Showing posts with label Motoko Honda. Show all posts
Showing posts with label Motoko Honda. Show all posts

Saturday, April 2, 2022

Playlist

Preface

"There are twin Gates of Sleep. One, they say, is made
of horn, and lets true visions pass through easily.
The other gleams with complex work in ivory,
but through it shades send lying visions to the light.
Anchises and the Sibyl brought Aeneas
to this gate and sent him through."

Vergil - "The Aeneid" (translated by Shadi Bartsch)

Texts

From Recent Arrivals

April 1, 2022

Particles of the Infinite Pt. V - Alex Anthony Faide, Alessandro Inolti [from Particles of the Infinite]

this vehicle has a loud engine
moves right along
buckle up

once outside
the perfumed fronds
brush so lightly
drugged so gently

"poppies, poppies, poppies . . ."

Remembrance - Motoko Honda

the figurations surrounding the melody
seem to imitate an orchestra
as it might be arranged for song production
(no that's not right) 

it becomes the flesh of its chords
which proceed like chord changes do
as a cyclic pattern
rather than
like a contrapuntally charged tonal progression
the chords change
but don't move or transform
remain
in some sense
atomic

Jibing - Amy Denio [from Chapel Sessions]

loop based I think
an increasing inhabitation
of muttering Amys

Prayer Variations - Alison Yun-Fei Jiang - Pathos Trio [from When Dark Sounds Collide: New Music for Percussion and Piano]

here we are floating
or
we were
perhaps sinking
there may be urgency
in our fleeing
hiding
breaking through
floating once more

Recorded

March 26, 2022

Ut, re, mi, fa, sol, la, FVB 101 - William Byrd - Claudio Columbo [from The Fitzwilliam Virginal Book]

ut and la are mordented
on their first appearances
up and down
in slow waves
of ut to la
et la to ut
cross ripples
from the edges of the pitch pool
reflect the upper
and lower
depths

Alma Redemptoris Mater - Peter Philips - The Tudor Consort, Peter Walls [from Cantiones Sacrae Quinis Vocubus]

it brings us along
as it moves through its moving alongness
each line
a station
moving
contemplation

Sonata in C minor, Kk. 174 - Domenico Scarlatti - Pieter-Jan Belder

brickwork
puzzle
mosaic
a size
is a size
until the back half
generates its own back half
stranding a front half
in the vanishing chamber

11 Bagatelles, Op. 119 - Ludwig van Beethoven - Stephen Kovacevich

re-inventing the old ways
to seek where they might go next
between Chopin type preludes
and Schumann type character pieces
and Beethoven type variations
they interlock
outside their perimeters 

children's stories 

Waltz in F Major, Op. 34 #3 - Frédéric Chopin - Alfred Cortot (1943)

weightless
fleet
take a bow

Original Jelly Roll Blues (take 1) - Jelly Roll Morton and His Red Hot Peppers [from Jelly Roll Morton and His Red Hot Peppers, Chicago Days]

keep your ear on the tune
don't let it sneak up behind you

Carelessly - Billie Holiday, Teddy Wilson [from Lady Day: The Complete Billie Holiday on Columbia]

the first bars
are in a quicker harmonic tempo
than that
in which
the song proper
lives

Max Making Wax - Charlie Parker [from The Complete Savoy and Dial Master Takes]

moving too fast to stop now
spit it out

Teenage Letter - Jerry Lee Lewis [from Rare and Rockin']

Jerry and Jelly
share nominative syllable count
backseat makeout
pressure tactics

Hello Little Girl - The Beatles [from The Beatles Anthology Volume 1]

these older guys
sure do spend a lot of time
on little girls

Prelude in G minor - Lockrem Johnson - Keith Eisenbrey [recorded March 18, 2022]

pretty good (my playing)
it could use a more varied touch in places
especially the beginning

The World is a Ghetto - War [collected from Dave Marsh's The Heart of Rock & Soul]

composed throughout
moves are earned
prepared
followed up

Holidays in the Sun - The Sex Pistols [collected from Dave Marsh's The Heart of Rock & Soul]

drum strikes
crunch
like marching boots
attitude
as marketable commodity
typecasting

Someone Like You / Walkin' Cane - The Knitters [from Poor Little Critter on the Road]

it's difficult to lampoon country music
it has such a deficit of irony in general
that the lampooning
is swallowed up
without so much as a twinge
absorbed 

fireside hootenanny singalongs

to the cemetery
walkin'
from the boneyard
dancing

March 27, 2022

Banned Rehearsal 114 - Karen Eisenbrey, Keith Eisenbrey, Julie F, Anna K, Aaron Keyt, Neal Kosály-Meyer [March 21, 1987]

in the mix
it is as though
we were all in the room
together
though
we were actually separated
along the coast
and by time
Karen and I
made our tape
quite late in the evening 

do you like my party hat?

