Showing posts with label Walter Piston. Show all posts
Showing posts with label Walter Piston. Show all posts

Saturday, May 2, 2015

Playlist

Recorded

April 28, 2015
You Don't Know Like I Know - Sam and Dave - [collected from Dave Marsh's Heart of Rock and Soul]

The sound most upfront in the mix is tambourine. Vocals aren't buried, but they're within the sound, and seem to drift a little further back by the end.

Recital - Luciano Berio - Cathy Berberian

hiding behind not hiding behind, or how we forget the puppeteer.

Concerto for String Quartet, Brass, Winds & Percussion - Walter Piston - Seattle Symphony, Gerard Schwarz [recorded from a radio broadcast]

A nice enough piece, by the book.

She's Got A Way - Billy Joel [from The Essential Billy Joel]
Under African Skies - Paul Simon [from The Essential Paul Simon]

I guess I'm a sucker for essentials.

Michael Leese
WYSIWYG - Michael Leese - Trinity Chamber Players

Ages ago, it seems, I was active on the classical music forum on CompuServe and got acquainted with Micheal. He and I shared some sounds and then lost track of each other as the internet morphed under us. I was saddened to learn, as I looked him up this afternoon, that he passed away a few years ago, far too soon, at the age of 49.

The whole stays put.
Through it details flow, either pitchvertical or pointblankhorizontal.

Distance, Dance, Discern - Ryan Hare [from Intrada]

The relation between what is electronic-produced and what is acoustic-recorded is here uneasy. the EP is in a big space or makes a miniature me. AR is practice-room flat. Each pushes the other to be the real, neither vanquishes.

In Session at the Tintinabulary

April 26, 2015
Duet 150426 - Keith Eisenbrey

This Sunday's improvised solo duet was on a child-sized solid body electric guitar and a softball sized ocarina.

April 27, 2015
Banned Telepath 33 150427 Seattle
Banned Telepath 33 150427 Somerville
Banned Rehearsal 884 150427 - Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer (in Seattle); Aaron Keyt (in Somerville)


Aaron's portion was delivered with a warning that MIT Press publishes some interesting lists.

Saturday, February 5, 2011

Playlist

Recorded

1/30/2011
Violin Concerto - Roger Sessions - Orchestre Philharmonique de l'Office de la Radio diffusion-Television Francais/Gunther Schuller/Paul Zukofsky

Robustly lyrical counterpoint.

Tango - Stravinsky - Noel Lee

tight as tight can make it

Mean To Me - Dizzy Gillespie & Orchestra/Sarah Vaughan

chromatically adept - a perfect picture of transparent subtlety.

Symphony #4 - Walter Piston - Seattle SO/Gerard Scwharz

The back ends of these movements sink down into some very interesting holes.

2/1/2011
The Sun Sessions - Elvis Presley

2/3/2/11
Perfidia - The Ventures
Love Is Strange (album) - Mickey & Sylvia

It is difficult to imagine a modern engineer allowing such a completely integrated sound, where every sound bleeds into every other. This pair was complete dynamite. The songs as songs vary in quality but the chemistry makes it impossible to really dislike anything about it.

Japan - Stockhausen

Live

1/29/2011
The Barber of Seville - Rossini - Seattle Opera/Dean Williamson - at McCaw Hall, Seattle

A wee bit of disclosure: Dean and I were high-school classmates, and used to play piano duets together (I remember mostly Ravel & Brahms). Since he is a foot or more taller than I am it was quite a sight.

A light farce, amazingly enjoyable after all these years. I had forgotten how few women's voices there are in the show. It portrays a society of men, in which women must scheme like the dickens to get what they want. This subversion is shared with Le Nozze de Figaro, although that story has subversion to spare.

1/31/2011
Gradus 186 - Neal Meyer