to admit it, because I'll need to qualify it immediately - to unremitting fits of joyful and giddy hilarity. Was something about the concert funny? I suppose from a certain point of view I could point out aspects I could analyze that way - and some (by now ubiquitous) connection issues during the after gig chat certainly fed into it - Tom (and you know I love you dearly): you could get a side-gig going - think "Tom Headroom", just sayin' - but in the end my reaction was just that, mine, and its specifics had little to do with the specifics of what I was hearing or seeing. My best guess is that I was so happy at how well it was going and in how "all in" everybody was, that hilarity overcame me.

Be all that as it may, and on top of the spectacular performances all around, the show itself was put together with obvious love and care. SMO wears its institutional and professional aspirations proudly. When they do something they do it right, sharing it for us with joy and fervor. I loved the way the whole thing flowed, sound and video both - and I would like to extend my personal congratulations to the production team. Seeing and hearing five performers in five locations, hearing with each other in real time, arranged so beautifully on the screen, was deeply moving. Thank you all, you are part of what makes Seattle a blessed place.

Recorded

October 17, 2020

Creole Bells - Metropolitan Orchestra [from Allan Lowe's Turn Me Loose White Man]

bandstand band
gets that piccolo calliope sound
that Stravinsky picked up a few years later in Petrushka

Sonata, Op. 1 - Alban Berg - Alfred Brendel

some pushing and shoving going on between and among the various musics crowded into this counterpoint 

one of them went sulking off 

an opera scene
a brawl some if it
in graceful slo mo

October 18, 2020

Jeux - Claude Debussy - Orchestra of Radio Luxembourg, Louis De Froment

cells that repeat
spans that don't
attention isn't drawn
obviously
to a larger framework
but is held
within a few moments to either side 

the sense of now is narrow and mercurial
the repeating of a cell
is what defines
the cell
a mesmeric trick

The Pleasure Dome of Kubla Khan - Charles Tomlinson Griffes - Boston Symphony Orchestra, Seiji Ozawa

twice or thrice exotic:
francophilic treatment
of an English opium dream
of the east
in the past 

the purpose of this music is
to portray
to be about something
to evoke images
and lead one through those images
as a docent might

Variations on a Noel - Marcel Dupre - David Di Fiore

organ
in its close ties to architecture
building and instrument
are one and same
and because those buildings are for the most part liturgical spaces
organ music  has been more closely related and tied to that music appropriate to Western Christian hymnody et al
this has limited the range of its repertoire 

if the medium is the message
then a large part of the message of organ music
has been tied to the uses of sacred space 

but darn it he plays well 

youwza! 

and no other instrument
no ensemble
has the same capability of dissociating
meter
figuration
and voice
into regions of the room

Five Sacred Songs for voice and small ensemble - Anton Webern - Halina Lukomska

syllable to note correspondence keeps it atomic
if it's not a note it isn't a part of music

Home Sweet Home - Frank Jenkins [from Allan Lowe's  Turn Me Loose White Man]

variations on a theme
in a pattern
marked by figuration

Just a Closer Walk With Thee - Stuart Hine - Prospect Choir

each beat
an accent
brings
out
the barbershop

Kind Hearted Woman Blues - Robert Johnson

casual consideration of the downbeat
held together by structural lyrics and timbral echoes between guitar and voice

Four Norwegian Moods - Igor Stravinsky - New York Philharmonic, Igor Stravinsky 

I could imagine this the soundtrack of a National Geographic newsreel
in which direction do these exotic pictures query?
east to west or west to east?
who commissioned this?