{from my journal entry of June 3, 1988:

much better balanced than 113
some talk about smoking
percussive guitar and catalog work
nice vocal solo with mbiru Keith!
actually one of the most enjoyable telepath tapes
as a mix
in a while
sleepy again
going to town
on fishwhistle
rhythm of speech
underneath
Morris the Cat
enough cross-talking
to make it really quite beautiful
layered}

Soul Driver - Bruce Springsteen [from Human Touch]

interesting mix for Bruce
each instrument track remains clearly itself
they don't meld into a mush
like they often do
similar vocal delivery to Star Anna 

Weary American Country Blues

Banned Rehearsal 470 - Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [October 25, 1997]

some kitcheny rattle rhythms
Uncle W snoring melodiously
in the easy chair
bells need shaking
chatter among the guitars
Uncle W has stopped snoring
picked it up again
elaborate preparations
and fine chatter
a new phase
celebrated by truly tinkly bells
ah yes
Uncle W has awakened at last
conversation picks up
still gotta shake things though
that task never really ends
this
may yet be cooking
going on
chemical processes
application of heat
agitating
stirring
kneading
ingredient economy
open plan improvising

a rules girl
some Vegas crooner
from radio land
I don't think we're in the kitchen anymore
though still the shaker shakes
Aaron finds wolves in his synthesizer
we have entered Uncle W's snore
we search out its cavernous sinuses
for the Chamber of Resonance
we'll have to go by plane
ride the wind
will wake up
when supper is ready
messages from
journey
to the center
of the slumber
explorers of the past
the past passed
dragon rumors persist
tap the metal walls
our lights search the shape of our containers
quiet drum beat
friendly
in one space
made of inter-rotating
distinct
spaces
distinct
in that
they have
distinct methods
of distinguishing
their shape
to themselves
we may have found
snore central
the much renowned
Chamber of Resonance
in the center
of Uncle W's
capacious
schnozz 

still get radio in here
who knew?

{from my journal entry of September 16, 2005:

sound (tech) is pretty good in this one
I wonder if we had moved the microphones by this [time]?
focused murmurs
we speak as though into cans}

March 28, 2022

Grandmother Cedar Tree - Johnny Moses [from When Humans Thought They Were People]

inter-generational care
socialization

Consider the Birds, Mix 2 - Keith Eisenbrey [February 3, 2007]

from multiple locations
within an interior
critters
tap and hoot
a texture
that undulates
in numerous
familial
interactions
there is no single path of attention
it desires
a field of communications
in action
sparks
move along the paths
they make themselves
node to node

Overture - Tyrannosaurus Grace [from Much More Than A Story]

going prog
light show ready

March 29, 2022

Maple Leaf 170326 - Keith Eisenbrey [March 26, 2017]

five years and three days ago
in our yard
we had loaned it
to an urban farm co-op
the year before
so I placed the device
next to the remains of some kale
if one knows what to listen for
I can be heard in the kitchen
making coffee
we are a block or so from a 4-lane highway
so there is plenty of traffic sound
crows song birds air traffic a seagull
crows caw in groups of evenly separated calls
the count varies
but amounts to a kind of spaced out mathematics
are there local dialects of crow caw lingo?
some human person sings something
while they walk by
full voice
I think some bird or other
must  be on the ground
very near the device
though it might be a squirrel
short sharp chirps
interesting chatter among yard kind
very quick
hummingbird?
a mob of something chirpy
erupts in the distance
crows can be quite stern
there's me tromping out to put a stop to it

Infrathin Condition 8 - Doug Haire [from Infrathin Conditions]

the unimaginable magnitude of perception

Ut, me, re, Fvb 102 - William Byrd - Claudio Columbo [from The Fitzwilliam Virginal Book]

and chains thereof
ascending
with mordents
given how few
these days
speak tonal
as it were
do any
still
really
speak tetrachordal? 

multiple
ever shifting frames
of functionality
implying
who knows what
economies of thought

Schweigt stille, plaudert nicht, BWV 211 - Johann Sebastian Bach - Berlin Philharmonic Orchestra, Karl Foster, Dietrich Fischer-Dieskau, Lisa Otto, Josef Traxel

Fischer-Dieskau at his most egregious
over acting
and over-engineered
they sat the flautist right next to me
did Bach's orchestras use transverse flutes? 

a woman's desires
(as opposed to
her father
and her marriage prospects)
treated
as humor fodder
all the Dad hears
is tootling 

default legato strings

Take Me to the Water - Rev. E. D. Campbell [from Goodbye, Babylon]

recording of a performed baptism
sounds like a holler
but it's a chant
shaman-adjacent
an honest attempt
to understand
and echo
what was presumed
to have been meant
by John the Baptist

If I Had Possession over Judgment Day - Robert Johnson [from The Complete Recordings]

his intro riffs
are more like checking his tuning
than anything more compositional
he matches his vocal delivery
to different positions
on the figures
on the guitar

Sally Walker - Lead Belly [from Where Did You Sleep Last Night, Lead Belly Legacy Volume 1]

includes instructions
for the party game
doesn't matter
who's in the chair
it's got to be a Walker

Sweet and Easy to Love - Roy Orbison [from Sun Records Definitive Hits]

bop de wadda wadda wah
sweeter than easy
does Roy know what they're saying behind him?

Where Have You Been All My Life - The Beatles [from First Live Recordings, Volume 1]

recorded with what?
even then
vocal amplification couldn't keep up

Tramp - Otis Redding and Carla Thomas [collected from Dave Marsh's The Heart of Rock & Soul]

any big show
needed a comedy number
smack down
rhythm play
also
allows the man to brag in public

Could It Be I'm Falling In Love - The Spinners [collected from Dave Marsh's The Heart of Rock & Soul]

the opening figures
in the bells
and then
the strings
each
rise
in an imitation
of the inflection
of inquiry 

the whole thing sits up high there

Go Your Own Way - Fleetwood Mac [collected from Dave Marsh's The Heart of Rock & Soul]

covered by a sheen
from head to toe

Riding With Mary - X [from Under the Big Black Sun]

the difference between the verse and the chorus
registers
as a small change
in the ongoing texture
constant in all possible other ways

March 30, 2022

Banned Sectional 6 AK NWM - Aaron Keyt, Neal Kosály-Meyer [March 21, 1987]

pipe organ and piano
in a big space
so tempting
a large scale painting in oils
and a small ink drawing
chat
color
and figuration
on each other's duds
there's the big Bundler
after which
we calm down for a bit 

a challenge
in pairing piano and organ
the piano's sound
all emanates
from a specific place
from an object
in a room
its size
as a sound
within the space
is limited
and fixed
the organ's sounds
come into our space
and inhabit that space with us
this aspect of organ sound
is almost impossible to capture in a recording
with the result
that
the perceived sound
shrinks abysmally
as though
we were hearing it
the wrong way
down a telescope
the piano sound
keeps more of its presence on recordings
generally
but little of its resonance can be heard
through even the organ's shrunken sound
neither comes off particularly well 

they do manage to find some nice conjoined places
especially toward the end
despite the systemic challenges

Nuthin' But a "G" Thang - Dr. Dre (feat. Snoop Doggy Dog)

rhyme games
word play
like
what bebop was
to the tin pan alley
word play
as to
tin pan alley
tunes

Velvet Rope - Janet Jackson [from The Velvet Rope]

at home
within a complex social/rhythmic environment
it works
if you can create multiples as needed

PC KEE 020303 - Pete Comley, Keith Eisenbrey [March 3, 2002]

Pete had asked me to bring my Silvertone hollow body and Sunn Stinger over to play
while he spun vinyl
through boxes and devices
unnamable
everything
was recorded
and mixed
on-line
without microphones
another channel in his mix
it was an unusual experience for me
having no idea
whether what I was doing
would make a sound
out there
it's hard to believe
it was 20 years ago 

Pete has a unique collection of vinyl
sounds of history
sound effects
birds
and music of various varieties
a sound poem
of the randomishly curated past
somehow my electric guitar stylings
fit right in
with this
psychedelic junkheap
of sound
should I be unsurprised?
switch toggling rhythm
effects play
pile off the road
on the high side
a weapon of destruction
a silent movie
without the movie
it will be on your conscience
it happens all too often
in Volkswagon engines
unmerchantable wood
everything must go