Violin Concerto in D - Erich Wolfgang Korngold - Stuttgart Radio Orchestra, Willy Mattes, Ulf Hoelscher

come see the view from here
isn't it lovely 

lifts itself to see
or steps up
then sinks back
into warm fine happy home 

plays between scrubby scrubby violin playing and singing singing violin playing
throw some sparkly dust around to make it swoony 

slow movement
I hear now how he echoes the sound of a violin within similar sounds in the orchestra ties colors together
halo 

scrubby finale ends 7 times over in quick succession

Night Train - Jimmy Forest [collected from Dave Marsh's The Heart of Rock & Soul]

the sax pitches lift into brightness
!honk! in your ear
train's air horn I suppose
happy party sultry blues

Farther Up The Road - Bobby Bland [collected from Dave Marsh's The Heart of Rock & Soul]

nearly a duplication of the ensemble in Night Train above if voice and sax could be counted as 

equivalent 

Four French Songs - [unknown composer(s)] - Betty Eisenbrey, Ronnie Martin

from a private tape
I must presume she was practicing these at home when I was little
so I've heard them before
but it has been some time since then

Everybody Loves a Winner - William Bell [collected from Dave Marsh's The Heart of Rock & Soul]

arranged to perfection
back up singers are brilliant

Breakers Off Baranquilla - Lake Washington Singers

from a private tape
the layers of its (that prior tape's) former medial states as they push stop and go off air in sequence

"...such words as it were vain to close..." - J. K. Randall - Lana Anikina Suran [from Open Space 40]


the logical and lyrical extremes of Debussyan clarity

Pastorale: The Color of Water - Neal Kosály-Meyer - Neal Kosály-Meyer [recorded October 4, 2010]

we discuss slowed down prepping for the next major performance in Snohomish
we talk about Gradus
I was using "my 'drothers"

Ain't Got You - Bruce Springsteen [from Tunnel of Love]

wooing the other
channel love
the subdued orchestration
probably didn't even need
as much as he used

October 20, 2020

Banned Rehearsal 283 - John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Marilyn Meyer, William Meyer

we are in a small room together
a busy infant is making busy infant sounds
while we strum bang pluck and blow
conversations cross intersect
and rebound in the room
from in and from out of the room
volitional? and not so much?
resplendently cruddy
when musicality is not a favored thing
neither input nor output
patience is required
musicality in some new form
may emerge someday
we finish with Stein
a reading

October 21, 2020

Explosion! - Shonen Knife [from Brand New Knife]

by the book maximum generic in your generic face corporate fabricated for genericness

F r AgMe Nt(s) - Marcus Oldham - Keith Eisenbrey [recorded March 11, 2007]

this was the last recording I made on the Yamaha 6' my folks bought for me in high school 

gesturally expressionist 
tightly coiled pitch work 
nothing is let go 
pulled back 
into 
close 
quarters 
clutched

Radio Nowhere - Bruce Springsteen [from Magic]

his vocal is buried deeper in the mix than is his usual custom
as best I can tell he's advertising the songishness of the song - not his best and only half finished at that

October 22, 2020

Sonata - Aaron Keyt - Keith Eisenbrey [recorded April 12, 2014]

removing tonal function and leaving only what?
common tone relations?
or not even that?
at least strong motivic gestural cross relations
the things that are going on together
may have difficult relations between themselves
but they are each
clearly
things going on
and it is together
that they are going on 

I dropped a lot of notes

Ranjana Phillauri - Diljit Diosanjh [from Bollygood Volume 2]

reverse exoticism
or succumbing -
(I want a portmanteau for succumbing and subsumption)
- to the powers that pay?
evidence that the sheer sound of pop is meaningless, empty.
the flavor of meaning only
#sincere

In Session at the Tintinabulary

October 19, 2020

Banned Telepath 64 Lake City Messages - Anna K, Neal Kosály-Meyer

Banned Telepath 64 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer

Banned Telepath 64 Toad Hall - Aaron Keyt

Banned Rehearsal 1012 - Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer

Aaron played drum at Toad Hall, Anna and Neal phoned from Lake City while Karen and I were playing in the Tintinabulary. Anna and Neal had also left some long messages so we added those in also 

Postscripts

no sign of years ago grill had but as
teddy buying the glass but nothing you
could call a name and on a dark night when

more than one
monologue in the world
the ground wind sees