March 31, 2022

Postcard - Curtains For You [from Heaven's Waiting]

it ends in the air
though without an anticipated cadence
more like
an anticipated fade-out

What's Wanting For (Karen and Neal duet) (final) - Your Mother Should Know [March 20, 2012]

this version is a bit of a mess
the two vocal conceptions don't gel

Earplug Girl - Alone in Dead Bars [recorded live at Victory Lounge, Seattle, on July 15, 2017]

a loud song
about a loud band
and a girl

Banned Telepath 82 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer [February 28, 2022]

the wettest last day ever
and so viola
low tech
and hi tech
admonishments
string tones
pots and pans tones
electronically processed tones
each quite distinct
though our activities
are each scribbly
in nature
or perhaps
doodly
is more accurate
there is intent
pots and pans
give way
to kora
which sounds a bit like a viola
but held
more inside itself

beware the mermaids should they sing 

the various tones or timbres in play
find modes of connecting amongst themselves

Fantasia, Fvb. 103 - William Byrd - Claudio Columbo [from The Fitzwilliam Virginal Book]

by then it was clear
that the rhythmic outlines of one's subjects were composable
so as
to have effect
upon
or within
the textural design of the whole 

similarly as to their pitch structures

My Daddy's Got a Brand New Way to Love - Alberta Hunter, Price Goodson, Da Costa Woltz's Southern Broadcasters [from Allen Lowe's Turn Me Loose White Man]

"My Boy"
in the older
night time
America

kept the London Bridge
from falling down

Little Red Caboose - The Pickar Family [from Evans 78s]

song as a carrier wave
for light verse
newspapers had recipes
and these also

Placetas - Chano Pozo and Orchestra [from Allen Lowe's Turn Me Loose White Man]

did aspects of African drumming
transfer more intactly
to the Caribbean
than to the Southern USofA
or did they just survive longer?

I may have a tin ear for this
but there is a distinct similarity here
to what I have heard
of the music of Burundi
(which is not a great deal)

Rock-A-Billy - Guy Mitchell [a Rescued Record]

a history of sorts
Billy as in hillbilly
I don't think guy is one

In Session at the Tintinabulary

March 28, 2022

Banned Telepath 84 Lost Again - Steve Kennedy

Banned Telepath 84 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey

March 30, 2022

Rounds for Aaron (fourth bit) - Keith Eisenbrey

Joshua Tree Prelude 7 - Aaron Keyt

April 1, 2022

Rounds for Aaron (last bit) - Keith Eisenbrey

I still need to put all these together

Banned Telepath 84 Toad Hall - Aaron Keyt

Banned Rehearsal 1048 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt

The Telepaths 84 assembled

Postscripts

Skaldmud's Doodle Gallery 

more doodles from 1988






Saturday, February 19, 2022

Playlist

Preface

"But ambiguity, specifically the ambiguities of outcomes as between stimuli and responses, between actions and experiences, seems ontologically contained within the very being of the experiential. And while every experiential outcome is internally absolute, holistic, and determinate, the ambiguities ensure the indeterminacy of any one outcome relative to any other; and the ontological ambiguity issuing from the awareness that any construal of experience, any individual instance of experience, is ultimately indefinitive relative to any other either between or within individual persons - such ambiguity inscribes the aura of unlimited new-revelatory possibility that pervades the psychic territory of the experiential. [For everything in experience is determined within each span of receptual-event-time, and everything experiential is absolutely indeterminate prior to a receiving event, unsusceptible to anterior prediction. That means that I can't even mentalize the specificity of any experiential music-event because its only specificity is itself: its determinate feel; that is, that in this case, mentalizing the music and mentalizing the experience of the music cannot be discerned or practiced as distinct different mentalizing acts.]"

Benjamin Boretz - "inside in, outside out" from "inside in . . . / . . . outside out" Open Space Publications, 2020

Texts

Streaming

February 15, 2022

Soundbox 2: Millenial Sunset - Tristan Gianola 

Tristan Gianola, Electric Guitar/Electronics; Jake Sele, Narrator; Heather Bentley, Amplified Violin; Alina To, Amplified Violin; Alex Guy, Amplified Viola; Maria Schere Wilson, Amplified Cello

Once again I missed the original stream on the 11th, but was able to check in later. 

voice of
trapped
competitive despair
in isolation
marooned abandoned
unremitting self
personal outlook
bleaker than thou
shouts itself down
existential anxiety
exploded outward
cheery fellow
doomscroll

mythos
last living boy in New York
big screen dystopia
see Planet of the Apes
Damn You All To Hell
romanticized
passive death

From Recent Arrivals

February 16, 2022

Drifting Day 2 Take 1 - Motoko Honda - Motoko Honda

solo piano
stepwise noodling
varied diatonic accompaniments
activity tracks energy
focus is on the figurational flux

February 18, 2022

After Tonight - Mariah Carey [from Rainbow]

bimodal vocal:
cheek-to-cheek-dance earwhisper
and full-voice cryout
switching quickly
either actually
or manufacturally
a self-duet

I Wanna Be Where You Are - Michael Jackson [from Got to Be There]

not showing a lot of range here
but he was only 13

Easy Living - Miles Davis [from Miles Davis Plays for Lovers]

they'll all get there
one beat or another
stutter breath between verses
always exactly together

The Night Has a Thousand Eyes - Morgana King [from Miss Morgana King]

show-off technique
at the service of tasteless sophistication 

love it

Recorded

February 12, 2022

If You'll Let Me Be Your Little Sweetheart - Gene Autry [from Evans 78s]

sentimental view
of the old ways
even back then
paternalist protection plan

Duncan and Brady - Lead Belly [from Where Did You Sleep Last Night, a Lead Belly Legacy]

a murderer and his victim
discussing calibers of guns?
the same couplets
circle around

What Is This Thing Called Love - Charlie Parker [from The Cole Porter Song Book]

big bands were possible
because labor was cheap?
back to the economics of nightclubs
in the 40s and 50s

On Green Mountain, for jazz ensemble - Harold Shapero - Boston Modern Orchestra Project, Gil Rose

more big band sound
with harp
the sensibility
with which the passacaglia theme puts itself together
is more 19th Century European
than jazzy-chord-change
- it cadences
which may be the oddity of this
a big band piece
that speaks tonal
Haydnesque
cadence oriented phrases

Keep Your Hands Off My Baby - Little Eva [collected from Dave Marsh's The Heart of Rock & Soul]

Ha-aaands
Ba-aaa-by
Ti-ime
He-ead
the melody is composed
and the lyrics
so that certain open vowels
can punch the microphone

Lo, How a Rose - The Philadelphia Brass Ensemble [from A Festival of Carols]

stately, plump

Missa Brevis - Vivian Fine - Jan DeGaetani, Eric Barlett, David Finckel, Michael Finckel, Maxine Newman

four cellos
and taped voice
music minus the other one

old culture is encoded
into every sound of this
the tape has an audible hiss glow of presence
but the gimmick
is a small part of what this is
it would work just as well
with four singer clones
it being
the identity of the singers
rather than its tapedness
that is the compositional thrust
a preternaturally blended choir
the cellos
should be played by clones also
||
back to the culture encoding
discussions of the individual
and identity
and community
it takes place
in an empty space
in the earmind
a chamber
architected
out of encoded culture's obsessions
anxieties

this is a pretty nifty piece of composition
under scrutiny

February 13, 2022

Jahreslauf - Karlheinz Stockhausen

enter with bells and clangor
they come
they go
another slow procession
the processors
are all in slow motion
possibly circling
time is kept
drums punctuate
flowers arrive
and are announced
in base 10
does it mean
what it stands for? 

we are deliberate
we go through all the steps
nothing will hurry it along
gravity
don't you know
so heavy
traffic has arrived
with honkers
and prizes are offered
a recorded big band sound drifts by
in a haze of bubble
and party lights
perhaps Stan Freburg
hired them out
bombs go off
the old clock
is winding down
tipping
slowly
over the edge 

down it goes

It's Your Turn - The Who [from It's Hard]

celebrating something
ridicule perhaps
whatever it is
it has got to be said
with loudmouth effort

Standing Waves-78/87 - Stuart Dempster

inhabiting a volume
into
its queer corners
its distant apses

February 14, 2022

Banned Rehearsal 310 - John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [October 30, 1992]

questions one might ask
of a music:
A
what sounds are in it?
B
what sorts of things are happening simultaneously?
C
what types of things establish boundaries?
vertically or horizontally?
D
how does it fill up its time?
vertically or horizontally?
E
how distant from me
does it feel?
F
how are connections made?

A
vocal sounds
both singing and speaking
B
ditto
C
vertically
voice
and the distinction between singing and speaking
horizontally
breath
word
syllables
pitch
D
vertically
transparently
horizontally
overlapping activities
of various independence
E
in the same room
family intimate
F
lexical ideas
transfer
from layer to layer
recognizable answers
conversational procedures
sharing of phoneme sets
pitch play
pulse play

suddenly Old Mcdonald makes an appearance
must be heard to be believed
choo choo
vacuum
if a vacuum
is an absence of matter
in space
why do you need to clean it?

applause
play

I am unspooled
by no one

{from my journal entry of June 6, 1995:

Baboo!
Lion
sheep
vocalizings
John knows animal sounds
vocalizations
Big! EAST
up
car
dizzy wizzy
Ring Round Rosie}

February 15, 2022

Things Fall Apart - Mary Lee Roberts [from Open Space 9]

partial sounds
chopped and smooth
or both
rooms inside rooms
liquid swells

speech from outside

Jeremiah 17: 5-8 - Keith Eisenbrey - Karen Eisenbrey, Keith Eisenbrey [recorded live at University Temple United Methodist Church on February 23, 2002]

my recording levels were so low
some of the keyboard part is lost
Karen sounds good though

Knight in Armor - Low Hums [from Sounds of Speakers]

bass and drums
an occasional vibraphone strike
now a shaker
the pitch of the bass shifts
but only to shift back
big shaker episode
a guitar I guess
possibly synth
definitely a post early Pink Floyd groove
we shut it down slow
modularly

What's Wanting For (draft) - Your Mother Should Know [May 1, 2012]

a bridge loaded with similes
never have been sure how Ecclesiastes got in there
guitar and drums sound good

Different Now - Chastity Belt [from I Used To Spend So Much Time Alone]

self instructive beat construction
lyrics applied sparingly
could be reflexive
or advice
or both

Banned Rehearsal 1044 - C, D, Karen Eisenbrey, Keith Eisenbrey, Ahava K, Anna K, Neal Kosály-Meyer

after adjustments of position and equipment
we begin together
the goal
is to broaden
to open
to widen
with focus
earth firmly underfoot 

a different household wires in
wirelessly
from Lake City
households converse
it persists
in its own sputtery space
quietly about its business
until Tam Tam
awakens
Lake City
gently
now done

February 16, 2022

Pavana, Fvb 85 - Peter Philips - Claudio Columbo [from The Fitzwilliam Virginal Book]

the three types of motion
as commonly abstracted
similar
oblique
and contrary 

but the particular intervals
involved in any one case
both absolute
and functional
complicate the question
past the point of possible
denial
or confirmation

Partita in C minor - Johann Sebastian Bach - Gunther Hasselmann

each bit
tells a portion
of the argument
placard-like
the motions
are not just between voices
but
between figuration complexes
as both wholes
and
as internally moving wholes
and parts

I note that he skips the mordant
in the Courante
that was giving me the puzzlements this morning

so that
it can seem
to go sideways

Sonata in F Major, Kk. 168 - Domenico Scarlatti - Pieter-Jan Belder

he digresses upon himself
comes back around from elsewhere
so that
where you started
is no longer
where you started
but
where you passed through
on the way to

oops
done

Symphony in A Major, Op. 92 (#7) - Ludwig van Beethoven - Berlin Philharmonic, Herbert van Karajan

pressure against a barrier
flowering
spills over
as pressure builds
the lid suffers damage
its joints
loosen
punchy punctuation
echoed later
by piano punctuation
(no punch!)
in a similar structural location
violins
biding time

Waltz in C-sharp minor, Op. 64 #2 - Frédéric Chopin - Peter Katin

chromatic complexes
establish
a key of their own
a key of distances
within
another sense
of key

New Orleans Lowdown - Duke Ellington, B. Miley [from Allen Lowe's Really The Blues]

more
blueser
than
you sir

Beautiful Love - Art Tatum [from Classic Early Solos]

so:
Liszt Chopin CPE Bach and Liberace
all crowd into the same pianist

In Sentimental Mood - Florence Price - Lara Downes

I would watch that movie
somewhere between Joplin and Evans

Hey, Bo Diddley - Bo Diddley [collected from Neal Kosály-Meyer's Bo and the Beat]

a brag
on a train chug rhythm
with punch

Road Runner - The Ventures [from Walk Don't Run]

pre-meepmeep
cruisin' tune
beatnik nerves
greaser cool

24 Preludes, Preludes 17-24 - Lockrem Johnson - Keith Eisenbrey [recorded live at University Temple United Methodist Church, Seattle, on June 21, 2003]

I was sure I had played these
on a recital
at some point
but had had no record of it 

I was cleaning out my desk
when I found copies
of the program
kept
for scratch paper
and
thus
had
a date
and so
found
the DAT
oh joy 

mostly played pretty well

May I - Maurice Williams and the Zodiaks [collected from Dave Marsh's The Heart of Rock & Soul]

chromatic dips
falsetto harmonies
and oobie-doobies
what's not to like 

however
there is a reason musicians chafed
at 2 minutes 30

Peter's Jones - Bloodstone [a Rescued Record]

funk
mixed up
call and response
rides a groove
for dancing

Ebb Tide - Elaine Barkin - Kenneth McGrath, Aaron Smith [from Open Space 16]

tentative
searching
touch
pull back
retouch 

two vibraphones

magic wetlands
crabs
under cover
of rocks
pools
anemones
limpets
barnacles

Allentown - Billy Joel [from The Essential Billy Joel]

on Springsteen's turf
this is just lame
journalistical

Assembly Rechoired 18 - Karen Eisenbrey, Keith Eisenbrey [March 14, 1987]

a cat
is purring
in the microphone
Anarchy or Amnehitabel 

once again
I am playing with tape recorders
leftover silly
from the session with Paul
and Happy Birthday
a bad case of chipmunks
Aaronsbundler
to the rescue 

for a session that starts out pretty quiet
this one goes hog bonkers 

one more generation
one last generation
a truly silly noise
with hints of a speech rhythm 

play it again

February 17, 2022

Colorscope - Michael C. Viens - Slovak Radio Symphony Orchestra, Robert Stankovsy, Volker Schwarz

sophisticated naivete
or naive sophistication
or naive naivete
with some arrangement chops
precious
looking firmly back
one presumes
it adequately fulfilled
a commission

Banned Rehearsal 464 (digital) - Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály- Meyer

my journal entry of February 17, 2022
{from my journal entry of June 28, 2005:

heavy on bass
the drums
a dense opaqueish roar
do the sounds lack presence
or is their presence obscured by the drums
this recording is largely the victim of poor mic placement
I wonder if the general EQ
couldn't be amended toward the high end
it just seems dull and heavy
claustric

Not the First Time - The Humidiflyers [from Blue Ducky EP]

a reminder
in time of trouble
make a big rolling noise about it

Consider the Birds 13 - Keith Eisenbrey [February 3, 2007]

starts tiny or distant
some sounds
seem to echo off
some sit still
or ask questions
or whisper
patient
waiting out the night
one louder sound
like a sneeze
echoes off
with the others
we
are the sole speakers
of our idiowhims

We Were Young - Youth Rescue Mission [recorded live at the High Dive, Seattle, April 6, 2012]

the slow liquid affect
of the vocals
makes their downbeats
sound like the offbeats
assisted
by heavy
or nonexistent
actual offbeats
and imprecise syncopation

Ghosting Doubles (first sighting) - Keith Eisenbrey [recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, on March 24, 2018]

technically
they're inverted quasi-doubles
in a baroque double
the bass parts remain the same
as in the original
and the melody
is an ornamented form
of the original
here
the melody
remains identical
and the alternate accompaniments
are paired with it
(and derived from it)
or
the original is left out
ghosted
as it were 

Amy Denio has my undying gratitude for allowing me the use of her tune

1~~-~-~-~~-~~-~-~~-~-(Rojahn Remix) - Lost Chocolate Lab [from (Previously) Clean]

guitar
incites a throb in the basement
cut loose
it drifts into clouds
solid thinking

In Session at the Tintinabulary

February 13, 2022

Banned Telepath 81 South - Steve Kennedy

February 14, 2022

Banned Telepath 81 Tintinabulary - Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer

February 17, 2022

Banned Telepath 81 Toad Hall - Aaron Keyt

Banned Rehearsal 1045 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer

February 18, 2022

Anybody's Fingerbook 3x3 (augmentational) A B C - Keith Eisenbrey

Postscripts

Skaldmud's Doodle Gallery 

more doodles from 1987